Bramayugam

My Detailed Review about : #Bramayugam

This is the only movie which reached My Expections

1st Half is Mystery around the mamooty Character , 2nd half has slowness But it doesn't matter Just awesome coz of twist Unfolds

Overall It's a Very Creepy, eerie , Scary filled Movie

If You like Kumari , Tummbad , Virupaaksha Type of movies Definitely Bramayugam Will be Your cup of Tea

It's A Dracula Version Of @mammukka He is Absolutely monster

My Rating 8/10. (JUST GIVE A TRY) YOU WONT BE DISAPPOINTED FOR SURE , THIS MOVIE DESERVES THEATRE EXPERIENCE , SO WATCH IT ON BEST SCREEN IN YOUR NEARBY...

Attempting a big-budget black-and-white horror movie in Malayalam itself is laudable. But using it to unleash the devilish side of Mammootty is where this movie really shines. As expected, Mammootty hit it out of the park. In films like this and Rorschach, we can see that the devilish side is used in a way that is so powerful but also charismatic in a way only he can do. We are in awe and horror of the deeds but also can't help but love it. And the director knows this, so the framing and music also evoke the same. Here, the story itself is pretty simple and uses an exposition sequence to fill in all the blanks. So, it's the atmosphere created and the performances that really carries the movie. Thematically there are a lot of obvious aspects to it but it felt like the focus on certain things could have made more impact instead of spelling everything out. Besides Mammootty, Sidharth Bharathan surprised me with his performance. The production design and some detailing in makeup were all fabulously intricate. Editing on the whole felt not as good as all the other technical aspects, as there were many moments where it felt like it disrupted the flow rather than immersing us. The black and white cinematography worked well but I wish they played with it more. Rather than just the usual black and white, the use of some darker black and whiter white etc would've been great, but that's just my opinion. Overall, it's an incredible attempt at folklore horror rooted in Kerala mythology, even though I do think there was some room for improvement.

The fans association people were celebrating with a bandset and everything at the end, so the repetition of a dialogue at the end of the credits wasn't completely audible but that was a really nice way to end the movie.

One of the epic movies by Mammootty. The great actor Mammootty is like a wine that gets stronger with age. Everyone else, including Arjun Ashoka, has acted well. It can be said that Bharamayugam is definitely a must-watch movie. What sets Mammootty apart from other stars is the way he chooses movies. His finesse in story selection has been evident for some time now. It can be said that the director has made this movie for us in such a way that we even forget that we are watching the movie on a black-and-white screen. Watch this movie with the confidence of not being afraid. Because when the movie is over, others will understand the fear in your eyes.

This Malayalam film is a bold attempt to delve into the depths of Kerala's mythological lore. Shot entirely in black and white, the film creates a stark and eerie atmosphere that complements the chilling narrative.

The film's cinematography is a character in itself. The black and white palette is employed with masterful precision, creating a haunting and atmospheric visual language. The stark contrast and shadows add depth to the narrative, heightening the sense of isolation and dread. The choice to shoot in black and white is a bold one, but it pays off handsomely, elevating the film's horror elements

The story unfolds at a leisurely pace, building suspense through its atmospheric storytelling. Arjun Ashokan delivers a commendable performance as the protagonist, capturing the character's fear and vulnerability.

Mammootty's performance in Bramayugam is nothing short of exceptional. His portrayal of Kodumon Potti is a masterclass in understated menace. The actor completely disappears into the character, embodying the eerie aura surrounding the enigmatic old man.

Mammootty's screen presence is magnetic. His every gesture, every look, carries a weight of sinister intent. His character is shrouded in mystery, and the actor skillfully maintains this air of ambiguity throughout the film. Whether it's his chilling laughter, his predatory gaze, or his subtle manipulations, Mammootty's portrayal is a standout.

The film's greatest strength lies in its ability to evoke a sense of dread and unease. The use of sound design and background score is masterful, creating a haunting soundscape that amplifies the horror. The cinematography is exceptional, capturing the bleakness of the setting and the characters' isolation.

While the film's pacing might be slow for some viewers, it contributes to the overall atmosphere of dread. The ending is open to interpretation, leaving a lasting impact on the audience.

*Bramayugam* is a refreshing departure from the typical horror fare, offering a thought-provoking and chilling experience. It's a film that demands attention and rewards patient viewing.

Bizarre. Hypnotic. "Bramayugam" isn't just a film-it's a folkloric fever dream, a black-and-white incantation that coils around your spine and whispers in the dark. I was glued to my seat from that creepy start right through the "Age of Madness" playing in the post-climax's deranged crescendo. Even now, after leaving the theater, I still feel like I'm hanging out in that eerie Bramayugam mansion, buzzing with all sorts of messed-up feelings. How awesome to see the theater was houseful and that folks are really digging this kind of bonkers movie!

Mammootty doesn't just act here; he transforms. He is Kondamon Potti, a grinning, malevolent force of nature, a masterclass in controlled chaos. With his ever-watchful caretaker (Siddharth Bharathan) and a runaway singer (Arjun Ashokan) crashed at his place, watching their messed-up personalities tangle under that fragile layer of horror? So cool. The mansion breathes, the shadows watch. The film's horror DNA is meticulously stitched, pulling from the chilling atmospheres of classic German Expressionist horror, modern anxieties found in A24's catalogue or Oscilloscope productions, and especially those Hammer films.

Coming to Mammootty, I can't stop praising him. He holds court-a grinning, grotesque puppeteer. His performance isn't acting, it's alchemy. Every smirk, every silence, every flicker of his eyes blurs the line between man and monster. The supporting cast orbits him like doomed moths, their fates etched into the very air, in a ridiculous descent where every composition feels like a cursed etching.

Among Megastar Mammookka's current filmography, it's one of his absolute best, if not the best. His terrifying laughter, the look on his face, his total commitment-this role has no equal, unless we're talking about the 'Devil' himself. He deserves to be up for every single best actor award across the globe. In the finale, Mammootty is so twisted in a battle, lit for a more sinister look, and the camera just statically holds on his face and mouth. In that moment, we, as an audience, feel a whole range of emotions: anger, surprise, a bit of horror, disgust. The final act locks onto his face, and what unfolds isn't just acting-it's possession. All these emotions are clear as day and caught, and it's not for some artsy-fartsy show-off.

Ditching color wasn't just about looks-it was necessary. The monochrome palette strips away distraction, leaving only shadows and pure dread. It's a bold move for Malayalam cinema, and it totally nails the atmosphere, especially with Christo Xavier's killer score and Jayadevan Chakkadath's awesome sound design.

In closing, the pacing is deliberate, the dread is meticulous. But if you just let yourself get swept into its rhythm, the payoff is visceral, grotesque, and unforgettable. A folk-horror opus that doesn't just haunt you-it moves in. I'm excited to see what Rahul Sadasivan conjures up next.