School of Lies

Sameer lodaya

The makers here have shown a hostel and what students and teachers do and what it ends up

The content is as simple as shown in the teaser of a missing boy from a hostel and how other stories are linked with the missing..the series started at a good note but then from the 4 th episode it seems they were dragging the main content with other stories which had completely no connection with the missing boy..the series is extremely slow in 8 long episodes...the climax what we waited for was such a loose one and unfolded that it feels a lot of time was wasted

Amir , nimrat, Sonali, Hemant all were wasted by giving small roles these actors are meant to play strong lead roles..the boys played a good role like vir aryan Varin divyansh and parthiv

The bad luck of this series is that it was released with 2 big series scoop and asur 2 so was kept aside.

It's a must watch Web series which is very creating suspense. All actors did their best. The acting skills by Aryan Singh Ahlawat are adorable. He really did a magnificent job. This series provides deep insight to life of students in Indian school. Young actors have shown their mind blowing acting skills. It is an eye opening story well Very nice drama Very nice creativity with lots of suspense. Proud of Haryana,Director is also excellent The views and Visuals were amazing and really gave you that feeling if being present in the ambience of a boarding school in the hills. Congratulations! Best of luck.

One of the boldest yet most sensitive series on Indian ott yet. Don't let the newly conservative reviewers fool you. This series is as state-of-the-art as so many other murder mystery bbc productions out there. Almost every actor understood the assignment well and enacted great. The story hits the shoddy value and conservative system out of the park. Consent, morality and evilness are woven in a tangled web. Even the supposed victim can be pure evil. Even the supposed evil can be merely a victim himself. Such questions are superbly raised and the viewer is left to ponder. Scenery, cinematography, performances, everything is top notch. No sex scenes to titilate. Just tragedies unfolding on your screen.

This series has a good plot but the execution was not that flawless. Very slow and boring which will compel you to shift from this series to some other.

I recommend if you have patience and time you can go for this else this is not your cup of tea.

Acting sense of the child actors are good and commendable and location and set up are also excellent but execution is very poor.

For acting i will put 5 stars /10 stars

For location and Set 7stars/10 stars

For execution of the story 3stars/10 stars

For story i will give 6stars/10 stars And overall experience I will put only 5 stars/10 stars Now it's your will !!

In the fictional Dalton Town, at the fictional RISE boarding school, a regular day turns into a crisis when the house master notices that a child has been absent. The disappearance of seventh-grader Shakti Salgaonkar is just the start of the drama and suspense that is about to rattle the foundations of this all-boys private educational institution, with a master's daughter as the only female student.

Intercutting the search for Shakti (Vir Pachisia) and his parents' anguish is the story of two seniors who are burdened by their own complex secrets. Final year students Vikram (Varin Roopani) and TK (Aryan Singh Ahlawat) are being mentored by their housemaster Sam (Aamir Bashir). As they navigate the delicate balance of life in boarding school, Vikram and TK are making some questionable and dangerous choices along the way.

School counsellor Nandita (Nimrat Kaur) tries to assist with the investigation. Her methods at building a psychological profile of Shakti or making any headway are set aside when the screenplay decides instead to focus on Nandita's own ghosts and emotional vacuity.

As is expected in a boarding school that thrives on discipline and hierarchy, there are plenty of rules, hence plenty of rules for the boarders to break, sometimes with the blessings of the faculty. A staffer moonlights as a drug peddler. There is another side-bar about trafficking of various kinds.

School of Lies (Disney+ Hotstar) is high on atmospherics. Director Avinash Arun Dhaware (Killa, Paatal Lok) immerses you into a campus that serves as a microcosm of very big issues.

The motive behind Shakti's disappearance is revealed midway. Dhaware, who has also co-created and filmed the eight-episode series, is in great command over the suspenseful and macabre moments.

But the human stories run shallow, and the script repeats whodunit similitudes. The script (Ishani Banerjee, Nishant Agarwala, Shoaib Nazeer) tries to create a diversion, succeeding partially until it loads the dysfunctional with so much damage that our sympathies shift to impatience.

School of Lies abounds with characters who have PTSD responses or need to exorcise their ghosts. Joy is fleeting, with brief moments of magic, such as jumping across a broken bridge, listening to fables about the forest or a game of football.

Dysfunction is endemic, most quantifiable in the defective hiring practices. At least half the staff is ill-qualified to shepherd impressionable, lonely, often broken children living away from home and families. Shakti's disappearance brings down a house of cards. Yet, the police investigation, headed by Varun (Hemant Kher), has a job on its hands eking out the truth.

No one is beyond blame - neither the teachers, students or parents. Even Shakti's mother Trish (Geetika Vidya Ohlyan) and Vikram's widowed parent Pallavi (Sonali Kulkarni) are carrying unhealed scars. The mid-series arrival of a sadistic former student, whose behaviour captures an all-boys boarding school's tradition of bullying and harassment, shakes things up.

Aamir Bashir in School of Lies (2023) /Disney+ Hotstar In the fictional Dalton Town, at the fictional RISE boarding school, a regular day turns into a crisis when the house master notices that a child has been absent. The disappearance of seventh-grader Shakti Salgaonkar is just the start of the drama and suspense that is about to rattle the foundations of this all-boys private educational institution, with a master's daughter as the only female student.

Intercutting the search for Shakti (Vir Pachisia) and his parents' anguish is the story of two seniors who are burdened by their own complex secrets. Final year students Vikram (Varin Roopani) and TK (Aryan Singh Ahlawat) are being mentored by their housemaster Sam (Aamir Bashir). As they navigate the delicate balance of life in boarding school, Vikram and TK are making some questionable and dangerous choices along the way.

School counsellor Nandita (Nimrat Kaur) tries to assist with the investigation. Her methods at building a psychological profile of Shakti or making any headway are set aside when the screenplay decides instead to focus on Nandita's own ghosts and emotional vacuity.

As is expected in a boarding school that thrives on discipline and hierarchy, there are plenty of rules, hence plenty of rules for the boarders to break, sometimes with the blessings of the faculty. A staffer moonlights as a drug peddler. There is another side-bar about trafficking of various kinds.

Nimrat Kaur in School of Lies (2023). Courtesy BBC Studios/Disney+ Hotstar.

School of Lies (Disney+ Hotstar) is high on atmospherics. Director Avinash Arun Dhaware (Killa, Paatal Lok) immerses you into a campus that serves as a microcosm of very big issues.

The motive behind Shakti's disappearance is revealed midway. Dhaware, who has also co-created and filmed the eight-episode series, is in great command over the suspenseful and macabre moments.

But the human stories run shallow, and the script repeats whodunit similitudes. The script (Ishani Banerjee, Nishant Agarwala, Shoaib Nazeer) tries to create a diversion, succeeding partially until it loads the dysfunctional with so much damage that our sympathies shift to impatience.

School of Lies abounds with characters who have PTSD responses or need to exorcise their ghosts. Joy is fleeting, with brief moments of magic, such as jumping across a broken bridge, listening to fables about the forest or a game of football.

Dysfunction is endemic, most quantifiable in the defective hiring practices. At least half the staff is ill-qualified to shepherd impressionable, lonely, often broken children living away from home and families. Shakti's disappearance brings down a house of cards. Yet, the police investigation, headed by Varun (Hemant Kher), has a job on its hands eking out the truth.

No one is beyond blame - neither the teachers, students or parents. Even Shakti's mother Trish (Geetika Vidya Ohlyan) and Vikram's widowed parent Pallavi (Sonali Kulkarni) are carrying unhealed scars. The mid-series arrival of a sadistic former student, whose behaviour captures an all-boys boarding school's tradition of bullying and harassment, shakes things up.

But the shifts between linear and non-linear storytelling do not serve the complexity of the world and the emotional fragility of the characters. Nandita, as the keeper of secrets, emerges as the most complex character.

The show emphasises the danger of unresolved issues, childhood trauma and proclivity for repeated behavioural patterns, but opts for visual impact and specific surprise, padding the narrative with surplus characters and side plots. The lead performances are moving, particularly Bashir, Kaur, Nitin Goel, Roopani and Ahlawat.