Un biologo firma partecipa a una spedizione segreta e pericolosa in una zona misteriosa in cui le leggi della natura non si applicano.Un biologo firma partecipa a una spedizione segreta e pericolosa in una zona misteriosa in cui le leggi della natura non si applicano.Un biologo firma partecipa a una spedizione segreta e pericolosa in una zona misteriosa in cui le leggi della natura non si applicano.
- Regia
- Sceneggiatura
- Star
- Premi
- 17 vittorie e 63 candidature totali
- Peyton
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- Scientist
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- Special Forces
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- Special Ops Soldier
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- Scientist
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Recensioni in evidenza
Good cinematics and concept, but that's all
Interesting concept, flawed execution
There are just too many times that things occur that have no sense or logic. I'm not talking about the "alien" aspect, which is supposed to be somewhat mysterious and incomprehensible, but about the way that the humans in the story act or react to what's going on. The way that the government is handling the phenomenon seems strangely hands-off for what should be the most important event in the history of humanity, and the individuals involved make lots of odd decisions just to drive the story forward.
On top of that, there is a framing device where a survivor is being interrogated about the events of what is shown throughout the movie, and it not only doesn't provide any additional illumination to bother with the clunkiness, it tends to deflate a lot of the tension by giving away certain plot points before you see them on screen. The ending is more just vague for the sense of being mysterious rather than making you really ask questions afterward. I suspect that if you asked the Director how the ending related to the rest of the movie, he would't be able to give more of an answer than he wanted things to be left open-ended.
Finally, the characters are all fairly morose and sedated. There's a (weak) explanation in the movie for this, but the overall low energy makes you not care too much about any of the characters.
A Promising Premise Undone by Weak Execution
The main cast, led with a certain gravitas, tries valiantly to bring depth to their roles, which are unfortunately penned with little sense and surrounded by weak character development. Their strong efforts starkly contrast with the uninspiring performances from the side cast, creating a jarring imbalance that disrupts the overall harmony of the film.
Dialogue throughout "Annihilation" feels forced and unnatural, often serving as clumsy exposition rather than meaningful character interaction. This issue is compounded by a soundtrack that, while fitting the film's theme, cannot compensate for the narrative deficiencies.
Perhaps the most glaring issue is the film's conclusion, which is riddled with logic flaws and does not make sense within the established context of the story. This not only leaves the viewer unsatisfied but also questions the coherence of the entire narrative.
In sum, "Annihilation" is a film that might attract viewers with its interesting premise and notable lead performances, but it quickly reveals itself as a frustrating experience, lacking in engaging storytelling and logical consistency. A classic case of a great idea that required much better execution to truly shine. This movie is only for die hard fans of paraterrestial films. Others better look into "Arrival".
A brilliant movie hidden in a mediocre movie
The first half is so patiently mediocre that the second half almost feels like a completely different movie, making the movie a mixed bag but one that's totally worth it. Some of the performances are great, some are okay, and at least one is noticeably bad. Natalie Portman turns in a great performance (she carries the entire film) and Jennifer Jason Leigh gives a reserved and underplayed angle to a well worn out archetype. The side characters however, like Gina Rodriguez and Tessa Thompson, are mostly annoying and sometimes border on being simply bad. Oscar Isaac is very good.
Most of the technical choices are good. The cinematography isn't particularly flashy but it captures the world behind the shimmer in all of it's messed up glory (the last twenty minutes are truly a thing to behold). The music choices are also a mixed bag. Soft strum guitar comes in at random intervals and doesn't really work, but the dark, brooding thump of a certain synth track really gives you a sense of cosmic horror.
I don't want to spoil anything, so I'm going to leave it at that. Go support this movie, even if it isn't perfect. There are so many great things about it that they way outweigh the flaws.
Atmospheric
But I still really liked it. It's creepy and atmospheric and more concerned with the psychology of people on a suicide mission than on the nuts and bolts of scientific investigation. It's often intense , usually beautiful, well acted, and had some really weird and mesmerizing moments.
I won't argue that you should forgive it for its plot holes, or that it has any deep meaning, or anything like that. In fact, it's probably easier to make a convincing argument against the movie than for it. I'm just saying, I really liked it.
ADDENDUM: I looked at the user reviews recently (2024) and the top reviews are no longer lists of plot holes. The people who enjoyed the movie, like me, have since my review pushed the naysayers down. Which I fully support.
Horror Heroines on Paramount+
Horror Heroines on Paramount+
Colonna sonora
Lo sapevi?
- QuizDue to a poorly received test screening, David Ellison, a financier at Paramount, became concerned that the film was "too intellectual" and "too complicated," and demanded changes to make it appeal to a wider audience, including making Natalie Portman's character more sympathetic and changing the ending. Producer Scott Rudin sided with Garland in his desire to not alter the film, defending it and refusing to take notes. Rudin had final cut.
- BlooperSentries would never light the inside of a watchtower, which would illuminate themselves and make it impossible for them to see anything outside.
- Citazioni
Lena: Why did my husband volunteer for a suicide mission?
Dr Ventress: Is that what you think we're doing? Committing suicide?
Lena: You must have profiled him. You must have assessed him. He must have said something.
Dr Ventress: So you're asking me as a psychologist?
Lena: Yeah.
Dr Ventress: Then, as a psychologist, I think you're confusing suicide with self-destruction. Almost none of us commit suicide, and almost all of us self-destruct. In some way, in some part of our lives. We drink, or we smoke, we destabilize the good job... and a happy marriage. But these aren't decisions, they're... they're impulses. In fact, you're probably better equipped to explain this than I am.
Lena: What does that mean?
Dr Ventress: You're a biologist. Isn't the self-destruction coded into us? Programmed into each cell?
- ConnessioniFeatured in Chris Stuckmann Movie Reviews: Annihilation (2018)
- Colonne sonoreHelplessly Hoping
Performed by Crosby Stills & Nash (as Crosby Stills and Nash)
Written by Stephen Stills
Licensed courtesy of Warner Music UK
Published by Gold Hill Music Inc (BMI)
I più visti
Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Aniquilación
- Luoghi delle riprese
- Former RAF Bentwaters, Woodbridge, Suffolk, Inghilterra, Regno Unito(Exterior shots of army base)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 40.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 32.732.301 USD
- Fine settimana di apertura Stati Uniti e Canada
- 11.071.584 USD
- 25 feb 2018
- Lordo in tutto il mondo
- 43.070.915 USD
- Tempo di esecuzione
- 1h 55min(115 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1





