The Feeling That the Time for Doing Something Has Passed

The worst movie I've seen in years! There wasn't a single character I cared about at all. The script is almost non-existent. There are many, many, minutes of silence with no real activity on screen. Everyone in this movie seemed like they were ill, half asleep or just had totally boring. Nobody & nothing made any actual sense.

Not sure what equipment they used to make this movie but I've seen better video quality taken with a cellphone. And there was often obnoxious background noise. Not natural but maybe camera noise? Terrible.

The BDSM was more about strange relationships than actual BDSM. I know enough that It's usually not the submissive that tells the Master what they want. It was more just the main character wanting someone to be assertive in sex. The sex scenes here are not even softcore BTW.

Then there's the dialogue. An example is the Mother says: It's getting dark and it's 7:30. Ann says: Yes, I know. Mother: Tomorrow it will be 7:29. That's an entire scene. Hopefully no one was paid for writing this.

Nothing was funny. Nothing was dramatic. Nothing was exciting. Nothing was interesting. Movies like this one is why IMDB should allow Zero stars out of ten. One is too generous.

This deadpan narrative from Joanna Arnow is a solid deadpan dramatic comedy about a detached character involved with a BDSM relationship and living the life with some interesting direction approaches, deadpan atmospheres, and a solid performance from Joanna herself.

The approach on how life is hard offered by Arnow's direction and approach is a bit strange but it's new level take does offer something special about the setting and concept. Including some dry humor dialogue, structure approaches and character conversations between the performances. Which is also provided by some solid performances from the cast members.

Because some of the writing and pacing is a bit too-slow, it causes the characters to feel distant to connect which at times, made them a bit frustrating to observe, in a not so good way. Nevertheless, I do look forward to see what Arnow could offer next.

What a surprise! The second film by very talented Joanna Arnow (she edited, wrote, directed, and starred in the film) is a symphony of ambient shame, with movements centred on the different men that Ann, the protagonist, has varied-length and ambivalent relationships with. She manages to hit a range of painful notes in these movements, from ritualised abjection of sensual humiliation to cutting corporate indignities.

Extremely original, astute, truthful, and humorous. I adored how the openly sexual material contrasted with the visual aesthetic; it gave me the impression of the female gaze in action. In over 50 years of watching movies and writing reviews it is time to say: I've never seen a movie like this and I truly enjoyed it. Check it out if you enjoy subtle character development and deadpan humour...

I was struck with the idea of this film from the moment I saw the ads for it via the Florida Film Festival. I was drawn in by the deadpanned comedic chemistry that was equal parts candid as it was daring. Joanna Arnow (the powerhouse whom wrote, directed, and starred in this film) pulls off all blinders to the core themes of this film: sexuality, emotional pining, complacency, honest candor, and a feeling that can only be truly described with the film's apt title.

From beginning to end, we explore only as much of our protagonist Ana's psyche that she allows us to see. Guarded, yet open, her interactions with those around her paint a portrait of indecision and a trajectory of her life that is in one way ambiguous, but also free. The comedic stylings are delivered in a way that isn't over the top, relying of smart dryness and offbeat humor - a refreshing element to a story like this.

At this film's core, we are given a person to observe, and not necessary one do applaud or boo. Her choices, relationships, and actions happen in a way that we can empathize with, even if her character who is one in no need of it. Even so, with this film's gut-punch conclusion, you find yourself deciding what you want for her. This is a stark reminder that we are not meant to predict or encourage any of her behaviors and hope for any specific outcome, and that what transpired in this story is deeply personal but inevitable and fated.

I don't think I've seen a film like this one, and I don't think I ever will again. It's hard to accurately describe the emotions I felt during this film. It is expertly crafted and full of the quiet vigor of a story begging to be absorbed and understood completely.

From the second the fil starts to the closing credits, you'll laugh so hard you'll have a hard time catching your breath. It's just non-stop action, one-liners, and zingers coming at you. DUCK! Here comes another one! Wow! What an amazing movie-going experience!

Okay, I lied. In reality, I had to qquit this dreadful film after about 30 minutes. It was going absolutely no where. I think a better title for the film would be: "The feeling that something is going to actually happen has passed." Yes, it's that boring. Naturaly Rotten Tomatoes gave it a high rating. Something like an 86. But that was the critic's rating. The viewer rating was in the mid 20s. Trust the viewer's rating on this one. It reminded me of a film by that Greek fella where absolutely nothing happens for hours on end.

If you need something to put you to seep, forget the Melanonin or the Z-Quil. Just put this movie on and you'll be fast asleep in no time flat!