Baby John

Don't waste your time or money on this utterly awful Bollywood remake! "Baby John" is nothing but a scene-for-scene copy of a South Indian movie "Theri Movie", with absolutely no originality. It's like the makers thought they could get away with just copying every single detail without any effort to bring something fresh to the table. Bollywood should be ashamed of itself for this lazy attempt at filmmaking.

The car scene? A direct rip-off of the original, with the exact same open jeep and police stick placed on top. It's as if the filmmakers couldn't even be bothered to change a single detail. Then there's the little girl who calls the hero "Baby." Guess what? Same thing from the original movie. They didn't even try to give this character a unique twist.

And don't even get me started on the bus scene where the bus falls off a bridge into the water-this too is taken directly from the original movie. The whole "school scene" where a boy beats up a girl and she waits for "Baby" to save her is just recycled from the original, with no effort to make it different or interesting. The dialogues? Completely borrowed. The moment where the girl says to the hero, "I call you Baby, but that doesn't mean you are actually a baby," is straight from the original with no attempt to add anything new. In short, "Baby John" is a shameful copycat film that doesn't even attempt to make itself stand out. It's lazy, uninspired, and a huge disappointment. If you want to watch the original movie, go ahead and do it, but don't waste your time with this mindless, soulless remake.

The same old storyline once again repackaged with different actors, different director, different camera angles. While watching this film reminded me of that song from one of SRK's old film Phir Bhi Dil Hai Hindustani, in that there is a line that says 'thodi ham mein sachchai hai thodi hai baimaani, kabhi naye packet mein bechein tumko chiz puraani".

I watched this film only because I have slight bias for Varun Dhawan. I find him slightly likeable amongst all the current lot of mediocre mainstream actors. But even he brings nothing new to the film. Full of clichés such as hero helping blind beggars, heroine singing aartis on baby shower. Villain derailing heroes life, then hero coming back to take revenge.

I can guarantee you that you will keep feeling that you have watched this film before because hundreds of films have been made with the exact storyline and exact formula.

I gave three stars for Keerthi Suresh and Wamiqa for looking damn good, the little girl who was the only savior because of her cuteness and Jaggu Dada for being a good actor even till now.

Baby John is the kind of film that makes you question why certain stories still make it to the big screen. It's a loud, brain-numbing mess that recycles the same old masala formula, sprinkled generously with over-the-top slow-motion action sequences that feel more like filler than flair. Not a single punch, be it in dialogue or combat, lands with any real impact.

Keerthy Suresh, despite her undeniable talent, is reduced to a forgettable prop, adding zero charm or depth to the narrative. On the flip side, Wamiqa Gabbi emerges as the film's only silver lining, effortlessly holding her ground and adding a dash of charisma in an otherwise dull affair. The child actor is another unexpected gem, delivering a surprisingly heartfelt performance that momentarily lifts the film out of its monotony. And then there's Jaggu Da, who slips into his role with his usual effortless brilliance.

But if there's one thing that truly tests your patience, it's the background score, a relentless, ear-piercing racket that makes you wonder how anyone survived this in a cinema hall. And just when you think the nightmare is over, in walks Salman Khan during the end credits, hammering the final nail into the coffin of what's now possibly the most cringeworthy cinematic universe ever attempted.

Baby John isn't just avoidable, it's a straight-up endurance test. Watch it only if you enjoy cinematic torture.

Baby John (2024), directed by Kalees, is a remake of Atlee's 2016 Tamil blockbuster Theri. Starring Varun Dhawan in the titular role, alongside Keerthy Suresh (in her Hindi film debut), Wamiqa Gabbi, and Jackie Shroff, the film follows Sathya Verma, a former cop who goes undercover as Baby John to protect his daughter from a dangerous enemy. With high-octane action sequences, a star-studded cast, and a runtime of 2 hours and 45 minutes, the film promises thrills but struggles to deliver a cohesive experience.

From the outset, it's clear that Baby John heavily leans on choreographed action and song sequences, visually impressive but loosely strung together by a weak and uninspired storyline. The screenplay and editing, crucial elements for a gripping narrative, falter significantly, leaving the film feeling disjointed. As the captain of the ship, the director shoulders much of the blame for allowing these technical snags to slip through.

The superhero-like heroism in the fight and dance sequences stretches believability, often pulling the audience out of the experience. While some moments provide spectacle, they fail to maintain the emotional crescendo necessary to sustain the film's momentum. The predictable climax, punctuated by Salman Khan's tired cameo, ends the roller-coaster ride on a disappointingly flat note.

The performances, however, stand as the film's saving grace. Varun Dhawan, Jackie Shroff, and the rest of the cast give it their all, doing justice to their roles despite the lackluster material. Keerthy Suresh's Bollywood debut is commendable, though her talent feels underutilized in this setup.

Ultimately, Baby John feels like a missed opportunity-an action-packed visual extravaganza that fails to resonate emotionally or narratively. The film's reliance on spectacle over substance leaves it feeling hollow, making it a challenging watch for audiences expecting more than just surface-level thrills.

Rating: 2/5 stars - Baby John offers brief moments of visual entertainment but suffers from a weak storyline and missed opportunities, making it a forgettable addition to the action thriller genre. Watch it for the cast's earnest performances, but don't expect much beyond that.

Baby John: A Disappointing Imitation of "Theri" "Baby John" sadly falls flat as a pale imitation of the South Indian action-thriller "Theri." While attempting to replicate the successful formula of its predecessor, it stumbles into a realm of overacting and predictable plot points, leaving the audience feeling thoroughly unimpressed.

The film's narrative, a thinly veiled copy of "Theri," lacks originality and fails to captivate viewers. The predictable storyline, filled with cliches and formulaic plot twists, offers little to no surprises. The protagonist, Baby John, while attempting to embody the charismatic persona of Vijay from "Theri," comes across as a shallow imitation, devoid of the depth and nuance that made the original character so compelling.

The acting performances, unfortunately, are a major letdown. The actors seem to be overcompensating for the lack of a strong script, resulting in exaggerated expressions and melodramatic portrayals. This overacting further diminishes the film's credibility and detracts from the overall viewing experience. The dialogue, too, is often cringeworthy, filled with forced humor and predictable one-liners that fail to elicit any genuine laughter.

The action sequences, while attempting to replicate the high-octane thrills of "Theri," fall short in terms of execution. They appear poorly choreographed and lack the finesse and impact of the original. The special effects are also underwhelming, further diminishing the impact of the action scenes.

In conclusion, "Baby John" is a disappointing cinematic experience that fails to live up to the expectations set by its inspiration, "Theri." The film suffers from a lack of originality, poor acting performances, and underwhelming action sequences. Viewers seeking a thrilling and engaging cinematic experience are advised to steer clear of this predictable and underwhelming imitation.