September 5 - La diretta che cambiò la storia

September 5 will continue to make our eyes widen. By exploring themes such as tragedy, morality, humanity, and consequences. This film depicts a terrible tragedy that occurred in 1972 from the perspective of a sports broadcasting crew. A very well written and intense drama that will keep us opening our eyes and curious about the storyline. The way they build a tense atmosphere is also very solid, it is done slowly at the beginning and the tension will continue to increase as the film progresses. However, personally, the emotions are there, but still seem to be kinda lacking. There is no introduction or depth to the characters, there is quite a lot of character focus too, but the development is quite okay. With a short duration, they were able to control the pacing and tempo of the film very well. The cinematography is good enough, there are many scenes where the camera is a bit shaky, but that actually makes the film feel more crowded and intense. The scoring here also makes the film even more tense. The acting of the actors looks so natural, John Magaro's acting here is quite interesting. Overall, this is an underrated film in 2024.

A real thriller from start to end. A lot of suspension and a insight look what went on in the tv studio of abc. A lot of drama of a world wide known event what took place in Munchen.

I liked the classic 1972 vibe, sigars, the know how, the first tv's and ict difficulties in that time. You also get a rewatch of the drama that took place in that olympic village. The 100minutes flew by and I never took my eyes of the screen.

If you like movies or real good documentaires, i strongly advice to watch this. Especially if your into world wide events. A 9 out of 10! Watch ln the big screen!!!!!!!!!...

I love authentic historic dramas. Especially, in eras in which I have lived. This seems authentic. It's a story of which I am familiar and have seen told in various formats of film through the years.

As stated in the above title, I found this telling most interesting of all.

I saw Spielberg's Munich in the theater years ago and I remember still feeling that it was a bit overlong and bloated. Even boring, I hate to say. And metaphorical to a fault.

This version of the facts is more taut, the run time for this film is shorter, and the clock is ticking in the movie, and the lives at stake.

Also, airtime. You are in the control room of ABC's Wide World of Sports when the tragic terrorist events occur during the Olympics in Germany in 1972.

Cigarettes are smoked. Rotary dial telephones are used for communication.

And there is a major crisis unfolding in the Olympic village.

It's a good history lesson for Gen-Z.

Even appropriate for grade level history in classrooms, middle school and up, I would think but it's rated R, so no.

But history is hardly ever pretty.

John Magaro and Ben Chaplin shine most brightly with their stellar performances.

This is worth a trip to the cinema.

It wouldn't be a terrible idea to bring your high school aged child to the theater with you for this one.

They could stand to learn a little history.

They'll walk out with you afterwards and say, Did that really happen?

Making a movie now about the 1972 Munich Olympic terrorist attacks might be considered something of a political hand-grenade since political opinion is clearly divided between those who side with Israel's continuing attacks on Gaza and those who are sympathetic to Palestine.

In "September 5" the 'villains' are clearly the Palestinian terrorists and the horrors of what is currently happening in the Middle East may put many people off seeing this film but then you could also say that "September 5" isn't so much about the hostage taking as it is about the reporting of the situation by ABC and this is definitely the best film about political journalism since "All the President's Men".

Director Tim Fehlbaum films it like a documentary and his remarkable cast respond beautifully. Every performance is pitch-perfect as is Markus Forderer's cinematography, Hansjorg WeiBbrich's editing and Fehlbaum's screenplay co-written with Moritz Binder and Alex David which doesn't feel like a script at all but a piece of actual news reportage and the thrills come not so much from hostage taking as from the dangers involved in simply recording it. The result is terrific cinema that simply shouldn't be missed.

September 5 is a gripping retelling of fact based events that doesn't let up on the tension from the moment it begins to really escalate. It offers an in depth look at the commitment of the newsroom broadcasting the events and all of their decisions with the sometimes destructive consequences of them as they choose the wrong wording and prioritise being the first to get the story out over getting it right, minus the consequences.

The whole cast does a great job of saying all the news jargon with a high intensity but the main 3 stand out further. John Magaro rises to the challenge of covering something he never thought he'd have to whilst feeling the most guilty about what transpires, Peter Sarsgaard is commanding and clearly just as interested in personal gain as he is in documenting the events and Ben Chaplin is the most cautious yet still waves away some errors.

Tim Fehlbaum's direction mostly keeps everything contained in the studio to increase the chaos since all the information comes from outside and adds a layer of disconnection. Markus Förderer's tight and mobile cinematography is unwavering which is then combined with Hansjörg Weißbrich's meticulous editing to move at a high speed throughout and ensures the pacing is as airtight as humanly possible.