La vita di un espatriato americano e mezzo operaio edile giapponese che vive nelle zone rurali del Giappone cambia per sempre nel corso di tre giorni mentre intraprendono una storia d'amore ... Leggi tuttoLa vita di un espatriato americano e mezzo operaio edile giapponese che vive nelle zone rurali del Giappone cambia per sempre nel corso di tre giorni mentre intraprendono una storia d'amore inaspettata.La vita di un espatriato americano e mezzo operaio edile giapponese che vive nelle zone rurali del Giappone cambia per sempre nel corso di tre giorni mentre intraprendono una storia d'amore inaspettata.
- Regia
- Sceneggiatura
- Star
Anya Floris
- Podcaster
- (voce)
Recensioni in evidenza
10YuenL-4
Aichaku is one of those quiet, emotional films that really sticks with you. What unfolds over just a few days is a touching story about identity, connection, and finding where you belong.
The acting feels really natural, The cinematography is beautiful too; the countryside setting adds a peaceful, almost meditative vibe to the whole film.
The 1950s-inspired soundtrack is a nice touch, and you can tell a lot of heart went into making this, especially knowing it was partially crowdfunded. It's not flashy or fast-paced, but if you're into character-driven stories with emotional depth, Aichaku is absolutely worth a watch.
The acting feels really natural, The cinematography is beautiful too; the countryside setting adds a peaceful, almost meditative vibe to the whole film.
The 1950s-inspired soundtrack is a nice touch, and you can tell a lot of heart went into making this, especially knowing it was partially crowdfunded. It's not flashy or fast-paced, but if you're into character-driven stories with emotional depth, Aichaku is absolutely worth a watch.
It was amazing and what a beautiful setting and story. I've wanted to visit Japan in the past but it made me fall in love more.
The story of Luke and Ken is beautiful and they make such an cute and powerful couple, a true example that two people can change the course of their futures.
The Christophers are so compelling and heartfelt. They make it so easy to follow the story and journey of Luke and Ken.
The setting in Japan compliments the love story and family stories lines so well and bridges two cultures in one bucolic masterpiece of a country.
Definitely recommend this to everyone an hour and a half well spent.
The story of Luke and Ken is beautiful and they make such an cute and powerful couple, a true example that two people can change the course of their futures.
The Christophers are so compelling and heartfelt. They make it so easy to follow the story and journey of Luke and Ken.
The setting in Japan compliments the love story and family stories lines so well and bridges two cultures in one bucolic masterpiece of a country.
Definitely recommend this to everyone an hour and a half well spent.
I struggled to get through this film and finally gave up about 70 minutes in.
This entire film is apparently a showcase for the (American) lead actor's Japanese speaking ability. As a story, it is predictable and laughable and not really that interesting.
There is a lot of unnecessary dialogue, there are over-the-top screaming scenes (which are de rigueur for Japanese films, even, apparently, ones featuring foreign leads), there are tired tropes (English teachers in Japan), and there are huge miscalculations by the writer/star, mainly about why anyone would care that he can speak Japanese as well as he does.
The entire onsen scene came across as totally unbelievable and bizarre and fake.
The lead actor does tons of mugging and has apparently learned every single Japanese facial expression or reaction, since he has very few of his own.
His character is not developed at all, and as such, I could not care what happens to him.
The Japanese actors all fare better, and the lead Japanese "half" actor is legitimately hot and sexy and has potential in the right story (not this one).
There was tons of unnecessary (and incorrectly chosen) music with singing, played over scenes where the actors were talking -- and yet, how could we understand what they were saying when they were being drowned out by background music?
The two star rating is for the hot Japanese male lead, who gives us a hint of what paradise might be like in the onsen, but it is nearly totally destroyed by the virginal worry-wart first-time-ever in an onsen foreigner who acts like a scared girl on her first date.
I have lived in Japan for a long time and I understand a lot of what was going on, and the idea that we are supposed to care about anyone in this film is one that apparently never occurred to the writer/star, since he spent his entire time on screen being obvious about everything he said and did, all without a soupçon of subtlety.
This entire film is apparently a showcase for the (American) lead actor's Japanese speaking ability. As a story, it is predictable and laughable and not really that interesting.
There is a lot of unnecessary dialogue, there are over-the-top screaming scenes (which are de rigueur for Japanese films, even, apparently, ones featuring foreign leads), there are tired tropes (English teachers in Japan), and there are huge miscalculations by the writer/star, mainly about why anyone would care that he can speak Japanese as well as he does.
The entire onsen scene came across as totally unbelievable and bizarre and fake.
The lead actor does tons of mugging and has apparently learned every single Japanese facial expression or reaction, since he has very few of his own.
His character is not developed at all, and as such, I could not care what happens to him.
The Japanese actors all fare better, and the lead Japanese "half" actor is legitimately hot and sexy and has potential in the right story (not this one).
There was tons of unnecessary (and incorrectly chosen) music with singing, played over scenes where the actors were talking -- and yet, how could we understand what they were saying when they were being drowned out by background music?
The two star rating is for the hot Japanese male lead, who gives us a hint of what paradise might be like in the onsen, but it is nearly totally destroyed by the virginal worry-wart first-time-ever in an onsen foreigner who acts like a scared girl on her first date.
I have lived in Japan for a long time and I understand a lot of what was going on, and the idea that we are supposed to care about anyone in this film is one that apparently never occurred to the writer/star, since he spent his entire time on screen being obvious about everything he said and did, all without a soupçon of subtlety.
I was a bit worried when I first started watching this because it looks less like a normal BL movie than I was expecting. Having said that, I think this movie kind of got the balance right.
The romance in the movie is lovely. It was very cute, but still felt realistic enough that non-BL fans could enjoy it. The starry sky scene and the cafe fantasy were for sure for BL fans. I don't know if there was ever a foreign lead in a BL movie before, but this might be the first. It was very interesting to watch and added some elements to the movie that I hadn't seen before in BL.
If someone is looking for a LGBTQ+ movie that has strong social messages attached to it, I'm not sure if they will be satisfied with this. It certainly has a message. For a BL movie it almost has too much of a message. (Do you see what I mean about getting the balance right?) I thought that the main message was about love in general and how important it is. What I really liked was that Aichaku was about all kinds of love, so it was easy to feel attached to the world of the movie.
Since Aichaku means "attachment," perhaps that was the goal. If so, they certainly accomplished it.
The romance in the movie is lovely. It was very cute, but still felt realistic enough that non-BL fans could enjoy it. The starry sky scene and the cafe fantasy were for sure for BL fans. I don't know if there was ever a foreign lead in a BL movie before, but this might be the first. It was very interesting to watch and added some elements to the movie that I hadn't seen before in BL.
If someone is looking for a LGBTQ+ movie that has strong social messages attached to it, I'm not sure if they will be satisfied with this. It certainly has a message. For a BL movie it almost has too much of a message. (Do you see what I mean about getting the balance right?) I thought that the main message was about love in general and how important it is. What I really liked was that Aichaku was about all kinds of love, so it was easy to feel attached to the world of the movie.
Since Aichaku means "attachment," perhaps that was the goal. If so, they certainly accomplished it.
This drama rom-com felt a little bit dry in my opinion. Maybe because there's not enough soundtrack to support the movie? Music can influence a movie greatly if you can pick the right ones. Maybe there wasn't enough budget to hire some musicians? Too bad. Plot wise, it's decent and pretty interesting to watch. It's just that this movie is also about green card fraud. So it's in the grey area with the law. But that's the only thing in the movie that raises some eye brows. Everything else is just good drama and dry humor. It's well directed and the acting was passable. Especially for non-famous actors and actresses.
Lo sapevi?
- Quiz"Aichaku" translates to attachment in the Japanese language, but tends to be used towards the attachment between a person and place or thing, not two people.
- Colonne sonoreMary Lou
Written by First Day Lions
Performed by First Day Lions
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- 愛着
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 5.000.000 JPY (previsto)
- Tempo di esecuzione1 ora 58 minuti
- Colore
- Proporzioni
- 2.35 : 1
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