Attivisti criminali dirottano una gala e prendono 300 ostaggi, pianificando un omicidio di massa come messaggio al mondo. Joey Locke, un'ex soldato diventata lavavetri, inizia una missione d... Leggi tuttoAttivisti criminali dirottano una gala e prendono 300 ostaggi, pianificando un omicidio di massa come messaggio al mondo. Joey Locke, un'ex soldato diventata lavavetri, inizia una missione di salvataggio.Attivisti criminali dirottano una gala e prendono 300 ostaggi, pianificando un omicidio di massa come messaggio al mondo. Joey Locke, un'ex soldato diventata lavavetri, inizia una missione di salvataggio.
- Regia
- Sceneggiatura
- Star
Taz Skylar
- Noah
- (as Taz Skyler)
- …
Sol E. Romero
- Halina
- (as Sol E Romero)
Recensioni in evidenza
I like Daisy Ridley a lot, and I think she does her best to carry the film, but I just found myself rolling my eyes far too often to enjoy this mess.
I can only suspend disbelief to a certain point, and above every other problem is this... How does everything in the first half of the film happen EXACTLY where the one window cleaner happens to be. This is a four-sided skyscraper!!! Also, people have regular conversations through the glass, one canister of gas in a hallway is enough to knock out everyone on every floor, people travel multiple floors in no time at all, SOOOO many clichès, etc. And as much as I rooted for Daisy to win, it's hard to feel sorry for the hostages.
There was some fun action, though nothing outstanding, and it was capably directed in a way that was very easy to follow. Also, I really enjoyed Matthew Tuck as her brother. Could've been a very annoying character, but he grounded it enough for me.
I can only suspend disbelief to a certain point, and above every other problem is this... How does everything in the first half of the film happen EXACTLY where the one window cleaner happens to be. This is a four-sided skyscraper!!! Also, people have regular conversations through the glass, one canister of gas in a hallway is enough to knock out everyone on every floor, people travel multiple floors in no time at all, SOOOO many clichès, etc. And as much as I rooted for Daisy to win, it's hard to feel sorry for the hostages.
There was some fun action, though nothing outstanding, and it was capably directed in a way that was very easy to follow. Also, I really enjoyed Matthew Tuck as her brother. Could've been a very annoying character, but he grounded it enough for me.
This movie at its kindest review is mediocre. It's not the worst movie I've ever watched but it no where the best I've ever watched. I totally understand why it started the way it did, it gave a tiny back story. But the character of her brother having autism seemed to have no place in this movie at all. It actually made his character confusing and inconsequential until the end and even then him being autistic had no bearing on the character. The action was decent, the story is the same ole story, and the acting ehhh it just felt off. Will I recommend this movie to others, I seriously doubt it. Will I watch it again, absolutely not. On to the next.
Corporate greed, eco-activism, terrorism, and a window-cleaner ex-military girl taking down the bad guys who seized her building.
I'll be brief.
This movie is neither particularly fun nor satisfying. The premise shows promise but reveals its hand too early and quickly loses steam. The action is serviceable, the villains are a yawn, and the characters, their motivations, dialogue, and their resolution are all too generic to leave a lasting impression. On top of that, the pacing drags in places, the ending fails to deliver, and the emotional beats between the siblings never quite land. Does it attempt to make a statement about environmental destruction and corporate accountability? If so, it does so in the dullest way possible.
Die Hard, this is not, so the comparisons are moot. Here, the villains hold all the cards (they control the police, the building, and the hostages) and yet the heroine somehow becomes an inexplicable problem for them. There's a script issue, but also an execution problem, as Miss Ridley is competent in the role, but her casual attitude while committing "action" feels jarring and undermines any sense of real danger.
At least it is short (90 minutes, and it feels even shorter). Watch if you want a generic action movie.
I'll be brief.
This movie is neither particularly fun nor satisfying. The premise shows promise but reveals its hand too early and quickly loses steam. The action is serviceable, the villains are a yawn, and the characters, their motivations, dialogue, and their resolution are all too generic to leave a lasting impression. On top of that, the pacing drags in places, the ending fails to deliver, and the emotional beats between the siblings never quite land. Does it attempt to make a statement about environmental destruction and corporate accountability? If so, it does so in the dullest way possible.
Die Hard, this is not, so the comparisons are moot. Here, the villains hold all the cards (they control the police, the building, and the hostages) and yet the heroine somehow becomes an inexplicable problem for them. There's a script issue, but also an execution problem, as Miss Ridley is competent in the role, but her casual attitude while committing "action" feels jarring and undermines any sense of real danger.
At least it is short (90 minutes, and it feels even shorter). Watch if you want a generic action movie.
The answer is this film. Make the two stars do the bare minimum so you don't have to pay them too much? I don't really get it tho. Like all the money went to the production and Campbell? Clive Owen essentially pulls a Bruce Willis here. Total screen time probably didn't exceed 5 minutes and you got Daisy Ridley outside of the building for 3/4 of the film, doing nothing when she should've just did something to begin with and save us all the stupid ass runtime. This movie would be over in 40 minutes. I'm rambling along here cuz there's a minimum characters required to post a review apparently. I don't write reviews that often...
The plot feels like a recycled version of something that's been done countless times before, with the only twist being a nerdy character carrying a "Thor hammer," as if begging for mercy from the younger audience. There's little to no effort put into character development, so we couldn't care less about the protagonist or any of the characters, for that matter. There's no suspense, no mystery, just a predictably failed attempt at being a pure action film, which also fell flat. It's hard to find anything positive to say, but here's an attempt: the villain and the cop lady somewhat tried to carry the rest of the cast, but their efforts hardly made a difference. Picture quality was good, lol. You can invite a girl over and play this when you are not really interested in watching. This is one of those movies where you wonder why they even bothered making it, and you're relieved it wasn't any longer.
Lo sapevi?
- QuizThis is the second time Daisy Ridley and Clive Owen have played a protagonist and antagonist in the same movie. Their first movie was Ofelia - Amore e morte (2018).
- BlooperWhen the Joey is outside she has a conversation with someone of the inside of the building - they can hear each other easily as no one has to raise their voice. Glass like this in towers is very thick and tough and would deaden noises. A proof of how tough the glass is that later on she tries to break the glass with a heavy wrench without success..
- ConnessioniReferenced in Film Threat: CLEANER | Film Threat Reviews (2025)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Клінер
- Luoghi delle riprese
- Winnersh Film Studios, Regno Unito(1020 Eskdale Road Wokingham RG41 5TS)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 25.000.000 £ (previsto)
- Lordo Stati Uniti e Canada
- 794.091 USD
- Fine settimana di apertura Stati Uniti e Canada
- 403.560 USD
- 23 feb 2025
- Lordo in tutto il mondo
- 1.314.073 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Proporzioni
- 2.39 : 1
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