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6,3/10
1090
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Mae Martin ci mostra un mondo che è andato fuori dai binari. Uno spettacolo che ci parla su il mitico incontro con un alce e lo spettro del concetto di genere nella storia: "La bella e la be... Leggi tuttoMae Martin ci mostra un mondo che è andato fuori dai binari. Uno spettacolo che ci parla su il mitico incontro con un alce e lo spettro del concetto di genere nella storia: "La bella e la bestia".Mae Martin ci mostra un mondo che è andato fuori dai binari. Uno spettacolo che ci parla su il mitico incontro con un alce e lo spettro del concetto di genere nella storia: "La bella e la bestia".
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Based on some of the other reviews I've read, I think that perhaps this special isnt for everyone, and thats okay. Personally, I laughed a ton throughout, *like* to the point of having coughing fits because im still recovering from a cold.
I found it to be intellectually stimulating while providing good laughs. Mae Martin is incredibly introspective, perhaps to their detriment sometimes. It creates the stage for unique jokes, which landed for me, though I could understand if others don't appreciate it. If you're looking for cheap, hacky laughs or those based on vulgarity, you will not find it here. If you enjoy thought-provoking comedy and enjoyed Feel Good, you may just find this to be as brilliantly written as I did.
I found it to be intellectually stimulating while providing good laughs. Mae Martin is incredibly introspective, perhaps to their detriment sometimes. It creates the stage for unique jokes, which landed for me, though I could understand if others don't appreciate it. If you're looking for cheap, hacky laughs or those based on vulgarity, you will not find it here. If you enjoy thought-provoking comedy and enjoyed Feel Good, you may just find this to be as brilliantly written as I did.
Mae arrives on Netflix with a characteristically understated live special, with only a sort of semi-meta bit of bumpering with the great Phil Burgers (also in Feel Good) as adornment. I think the direction was similarly bare bones but the material was solid and Mae is so effortlessly charismatic, with their slightly-overwhelmed-to-even-be-speaking-in-public vibe. The comedy is a niche sort of vibe tonally and strikes a strange place between introspective tangents of tremendous earnestness and stabs of surreal bluntitude. Whether they nail "the big message" or not is neither here nor there, this is them fairly unvarnished and I can dig it.
I keep submitting this review and it doesn't post.???
I can't say I laughed uproariously during this comedy special, but I did smile pretty often. Mae is very engaging and it was a pleasant watch. I'd watch future shows by them.
As I remember, the doggy style section and callbacks were the funniest parts.
Mae has a fun stage presence. Very likeable.
There seems to be a trend in comedy specials where to me, they seem more like one-person shows than all-out comedy. Rothaniel, which I also enjoyed, was another one, as I remember. I guess the difference is that these shows seem much more personal-story based, and that's okay.
I can't say I laughed uproariously during this comedy special, but I did smile pretty often. Mae is very engaging and it was a pleasant watch. I'd watch future shows by them.
As I remember, the doggy style section and callbacks were the funniest parts.
Mae has a fun stage presence. Very likeable.
There seems to be a trend in comedy specials where to me, they seem more like one-person shows than all-out comedy. Rothaniel, which I also enjoyed, was another one, as I remember. I guess the difference is that these shows seem much more personal-story based, and that's okay.
I have been a big fan of Mae's for a long time now, having first seen them on Russel Howards Good News years ago (back when they did comedy songs with a guitar), I was also lucky enough to see them live in Brighton just before the pandemic.
I am not sure why, perhaps the editing or pacing, or just the material itself, but this just didn't hit the mark as much as usual. It felt slightly awkward, subdued and stunted. By no means a bad comedy special, but never reaches the heights of their previous material in my opinion.
Raises a few giggles and had me smiling throughout, but never really laughing out loud.
If your are a fan of Mae's its obviously worth checking out, just don't expect too much!
I am not sure why, perhaps the editing or pacing, or just the material itself, but this just didn't hit the mark as much as usual. It felt slightly awkward, subdued and stunted. By no means a bad comedy special, but never reaches the heights of their previous material in my opinion.
Raises a few giggles and had me smiling throughout, but never really laughing out loud.
If your are a fan of Mae's its obviously worth checking out, just don't expect too much!
I was excited to see that Mae Martin had a Netflix special; I enjoyed Feel Good and find Mae charming and likable. I thought the special would be an opportunity for Mae to showcase their talents as a comedian because the content of Feel Good was mostly autobiographical. This is a disappointing special. There are some rambling mildly amusing anecdotes, but there aren't any funny lines. I don't think I laughed once watching the entire thing. I still like Mae's style and personality and find them sincere and amusing, but this isn't comedy. This is like watching a monologue of a person who I would find interesting to talk with at a party. It's also sad that Mae calls out comedians like Louis CK and Dave Chapelle in a desperate attempt to score political points when they can't get a laugh from their audience. If you're going toe-to-toe with some of the GOATS then you need better material.
Lo sapevi?
- ConnessioniReferences La bella e la bestia (1991)
- Colonne sonoreThe Lions Sleeps Tonight
Written by Solomon Linda, Hugo Peretti, Luigi Creatore, George David Weiss and Albert Stanton
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- 梅.馬丁:原汁原味
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- Tempo di esecuzione
- 1h 10min(70 min)
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