Dopo che un gruppo di criminali ha rapito la figlia ballerina di un potente personaggio della malavita, si ritirano in una villa isolata, ignari di essere rinchiusi all'interno con una bambi... Leggi tuttoDopo che un gruppo di criminali ha rapito la figlia ballerina di un potente personaggio della malavita, si ritirano in una villa isolata, ignari di essere rinchiusi all'interno con una bambina non normale.Dopo che un gruppo di criminali ha rapito la figlia ballerina di un potente personaggio della malavita, si ritirano in una villa isolata, ignari di essere rinchiusi all'interno con una bambina non normale.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 21 candidature totali
William Catlett
- Rickles
- (as Will Catlett)
Mahmoud Aldahchan
- Teen Punk
- (non citato nei titoli originali)
Alejandro Nieves
- Caleb
- (non citato nei titoli originali)
Recensioni in evidenza
This is fun - almost in the style of Hammer. It's gory, but not scary. A clichéd plot and characters, but directed and acted with enthusiasm, and a good nod to classic vampire films. All the references were there, we were just missing Vincent Price and Christopher Lee and an over-coloured palette.
There was a tongue in cheek patina right across the film. I'm not sure why it was rated 18 in the UK - unless to protect people with an aversion to tomato sauce. The gore was done with explosive fun - a real splat fest.
This was surprisingly entertaining, done with gusto. Absolutely worth 90 minutes.
There was a tongue in cheek patina right across the film. I'm not sure why it was rated 18 in the UK - unless to protect people with an aversion to tomato sauce. The gore was done with explosive fun - a real splat fest.
This was surprisingly entertaining, done with gusto. Absolutely worth 90 minutes.
There is nothing in this film that you haven't seen in a number of other films but it manages, thankfully, to deliver.
It doesn't for my money have as much humour as Ready or Not but does have enough character back story for the audience to know who to support and who to scorn and to emotionally commit to ( as much as you can in a horror flick).
You know what is going to happen once the basic premise is exposed and it's fun finding out how and when, and watching the whole thing play out.
At the centre of it all is Abigail, played expertly and delightfully by Alisha Weir who exploits this platform to showcase her undoubted talent. She is ably supported by the cast to realise this competent effort and make viewing it time well spent.
I believe the film is best watched without prior exposure to the trailer, hard as that is these days, and have also not revealed any content here in that spirit. Enjoy the film.
It doesn't for my money have as much humour as Ready or Not but does have enough character back story for the audience to know who to support and who to scorn and to emotionally commit to ( as much as you can in a horror flick).
You know what is going to happen once the basic premise is exposed and it's fun finding out how and when, and watching the whole thing play out.
At the centre of it all is Abigail, played expertly and delightfully by Alisha Weir who exploits this platform to showcase her undoubted talent. She is ably supported by the cast to realise this competent effort and make viewing it time well spent.
I believe the film is best watched without prior exposure to the trailer, hard as that is these days, and have also not revealed any content here in that spirit. Enjoy the film.
A mixed group of criminals kidnap Abigail, a young ballerina, and daughter of a powerful business mogul. The gang think they're coming into millions, but Abigail has a shocking surprise waiting for them.
One of the horror highlights of 2024 so far, it's done well at The Box Office, and it's easy to understand why, it's definitely a crowd pleaser.
A seemingly straightforward thriller very rapidly turns into a genre crossing horror movie. Abigail is a real mix of styles, it's goofy, it's funny, it's well paced, and of course there are plenty of jump scares.
Very nicely made, well shot, with some good music, which surprisingly doesn't become too intrusive.
You really can't fault any of the performances, credit very much to that young Alisha Weir, excellent as the title character. Melissa Barrera and Dan Stevens are both good, but Weir steals the show.
A cheeky And then there were none reference too.
7/10.
One of the horror highlights of 2024 so far, it's done well at The Box Office, and it's easy to understand why, it's definitely a crowd pleaser.
A seemingly straightforward thriller very rapidly turns into a genre crossing horror movie. Abigail is a real mix of styles, it's goofy, it's funny, it's well paced, and of course there are plenty of jump scares.
Very nicely made, well shot, with some good music, which surprisingly doesn't become too intrusive.
You really can't fault any of the performances, credit very much to that young Alisha Weir, excellent as the title character. Melissa Barrera and Dan Stevens are both good, but Weir steals the show.
A cheeky And then there were none reference too.
7/10.
This is an entertaining horror movie with comedic elements sprinkled throughout it and everyone in the cast does a pretty good job with the parts they're given but Dan Stevens kills it, he steals the show in every scene he's in, killer lines and he's so damn funny you can't help but laugh. The movie is nothing you haven't seen before but even with that in mind it still manages to surprise you and be unpredictable at times with different twists and turns in the story.
Overall it was a solid experience and I would definitely recommend it if you're looking to grab a cold one, kick back and get some popcorn.
Overall it was a solid experience and I would definitely recommend it if you're looking to grab a cold one, kick back and get some popcorn.
Plot
After a group of criminals kidnap the ballerina daughter of a powerful underworld figure, they retreat to an isolated mansion, unaware that they're locked inside with no normal little girl.
Cast
Alisha Weir knocks it out of the park with her performance, Melissa Barrera is solid, Kevin Durand is excellent as always and Dan Stevens, Kathryn Newton and Giancarlo Esposito are er also there.
Verdict
I don't go the cinema often, usually this is because of limited time, inevitable disappointment and the ridiculous expense involved. The missus wanted to see this so I made an exception, I was right about the expense as it came to just over £50 which is lunacy for a 90 minute presentation and don't even get me started on how many adverts I had to endure (And I don't mean trailers).
But did I at least least enjoy the film? Well, yeah I really did. Alas this is certainly a movie where a person would be better off not watching the trailer, knowing the big twist straight out of the gate certainly damaged the film but it was so good and threw so many additional curveballs it just didn't matter.
A solid cast (I'm a Durand fanboy) including a child actress who absolutely nailed her role to unexpected levels, a decent budget, great setting, decent cinematography and dare I say some levels of originality Abigail was an unexpectedly good film and everything I wanted M3gan (2022) to be.
See I've slated Hollywood horror for years claiming they've lost their way but movies like this demonstrate all hope is not lost.
Gory, over the top yet fairly smart and fantastically executed Abigail is a solid horror film.
Rants
Poor Barrera, glad to see she's having a decent career post her ridiculous firing from the Scream series. Who'd have thought that being against genocide is a bad thing and a person could get fired over having that stance? Plenty in support of it are doing just fine. What a time to be alive!
The Good
Barrera, Durand and Weir Sufficiently gory Very well constructed Barrels of fun Plenty of twists to keep you entertained
The Bad
I feel the finale could have been handled a smidge better Newton didn't seem on form.
After a group of criminals kidnap the ballerina daughter of a powerful underworld figure, they retreat to an isolated mansion, unaware that they're locked inside with no normal little girl.
Cast
Alisha Weir knocks it out of the park with her performance, Melissa Barrera is solid, Kevin Durand is excellent as always and Dan Stevens, Kathryn Newton and Giancarlo Esposito are er also there.
Verdict
I don't go the cinema often, usually this is because of limited time, inevitable disappointment and the ridiculous expense involved. The missus wanted to see this so I made an exception, I was right about the expense as it came to just over £50 which is lunacy for a 90 minute presentation and don't even get me started on how many adverts I had to endure (And I don't mean trailers).
But did I at least least enjoy the film? Well, yeah I really did. Alas this is certainly a movie where a person would be better off not watching the trailer, knowing the big twist straight out of the gate certainly damaged the film but it was so good and threw so many additional curveballs it just didn't matter.
A solid cast (I'm a Durand fanboy) including a child actress who absolutely nailed her role to unexpected levels, a decent budget, great setting, decent cinematography and dare I say some levels of originality Abigail was an unexpectedly good film and everything I wanted M3gan (2022) to be.
See I've slated Hollywood horror for years claiming they've lost their way but movies like this demonstrate all hope is not lost.
Gory, over the top yet fairly smart and fantastically executed Abigail is a solid horror film.
Rants
Poor Barrera, glad to see she's having a decent career post her ridiculous firing from the Scream series. Who'd have thought that being against genocide is a bad thing and a person could get fired over having that stance? Plenty in support of it are doing just fine. What a time to be alive!
The Good
Barrera, Durand and Weir Sufficiently gory Very well constructed Barrels of fun Plenty of twists to keep you entertained
The Bad
I feel the finale could have been handled a smidge better Newton didn't seem on form.
Lo sapevi?
- QuizThe directors were so impressed by Alisha Weir's dancing that they added more dance sequences to the film.
- BlooperIt's too late to collect cell phones after they've already arrived at the scene of a crime, as the phones have already pinged local cell towers. However, given the true nature of the heist, this may be irrelevant.
- Curiosità sui creditiAt the very end of the credits, Abigail's sinister chuckling is heard.
- ConnessioniFeatured in The 7PM Project: Episodio datato 19 aprile 2024 (2024)
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Ебіґейл
- Luoghi delle riprese
- Glenmaroon House, Dublino, Irlanda(Main house location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 28.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 25.867.515 USD
- Fine settimana di apertura Stati Uniti e Canada
- 10.297.110 USD
- 21 apr 2024
- Lordo in tutto il mondo
- 42.791.449 USD
- Tempo di esecuzione
- 1h 49min(109 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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