Flipping for Christmas

I'm still stuck on the money. Marcus' character Bo doesn't have any. Ashley's character Abby is there doing a favor for her sister. The sister and her husband want to sell the house they inherited and co-own, Abby is there to help make that happen. Bo can't afford to buy them out of the house they co-own, but he wants to turn the house into a B&B. Converting an 8-bedroom somewhat rundown Victorian home into a bed and breakfast takes a lot money for renovations, furnishings, decorations, food, and to hire and pay a staff before it (hopefully) turns a profit somewhere down the line. Where is Bo getting the money do to any of this? Even if we want to believe that because he is a contractor he can do the renovations, he very clearly said he doesn't have money for much else besides his current business.

Bo's plan seems like a screw you to the recently deceased Frank's family as Bo is not related to him, he was the contractor that took care of the house and a friend. Also, it is Bo's plan, not Frank's wishes, this is what Bo has convinced himself that Frank would want, when that doesn't at all appear to have been the case, it seems Frank wanted his family and the man who cared for the house to share in the proceeds of the sale. Bo says he understands them wanting to sell and get a house big enough, not to mention extra money, to care for their aging father, but also won't budge on his B&B idea. He has attitude for days, acts like he's a majority owner, not a co-owner, swiftly overruling everything Abby suggests in furtherance of her brother-in-law's wishes to sell the house.

This setup doesn't make a lot of sense. And there's plenty more that doesn't make sense, this is just one I'm highlighting because it struck me as dumb to not at least have the Bo character thoroughly thought his B&B plan through if he was going to be so obstinate about it. The romance is weak, not because of the actors, but because not enough time is spent on developing it. The "flipping" they do through most of the movie is I kid you not, just painting the walls so not sure why we heard so much about "design" early on. There's also an additional conflict thrown into the mix related to Abby's day job that just feels unnecessary. And maybe if the time on that storyline was given to making the rest work, this could've been better (and would've allowed for less time spent on some of the movie's weakest and least likable characters). There's a lot going on here and little of it is great. This truly seems slapped together and no one bothered to go through to connect the dots and make this a cohesive script. I'd love to know when this was written, produced, and shot, because it feels very much like they lined up a great cast for what was at the time a good, if not fully fleshed out concept, but maybe got stuck during the writer's strike with a flawed script in desperate need of rewrites and they said, let's just shoot anyway as is and hope no one notices this is a mess because of the good cast.

Well, I'll very much look forward to seeing Marcus and Ashley again in the future, they did their best with what they were given and this doesn't detract from their overall appeal. Both have done very good or great movies in the past and will do better ones than this in the future. I'd suggest checking them out in the other Hallmark and Lifetime Christmas movies they've done in the past instead of spending time on this one.

I want to say worst premise ever, but I'm sure there are worse. But why is the professional designer assigned the task of convincing the co-owner to sell? And Abby, whose job depends on pleasing customers does practically everything possible to annoy Bo. Bo isn't much better, maybe worse. At first he is totally rude for no reason to Abby, the stranger. Later he basically assaults her with paint based on no previous relationship to justify it as a fun prank. As the movie goes on, it is incredible how poorly she treats clients and potential clients. Does anyone listen to what others are saying ... to them?

The dialogue is either sparkling and funny, or terrible. Actually there are a lot of good moments with it. I lean towards the latter, but I'm sure it will appeal to many.

Apparently this is grade school because Abby and Bo first have a spontaneous paint fight and then a couple scenes later a spontaneous snowball fight. This seems to be how they build the romantic relationship. Abby giggles as her clothes get spattered. These two are complete opposites and their natural reactions to each other's opinions doesn't bode well for a long term future, but maybe when they have the next conflict they will have a food fight and giggle. Their animosity disappears quickly, but their differences do not go away that easily even though the story will make you think both of them changed personalities.

This is Hallmark, so we have to have an evil developer who wants to "gentrify" a small town and make a lot of money. So the plot theme becomes largely about "saving" the small town.

Clearly the architects of this movie intended it to be light, upbeat and funny. It's too bad they led with rudeness. That is the vibe I picked up in the beginning, so I missed a lot of what was meant to be fun.

The characters were holding hot dogs at one point, then all of a sudden they had their hot dog-holding hands down by their sides and they stopped eating the hot dogs. In the next scene the couple are at the tree farm and the male lead is carrying an open wood tool box, but it looks like nothing is inside. When they reach the tree that is holding the ornaments, suddenly there are small discs of wood in the box and the character is pouring them out of the box into another receptacle. You really notice how little W cares about the plot, cast and continuity when you pay closer attention. My husband and I had a lot of fun looking for all the inaccuracies. It made up for the film having no plot. Which is what we expected: no plot. Merry Flipping Christmas!

Marcus Rosner is always cute. Very handsome.

Scott Yamamura is a good actor.

There's absolutely no transition from the bickering and disagreeing between them to the flirting. Like, what the heck happened? They can't just suddenly become different characters. There has to be some sort of getting there. Did not enjoy their story.

They have a paint fight AND a snowball fight? That's too much. Whoever wrote this should have been a little more creative with the flirting.

Ashley Newbrough does a good job portraying grief at the Christmas tree when she writes Mom on the ornament.

The main actors' attempt at chemistry is over the top and obnoxious. It would have been better if they were a little bit more natural about it

The father's advice conversation was kind of weird and all over the place. Wasn't into it. It could have easily been better written.

The scene in the back of the truck with three pillows was too over the top. Looks like he's about to freaking propose to her. But he just happened to whip that together for a business dinner? Get out of here.

Some hallmark movies have gotten better about having drama and misunderstandings that are a bit more believable. This one is one of the ones that still struggles to have a fight between the characters that is believable. She told him it was a innocent thing she did and he gets all bent out of shape. It's just too much. The fights need to be a bit more believable.

I love how this sister is folding laundry in a scene. That is just so real and relatable. Often these houses are just so spic and span and look like they're not lived in. So that was a nice small touch.

Overall, meh.

Abigail is tasked by her sister to "flip" a house his husband half inherited and sell it, there she meets Bo, who inherited the other half of the property. Problem is both have different intentions about what to do with the house and Abigail somehow has to fix that.

First things first, I'm now finding out Ashley characters is names Abigail. Secondly I still don't understand if she is a realtor or an interior designer and why has her sister asked this of her. The only thing we see her doing is painting the house, which I believe, as an interior designer, you have someone else do.

So, the plot is not the best. Some things at the beginning are simply dumb. (And some at the end too, they fixed the problem of the house because they "fell in love"?) However, as the movie moves along, some things do make sense. Personally, I really liked the leads conversation about grieving someone and how it affects us, going through that myself. Things start to make sense then, it's like they bonded over that.

I thought they had great chemistry. At least, there was good banter. The actors made this kind of salvageable.

Remember when Marcus Rosner used to play the main character's ambitious ex boyfriend who would show up to propose only after she moved on? I'm so happy he gets to shine as a leading man.

Anyway, I had big hopes for this one and was disappointed.