Due liceali nullatenenti decidono di imbucarsi all'ultima grande festa prima del nuovo millennio, la notte di Capodanno del 1999. La notte diventa ancora più folle di quanto potessero immagi... Leggi tuttoDue liceali nullatenenti decidono di imbucarsi all'ultima grande festa prima del nuovo millennio, la notte di Capodanno del 1999. La notte diventa ancora più folle di quanto potessero immaginare quando l'orologio segna la mezzanotte.Due liceali nullatenenti decidono di imbucarsi all'ultima grande festa prima del nuovo millennio, la notte di Capodanno del 1999. La notte diventa ancora più folle di quanto potessero immaginare quando l'orologio segna la mezzanotte.
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Reviewers say 'Y2K' offers a nostalgic blend of late 90s teen comedy and sci-fi horror, with mixed opinions on its execution. Praised for its satirical take on Y2K fears and strong performances by Jaeden Martell and Julian Dennison, it also faces criticism for inconsistent tone, weak character development, and a predictable plot. The film's reliance on 90s references is seen as both appealing and limiting, with technical aspects receiving varied feedback. Overall, 'Y2K' is an entertaining yet flawed film that captures the era's spirit but struggles with coherence and execution.
Recensioni in evidenza
It's hard to tell exactly where this movie goes wrong. Maybe it's that the beginning doesn't get you firmly enough on the leads side. Could have used better humor to do that, or maybe some more relatable and less cliched characterization.
Whatever it is, when this movie started leaning into its emotional moments, and you can tell it's trying because of the music and style, it ended up alienating me because I didn't feel what it was trying to make me feel. And that continued right up thru the end of the movie.
I'd say about half the humor landed for me, but that's not always the filmmakers fault.
Most of the characters felt very stereotypical, and felt like they were trying to be brought to life for us, by just a couple extra zany details, instead anything that felt authentic.
What it felt like, Kyle Mooney and Evan Winter forgive me if this wrong, is that money got behind this movie too early, or too quickly, and the script didn't make it past a first draft. Maybe, too, all the comedy was written in, and not improvised in the way that great comedy movies rely on for the real snappy humor that pops. And, I think in Editting they were giving the humor too much of a pause; too much space for what should have been audience laughter, in a way that also alienated me and probably others. And most of the humor was pretty toothless as well, especially when you compare it to the movies it's drawing influence from.
So unfortunately this movie just feels mediocre; lazily trying to be heartfelt; I wish I had felt toward it what the filmmakers clearly thought I'd feel.
Whatever it is, when this movie started leaning into its emotional moments, and you can tell it's trying because of the music and style, it ended up alienating me because I didn't feel what it was trying to make me feel. And that continued right up thru the end of the movie.
I'd say about half the humor landed for me, but that's not always the filmmakers fault.
Most of the characters felt very stereotypical, and felt like they were trying to be brought to life for us, by just a couple extra zany details, instead anything that felt authentic.
What it felt like, Kyle Mooney and Evan Winter forgive me if this wrong, is that money got behind this movie too early, or too quickly, and the script didn't make it past a first draft. Maybe, too, all the comedy was written in, and not improvised in the way that great comedy movies rely on for the real snappy humor that pops. And, I think in Editting they were giving the humor too much of a pause; too much space for what should have been audience laughter, in a way that also alienated me and probably others. And most of the humor was pretty toothless as well, especially when you compare it to the movies it's drawing influence from.
So unfortunately this movie just feels mediocre; lazily trying to be heartfelt; I wish I had felt toward it what the filmmakers clearly thought I'd feel.
The defining feature of Y2K is it's rather startling accuracy. They included all of the details, even some you might have forgotten. I think this has a low score because it's TOO realistic. This is a lot like being young in the 90s and early 2000s with a dorky intensity that may not appeal to the Zoomers or Alphas who are a similar age in 2025 and want some ultra-sick year 2000 aesthetics that only existed in media. I can just see their bored and confused looks of disapproval from a distance.
It's a fun watch. This is a comedy way more than a horror movie and it won't be a meaningful experience for anyone over 50 or under 35.
It's a fun watch. This is a comedy way more than a horror movie and it won't be a meaningful experience for anyone over 50 or under 35.
Y2K tries to take the formula of popular teen comedies like 'Superbad' and wrap it around tech horror but it ultimately fails to give us anything but a mess. It relies hard on your knowledge and memories of Y2K, 1999/2000 trends in music, and low-budget horror films to carry the humor but its story falls apart halfway through. The 3rd act is a mess only saved by one of the most ridiculous cameos with jokes at their own expense.
In the end, Y2K can be funny with some laugh-out-loud moments, but most of those moments are at how ridiculous what just happened was. If you were a teen to 20 something in 1999/2000 you can find something to enjoy with the film but ultimately doesn't give enough to warrant another visit.
Brad: 5 Josh: 4.5-5 Final: 5.
In the end, Y2K can be funny with some laugh-out-loud moments, but most of those moments are at how ridiculous what just happened was. If you were a teen to 20 something in 1999/2000 you can find something to enjoy with the film but ultimately doesn't give enough to warrant another visit.
Brad: 5 Josh: 4.5-5 Final: 5.
If you're familiar at all with the writer/director, Kyle Mooney from his work on SNL, he often parodies TV shows and cartoons of the 90's.and is frankly hilarious.
This movie, however wasn't a parody of the 90's, it simply takes place there, which I feel was a missed opportunity.
The one thing I did like about this movie was the strong nostalgia elicited. To his credit, Mooney does a thorough job of casually referencing just about every major 90's technology/song/slang/fashion etc that I could think of..
Short of that, the plot and characters were lacking and forgettable. There wasn't the snappy or clever dialogue of similar films like Superbad.
Verdict: If you are an early millennial (like myself), you might have a bit of fun spotting the numerous 90's references but don't go in expecting laughs.
FYI, I would highly recommend checking out some of Kyle Mooney's work on SNL. His corny 90's parody sketches make me laugh every time.
This movie, however wasn't a parody of the 90's, it simply takes place there, which I feel was a missed opportunity.
The one thing I did like about this movie was the strong nostalgia elicited. To his credit, Mooney does a thorough job of casually referencing just about every major 90's technology/song/slang/fashion etc that I could think of..
Short of that, the plot and characters were lacking and forgettable. There wasn't the snappy or clever dialogue of similar films like Superbad.
Verdict: If you are an early millennial (like myself), you might have a bit of fun spotting the numerous 90's references but don't go in expecting laughs.
FYI, I would highly recommend checking out some of Kyle Mooney's work on SNL. His corny 90's parody sketches make me laugh every time.
This could have been good. The concept is there, you have a cast that was willing to put themselves in goofy situations and obviously the budget to create something memorable. What went wrong? The limp direction and the forced screenplay.
Firstly, the acting is awful. Not because of the cast, but because the screenplay is written with so many hamfisted jokes thrown in that it gave the actors little room breathe, not to mention these are not traditionally comic actors. Felt bad for the leads, because I know they are capable of much more than this.
Secondly, the script needs more work. Nobody talked like this in the 90s. You got the references and the slang, but none of the delivery. Not a single bit of dialog felt natural to the scene. The comedy only works maybe a quarter of the time because the jokes are so sudden and forced.
Thirdly, where is the shock value? For a movie like this to work, there needed to be more shock. A bit more graphic violence, maybe a bit more nudity. Something to make me say "Whoa!". It felt tame for the subject matter and general feel of the film. Should've taken the murderous robot scheme further.
Overall, it was trash. Unbelievable, not funny and childish. I would only recommend watching it if it's free on streaming and you have absolutely nothing else to watch on a rainy afternoon.
1 brain implant out of 5.
Firstly, the acting is awful. Not because of the cast, but because the screenplay is written with so many hamfisted jokes thrown in that it gave the actors little room breathe, not to mention these are not traditionally comic actors. Felt bad for the leads, because I know they are capable of much more than this.
Secondly, the script needs more work. Nobody talked like this in the 90s. You got the references and the slang, but none of the delivery. Not a single bit of dialog felt natural to the scene. The comedy only works maybe a quarter of the time because the jokes are so sudden and forced.
Thirdly, where is the shock value? For a movie like this to work, there needed to be more shock. A bit more graphic violence, maybe a bit more nudity. Something to make me say "Whoa!". It felt tame for the subject matter and general feel of the film. Should've taken the murderous robot scheme further.
Overall, it was trash. Unbelievable, not funny and childish. I would only recommend watching it if it's free on streaming and you have absolutely nothing else to watch on a rainy afternoon.
1 brain implant out of 5.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
These big screen releases can now be watched from the comfort of your couch.
Lo sapevi?
- QuizJenna Ortega was originally cast as Laura but due to scheduling conflicts couldn't do the film and was replaced with Rachel Zegler.
- BlooperOn December 31, 1999, Video MD contains VHS copies of La mossa del diavolo (2000), The Family Man (2000), Big Mama (2000), Erin Brockovich - Forte come la verità (2000), and Il ritmo del successo (2000) which were released in 2000, Moulin Rouge! (2001), Il Signore degli Anelli - La compagnia dell'Anello (2001), K-PAX - Da un altro mondo (2001), Il dottor Dolittle 2 (2001), Scary Movie 2 (2001), Planet of the Apes - Il pianeta delle scimmie (2001), and American Pie 2 (2001) which were released in 2001, Scooby-Doo (2002), Il mio grosso grasso matrimonio greco (2002), Mr. Deeds (2002), Tutta colpa dell'amore - Sweet home Alabama (2002), and Chicago (2002) which were released in 2002, and Terapia d'urto (2003), The Cooler (2003), Secondhand Lions (2003), Young Adam (2003), and L'asilo dei papà (2003) which were released in 2003.
- Citazioni
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- Curiosità sui creditiHalfway through the end credits, there is a video of Danny singing "The Thong Song".
- Versioni alternativeIn the European version of the movie, Vanessa Mae's rendition of "Reflection" is played instead of the Christina Aguilera version in the credits.
- Colonne sonorePraise You
Written by Camille Yarbrough (as Camille D. Yarbrough), Fatboy Slim (as Norman Cook)
Performed by Fatboy Slim
Courtesy of Skint Records/Capitol Records
Under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Y2K
- Luoghi delle riprese
- Ringwood, New Jersey, Stati Uniti(Fieldstone Plaza, Skyline Drive)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 15.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 4.446.596 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2.113.923 USD
- 8 dic 2024
- Lordo in tutto il mondo
- 4.481.473 USD
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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