Miguel Gomes Grand Tour is a visually mesmerizing film that feels like a love letter to Asia, celebrating its rich cultural heritage and landscapes. Every shot is carefully composed, with meticulous attention to framing and timing, creating a sense of immersion that invites the viewer into the world of the film. The use of real locations adds depth and authenticity, making the setting feel like an integral part of the story rather than just a backdrop.
The first chapter follows Edward as he flees from his fiancée, Molly, and embarks on a directionless journey. This section feels disconnected and almost lost, much like Edward himself. It's as the film is reflecting his emotional state aimlessly wandering without a clear path, allowing chance encounters to dictate his course.
In contrast, the second chapter, which follows Molly's determined pursuit of Edward, has a more defined sense of purpose. As she chases him across Asia, the narrative feels tighter, with more focus and direction. Molly's clear objective helps guide the audience through her journey, making it easier to connect with her.
The dialogue, primarily in Portuguese, was a refreshing highlight, and I found myself wishing for even more of it. It's rare for me to see a film where Portuguese takes center stage, and it adds another layer of uniqueness to the film.
In the end, Grand Tour is a beautiful, contemplative work, filled with stunning visuals, soundtrack and a clear sense of care in every frame. It's clear to see why Gomes was awarded Best Director at Cannes his passion for both the story and the setting is palpable in every moment.
