Voy! Voy! Voy!

This movie had it all. Drama and scenes that would make you cry. Dark and light comedy at the perfect chances given. Amazing acting from all the cast especially Mohammed farag. It is good and you won't come out disappointed from the movie. Such a nice plot (based on true events but with dramatic spices) and a great twist that I didn't see coming at all. I liked the music of the movie. The cinematography was ok but the colour grading was amazing in many shots. The dialogues we good too. None felt longer than needed and none felt shorter than needed. It's a really nice refreshing face for Bayoumi Fouad away from his silly comedy. Proves that he is a good actor. The only back side of the movie is the weird romantic interest between "Hassan" and "Inji" which felt rushed, immature, unexplained and not in place. But overall it's a really good movie and the last scenes were the icing on the cake.

Welcome back Egyptian cinema. It's finally a great egyptian movie since a while!

It's very cool , light comedy and miserable.

The film took us through a mixed feelings. Sometimes it gives us laughter then gives us emotions that made me cry in a scence.

The cast is a perfect choice. I don't think there is someone overracting or not suitable for the role.

All of them is stunning , Taha desoky especially is shining in this role.

Each role helps the another and this is how the movie should be.

Also , It's a very great start from director Omar Hilal. Makes us wait for his next works.

I loved it so much and it's highly recommended.

The movie was so enjoyable time passed out and felt like every second of the movie was worth it, like for real it has a lot of actions you can't get bored in such amazing movie.

The cast of the movie did a real great job as usual heavy actors that we used to see and they're perform really well as usual, but beside the acting the story combined with acting performances was a nice combo.

Thanks to Faraj performance I'm really happy with his performance in addition to Bayoumi performance and Mohammed al dasouky as well.

I recommend this movie for +15 people because it contains little sensitive clips.

Before entering Voy! Voy! Voy!, I was worried about taking the true story (which the movie is based on it) to a cringe way filled up with moral messages mixed with silly jokes.

THE FILM WAS NOTHING LIKE THAT!

I had one of the most amazing experiences watching Egyptian film.

A risky journey full of pure funny moments and hilarious situations.

It's a film meant to be a classic in the future. Perfect use of hard cuts and drawing characters with multiple dimensions. And the smart plot twists are a bonus!

Do you love comedies? Thrillers? True stories? Adventures?

You will LOVE "Voy! Voy! Voy!".

Inspired by true events, Voy Voy Voy presents itself full of comedic realism. A directional debut worth the praise.

Omar Hilal's narrative style strongly depended on dark comedy, which added an interestingly engaging layer to the storytelling while maintaining the balance of the classic Egyptian movie style. As a result, you will find yourself laughing out loud while still being emotionally focused at the same time through many scenes.

The movie followed a cohesive structure and development of the story with strong writing focused on details and smart revelations, character building led by realistic performances from an incredible ensemble cast, and the right mix of dramatic emotional beats that I feel were utilized properly a bit later in the runtime but nonetheless left their impact by the end.

The examination of real-life events and the depth of tackling crucially fateful societal issues from a relevant approach to the viewer created a sense of connection to the story and a sort of moral sympathy for the character's challenges despite the acts of fraud, which leaves your thoughts provoked in the grey areas of right and wrong. And from this perspective, I loved the efforts to leave the audience's interpretation of the character's images (whether as heroes or villains) open to varying personal perceptions.