Exhuma - La tomba del diavolo

Exhuma is a South Korean horror film that has garnered critical acclaim for its suspenseful atmosphere and exploration of Korean folklore. The narrative delves into themes of family history and hidden truths, uncovering a chilling mystery. As the characters investigate deeper, they encounter a series of unexplained events that blur the lines between reality and the supernatural. Exhuma has been lauded for its unique blend of Korean folklore with classic horror tropes. This fresh approach is said to create a suspenseful and unsettling cinematic experience. Critics have also commended the film's slow-burn pacing, which keeps viewers engaged as the mystery gradually unfolds. Exhuma is likely to appeal to fans of horror cinema who enjoy films that weave cultural themes into their narratives.

Good movie and good acting. The part I liked was the depiction of the culture and the part I didn't like was that it wasn't scary. The potential of this movie is amazing and can be made even scarier. It's nice to be able to follow a neat and structured storyline. I had to endure going to the toilet so I wouldn't miss a scene. However, when I saw the ghost, I thought I was seeing the enemy of Resident Evil. For psychics and fengshui experts this movie is okay to watch. Thank you for making such a good movie, for me this is more of a semi-horror drama movie. Let's make a scarier movie. Happy watching.

Disturbing, eerie, and tense, the first half of Exhuma is an explosive mixture of south korean folklore and mythicism. It effectively evokes the universal dread and mystery regarding the afterlife, and what we, people still living and walking on this earth, can and should do with regards to that. The spiritual and supernatural bridge dangling between the two worlds. It works excellently as a paranormal occult horror film. Great atmosphere, never looses the steam, with fairly memorable moments.

But then it reaches the mid point of the film, something happens that made me not exactly sure about how I feel about this film as whole. To be clear: I still did like it a lot and it is nonetheless a strong film, but the aforementioned uneasiness and tension quickly goes away, and never quite reaches the same high as the previous half. It is a reveal/decision that I do appreciate: it is ambitious, creative, and is a big swing that we do not often see in a south Korean film. Also helps that practical effects accompanying it are simply amazing. However, the tonal shift/jarring nature of it kinda turned me off. I do recommend going into the film completely blind!

Kinda torn between 3.5 and 4 stars. It the film carried the strengths of the first two acts to the third act, and kept the film more consistent, it easily would've been4 stars and maybe 4.5. Again, still a great film and I highly recommend this to anyone interested in horror films with uniquely korean/asian DNA embedded to it.

For a long time now, South Korea has been impressing audiences around the world with very well produced and executed horror features, and "Pamyo" (2024) is no exception. This promising project stands out in all aspects, being above average.

The initial premise, involving voices of help when you close your eyes, sounds scary and intense, although the story develops into more complex plots throughout the first act. The cast and performances are a highlight of the film, with very convincing performances, especially in scenes involving rituals. Despite having impeccable photography, the most interesting element of the film is the plot, surrounded by symbolism and a rich mythology. The story develops differently from Western works, opting for few explanations, which requires the viewer's full attention to understand a good part of the work. Although the antagonist is not particularly memorable, he has a great design and delivers tense moments.

Jang Jae-hyun, director of the project, had already demonstrated his aptitude and commitment to the genre in "Sabaha" (2019), another horror production with excellent results. "Pamyo" once again confirms the director's skill, consolidating him as a director of great talent in his filmography.

Exhuma was a movie I was looking forward to seeing and had avoided learning anything about before I saw it.

I was mainly hopeful because of the cast.

It starts pretty strongly with a feeling of class from the acting to the production values.

The story wasn't clear at first but then I got my hopes up as the first grave is dug up.

However this part of the story seems to be wrapped up quite quickly with the cremation scene and it then delves into Korean and Japanese history with strong anti Japanese feeling.

Now I'm not familiar with the history of these countries to a great extent so maybe a bit of this stuff wasn't for me as an Englishman.

But I completely understood it, It was just an unexpected turn of the story and then the film devolves into some weird thriller full of special effects (admittedly well done) that would fit into more of a comic book style horror.

It's incredibly disjointed.

If anyone compares this film favourably with The Wailing, ignore them. The wailing is far far superior.

This film is worth a watch but don't expect a classic horror movie.