Il giovane Yu vive nel villaggio di Kamonmura da quando era un bambino e non può andare via a causa di un incidente del passato. Deve pagare il debito di sua madre e lavora in una struttura ... Leggi tuttoIl giovane Yu vive nel villaggio di Kamonmura da quando era un bambino e non può andare via a causa di un incidente del passato. Deve pagare il debito di sua madre e lavora in una struttura di smaltimento dei rifiuti nelle vicinanze.Il giovane Yu vive nel villaggio di Kamonmura da quando era un bambino e non può andare via a causa di un incidente del passato. Deve pagare il debito di sua madre e lavora in una struttura di smaltimento dei rifiuti nelle vicinanze.
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This is definitely a far superior film from director Michihito Fujii compared to his later one, Parades (both currently on Netflix).
I watched Parades first, and found it contrived and empty, filled with common uninteresting cliches, with annoyingly patronising music that attempts to force the viewers emotions.
The Village, on the other hand, has properly developed characters, and more scenes that allow viewers to meaningfully breathe and imbibe them without shoving it down their throats with contrived dialogue and cliched demeaning musical scores, although there were still some - but at a more tolerable level.
For instance, the scene in Parades with the 'spirits' parading/walking around was laughably bad; while the scene in The Village with people silently parading with Noi masks on were impactfully done.
I am bemused how the same director could deliver films with such a contrast with the earlier one mature and nicely understated, while the later one amateurish and contrived.
Acting in The Village was also evenly good with both minor and major characters, whereas the acting abilities in Parades were very uneven amongst the actors.
Obviously I'd recommend The Village but not Parades.
I watched Parades first, and found it contrived and empty, filled with common uninteresting cliches, with annoyingly patronising music that attempts to force the viewers emotions.
The Village, on the other hand, has properly developed characters, and more scenes that allow viewers to meaningfully breathe and imbibe them without shoving it down their throats with contrived dialogue and cliched demeaning musical scores, although there were still some - but at a more tolerable level.
For instance, the scene in Parades with the 'spirits' parading/walking around was laughably bad; while the scene in The Village with people silently parading with Noi masks on were impactfully done.
I am bemused how the same director could deliver films with such a contrast with the earlier one mature and nicely understated, while the later one amateurish and contrived.
Acting in The Village was also evenly good with both minor and major characters, whereas the acting abilities in Parades were very uneven amongst the actors.
Obviously I'd recommend The Village but not Parades.
The promotions for this film labeled it a thriller. But it's not. It's more than that. It's BETTER than that. When I think of a thriller I think of a film that is filled with climactic build ups and fast paced action. I love thrillers. But I also love films like The Village" which is kind of the opposite of a thriller... but in a GOOD way. It's really more a drama; a slow paced slow building film, that, even at it's crescendo, does not even attempt to deliver "thrills". Again I mean that in a GOOD way. Instead of thrills this delivers a thoughtful, metaphorical story about the rise and fall of an outsider with nuance and metaphor and underscored by tragedy. There is probably a lot of subtext I am missing due to cultural differences and my ignorance of Noh Theater. But overall I really like this film. Even though it is slow, there is something taut just beneath the surface. You can tell something is going to snap at any moment. And since it does not follow the standard American style of plot development, you have no idea when that snap is coming. It takes its time getting there but in the end delivers a satisfactory conclusion that doesn't forget any of the characters or their set-ups. And it is beautifully filmed. It's really more of a 7 but I gave it an 8 because it definitely doesn't deserve the 5 it is currently riding at.
As "Village" (2023 release from Japan; 121 min) opens,, we are introduced to a guy named Yu, living in a remote Japanese village. He is working in a waste facility where illegal dumping takes place regularly. Then one day Yu's childhood friend Misaki returns to the the village after having spent 10 years in Tokyo. At this point we are less than 15 minutes into the movie.
Couple of comments: this is the latest from writer-director Michihito Fuji ("The Journalist"). Here he assesses the life of a twenty-something guy living in pretty leak circumstances. I don't wan to say more about the plot so as not to spoil. I will simply comment that this is marketed as a "thriller" but it's really like like that. The movie is more of an emotional slowburner. Pay attention to the beautiful local Japanese theater play where everyone wears the same mask. I must say I wasn't really familiar with this style and kind of theater. Bottom line: this movie is definitely worth checking out even if it's not the most engaging of movies. Please note that, contrary to many listings of this as "The Village", the correct title is "Village" as noted in the movie's opening credits.
"Village" premiered on Netflix in mid-June, and I just got around to watching it the other night. If you are in the mood for an emotional slowburner from Japan, I'd readily suggest you check this out, and draw your own conclusion.
Couple of comments: this is the latest from writer-director Michihito Fuji ("The Journalist"). Here he assesses the life of a twenty-something guy living in pretty leak circumstances. I don't wan to say more about the plot so as not to spoil. I will simply comment that this is marketed as a "thriller" but it's really like like that. The movie is more of an emotional slowburner. Pay attention to the beautiful local Japanese theater play where everyone wears the same mask. I must say I wasn't really familiar with this style and kind of theater. Bottom line: this movie is definitely worth checking out even if it's not the most engaging of movies. Please note that, contrary to many listings of this as "The Village", the correct title is "Village" as noted in the movie's opening credits.
"Village" premiered on Netflix in mid-June, and I just got around to watching it the other night. If you are in the mood for an emotional slowburner from Japan, I'd readily suggest you check this out, and draw your own conclusion.
"VILLAGE" is a Japanese movie that explores the intricate layers of rural life and the struggles faced by its inhabitants. Directed by Michito,the movie explores into a thought-provoking narrative set in a picturesque village, offering a glimpse into the challenges, emotions, and relationships that shape the lives of its characters that disappears in name of modernization,amid withholding it's culture...
"VILLAGE" explores several themes that resonate with both Japanese and international audiences,which are interrelated with emotions and betrayal layered with some breathtaking screenplay and camera work.
The performances in "VILLAGE" are commendable, with the cast delivering nuanced portrayals that breathe life into the characters. The actors' ability to convey a range of emotions, from joy and sorrow to hope and despair, adds depth and authenticity to the storytelling... Overall watch it if ur fan of slow burn movies which has a hard hitting climax and melancholic indepth feeling that breaks u part for a day or two...
The performances in "VILLAGE" are commendable, with the cast delivering nuanced portrayals that breathe life into the characters. The actors' ability to convey a range of emotions, from joy and sorrow to hope and despair, adds depth and authenticity to the storytelling... Overall watch it if ur fan of slow burn movies which has a hard hitting climax and melancholic indepth feeling that breaks u part for a day or two...
I wasn't really sure what to expect when seeing this gem on Netflix and reading the synopsis. Is it a thriller? The plot sounded interesting.
It's a slow-paced, pretty dark movie about a quiet, depressed guy who has basically lost everything because of past alleged crimes and tries to work himself out of his grim life. When his childhood friend Misaki appears, a hopeful chapter seems to start off.
This is all packed into the setting of a small village where he works at an ecological recycling plant. Things start to get better. But do they really?
This is a stunning film. It's a highly involving, slow drama that you will not forget easily. The main actor Ryusei Yokohama is fantastic in this role. Cinematography, music, the setting, the actors are all great.
I don't understand the low rating here - maybe people were put off because it wasn't an action thriller film that they thought it is? If you're interested in great, dark dramas, definitely watch this one, highly recommended.
It's a slow-paced, pretty dark movie about a quiet, depressed guy who has basically lost everything because of past alleged crimes and tries to work himself out of his grim life. When his childhood friend Misaki appears, a hopeful chapter seems to start off.
This is all packed into the setting of a small village where he works at an ecological recycling plant. Things start to get better. But do they really?
This is a stunning film. It's a highly involving, slow drama that you will not forget easily. The main actor Ryusei Yokohama is fantastic in this role. Cinematography, music, the setting, the actors are all great.
I don't understand the low rating here - maybe people were put off because it wasn't an action thriller film that they thought it is? If you're interested in great, dark dramas, definitely watch this one, highly recommended.
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 494.402 USD
- Tempo di esecuzione
- 2h(120 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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