Un promettente agente sotto copertura incaricato di attirare e arrestare uomini gay sfida gli ordini professionali quando si innamora di un bersaglio.Un promettente agente sotto copertura incaricato di attirare e arrestare uomini gay sfida gli ordini professionali quando si innamora di un bersaglio.Un promettente agente sotto copertura incaricato di attirare e arrestare uomini gay sfida gli ordini professionali quando si innamora di un bersaglio.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 1 candidatura in totale
Recensioni in evidenza
I was really excited to see this film because Russell Tovey is one of my favorite actors, and representation matters to me. I try to watch everything he's in. His performance as Andrew evoked a familiar mix of love, lust, and the potential for heartbreak.
Tom Blyth's performance as Lucas was phenomenal! He completely drew me in; I felt every emotion and experienced everything Lucas went through right alongside him.
Carmen Emmi-I'm a huge fan! The story was beautifully crafted and directed, transporting me back to 1996. This time, though, I was observing the stories that were used as scare tactics to keep us in line. Learning about the elements of Carmen's own life woven into the narrative, and hearing Carmen's motivation for creating this film during that specific time period, made me connect with it even more deeply.
The movie explores several themes that most queer adults have experienced. I'm being intentionally vague to avoid spoilers, but much of what Lucas experiences resonated with me. Some aspects were painfully familiar, while others made me laugh with recognition-yes, I've been there, even the minivan!
Lucas's anxiety and pain are palpable. Andrew's words in two key moments were spot-on, and I respected his character for the way he communicated with Lucas. He didn't shy away from the pain, but wrapped his words in compassion. It made my younger self feel seen.
Finally, the ending was so satisfying. I've encountered that type of person in my own life, and it was refreshing to see that moment of freedom portrayed so powerfully.
Tom Blyth's performance as Lucas was phenomenal! He completely drew me in; I felt every emotion and experienced everything Lucas went through right alongside him.
Carmen Emmi-I'm a huge fan! The story was beautifully crafted and directed, transporting me back to 1996. This time, though, I was observing the stories that were used as scare tactics to keep us in line. Learning about the elements of Carmen's own life woven into the narrative, and hearing Carmen's motivation for creating this film during that specific time period, made me connect with it even more deeply.
The movie explores several themes that most queer adults have experienced. I'm being intentionally vague to avoid spoilers, but much of what Lucas experiences resonated with me. Some aspects were painfully familiar, while others made me laugh with recognition-yes, I've been there, even the minivan!
Lucas's anxiety and pain are palpable. Andrew's words in two key moments were spot-on, and I respected his character for the way he communicated with Lucas. He didn't shy away from the pain, but wrapped his words in compassion. It made my younger self feel seen.
Finally, the ending was so satisfying. I've encountered that type of person in my own life, and it was refreshing to see that moment of freedom portrayed so powerfully.
The film has the intimate feel of an exclusive memoir, the chemistry between the two actors takes the audience's breath away, the wonderful performances and images make an old story very beautiful, and the language of the shots can make you feel it!
The first encounter between the two actors is well shot, and the first half of the film is when the audience is fascinated by their story. The film's biggest feature is the way it is edited, the old DV machine cuts and the sound of the machine malfunctioning create a sense of tension and anxiety. As a fan of Russell Tovey, I think compared with his previous gay movies, his performance in this movie is very fitting and reaches another level.
From another perspective, this is like our real grindr story, sometimes you will fall in love with a stranger after ONS, which is beautiful, but it is painful and can not be eternal.
Definitely one of the films you must watch in 2025.
I hope we all find our own San Francisco.
The first encounter between the two actors is well shot, and the first half of the film is when the audience is fascinated by their story. The film's biggest feature is the way it is edited, the old DV machine cuts and the sound of the machine malfunctioning create a sense of tension and anxiety. As a fan of Russell Tovey, I think compared with his previous gay movies, his performance in this movie is very fitting and reaches another level.
From another perspective, this is like our real grindr story, sometimes you will fall in love with a stranger after ONS, which is beautiful, but it is painful and can not be eternal.
Definitely one of the films you must watch in 2025.
I hope we all find our own San Francisco.
It's so hard to believe that in mid/late 90s the US hunted for homosexuals training police officers to lure them in public toilets only to arrest them and thus ruin their lives. One of these young policemen is a closeted gay man who does this very thing until something happens and he can't do this any more.
The movie is very recent but it is styled as if it was really made in the 1990s, which makes it even more plausible and authentic. It is so easy and natural to relate to the entanglement the main character Lucas is in and how terribly scared he is. And how brave he feels he needs to be in order to overcome the shame and pave himself his own road to liberation, whatever the costs.
Amazing acting, great cast and superb photography. Bravo!
The movie is very recent but it is styled as if it was really made in the 1990s, which makes it even more plausible and authentic. It is so easy and natural to relate to the entanglement the main character Lucas is in and how terribly scared he is. And how brave he feels he needs to be in order to overcome the shame and pave himself his own road to liberation, whatever the costs.
Amazing acting, great cast and superb photography. Bravo!
I really struggle to care about romance films. Love is such a private, subjective, and in many ways arbitrary experience and, as a show-don't-tell medium, movies in my opinion just aren't an easy art through which to explore how people feel it. Generally movies standardize it to "well she fills his X deficit/need and he fills her Y deficit/need and that's why they work". I don't care about such contrived, transactional relationship.
Plainclothes, however, completely breaks through this trap. For spoilers I won't detail how, but this easily the most "real" romance I've seen in recent memory, perhaps late memory. I teared up several times in this one. If you're gay or bi, this is especially moving. But even if you're not, you're in for a novel concept and a tense story to keep you glued through an eye-opening experience about gay love, or the lackthereof...
Another reason this works so well is that, while substantively a tragic romance, it FEELS like you're watching a thriller due to the pacing, anxious cinematography, and tense writing structure.
So, so good. Keep an eye out on the creative team. Exceptional film.
Plainclothes, however, completely breaks through this trap. For spoilers I won't detail how, but this easily the most "real" romance I've seen in recent memory, perhaps late memory. I teared up several times in this one. If you're gay or bi, this is especially moving. But even if you're not, you're in for a novel concept and a tense story to keep you glued through an eye-opening experience about gay love, or the lackthereof...
Another reason this works so well is that, while substantively a tragic romance, it FEELS like you're watching a thriller due to the pacing, anxious cinematography, and tense writing structure.
So, so good. Keep an eye out on the creative team. Exceptional film.
I've read that this movie was kind of expensive to make but man...it doesn't show at all. I think the actors are doing their best with a pretty basic script, but the production is just bad.
It's not the VHS resource - Gregg Araki's work still looks interesting today. It's the editing, the cheesy close-ups and everything that goes by the numbers: even the antagonist has no redeemable qualities. Tovey is the highlight - he elevates the material with his performance but there's just so much he can do. It's not a terrible movie but I needed to bring some objectivity to the reviews posted so far..
It's not the VHS resource - Gregg Araki's work still looks interesting today. It's the editing, the cheesy close-ups and everything that goes by the numbers: even the antagonist has no redeemable qualities. Tovey is the highlight - he elevates the material with his performance but there's just so much he can do. It's not a terrible movie but I needed to bring some objectivity to the reviews posted so far..
Lo sapevi?
- QuizDirector Carmen Emmi considered having Russell Tovey play Andrew a dream come true, since he's a huge fan of the HBO series Looking (2014) and wasn't sure if he would be interested in the role.
- Colonne sonoreAdagio for a Funeral
Written by Ryan Lofty
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