Ambientato in una comunità rurale irlandese negli anni '80, evoca natura, umanità e vita stessa, tratto dall'acclamato romanzo di John McGahern.Ambientato in una comunità rurale irlandese negli anni '80, evoca natura, umanità e vita stessa, tratto dall'acclamato romanzo di John McGahern.Ambientato in una comunità rurale irlandese negli anni '80, evoca natura, umanità e vita stessa, tratto dall'acclamato romanzo di John McGahern.
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- Sceneggiatura
- Star
- Premi
- 3 vittorie e 12 candidature totali
Recensioni in evidenza
A strange movie but one worth seeing. What I expected was a kind of a modified version of the The Quiet Man because as an Irish person you expect that kind of nonsense twee movie, but this isn't it. Yes there are stereotypes in the movie and it is set in the 1980s, but overall it is a movie about a location and a movie about nothing really happening, which is what occurs in most of our lives.
The whole essence of the movie IMHO is that it's visual, visceral and about how the land and seasons shape the people and dictate their lives unless they decide to do otherwise. The main character is a little too smugly self-satisfied, but other than that it's well worth absorbing this movie.
The whole essence of the movie IMHO is that it's visual, visceral and about how the land and seasons shape the people and dictate their lives unless they decide to do otherwise. The main character is a little too smugly self-satisfied, but other than that it's well worth absorbing this movie.
There is a lot to praise in That They May Face The Rising Sun: stunning scenery, great acting, beautiful score, but the presence of a strong plot, theme, or central relationship, one of which at least, is required to hold a great film together, was lacking. The married couple around whose lives and cottage the main action revolved, seemed to coexist largely on a diet of meaningful glances and melancholy embraces. Joe's (Barry Ward) depiction as a stoic Good Samaritan-friend, embalmer, driver, letter-writer to all, starved the actor of any emotional range, and the the action of any dramatic surprise. His wife (Anna Bederke) had little to do but smile serenely at her new, semi-cloistered, adopted world, like a novice nun stuck with her vows. Clearly Pat Collins placed most of his chips on mood and atmosphere, which for me, often echoed that doomed rural isolation and missed opportunity which The Ballroom of Romance did so well. I liked some set pieces, particularly the the wedding, where the close up of Brendan Conroy's lonely face tore at the heart. The wake (strangely, for its time, without a priest in sight) and laying out of Johnny's corpse, showed the single death is also a communal one. I loved Sean McGinley's performance, especially in that devastating scene where his eyes and voice convey the deep shame he feels for having left Ireland, only to end up cleaning the 'English jacks' in Fords.
The film succeeds in what it sets out to do; capture life in the ordinary moments of ordinary, often frustrated individuals, present it in significant, often striking fragments rather serve it up as a coherent narrative whole, a kind of style that Fellini perfected in the incomparable Amarcord.
The film succeeds in what it sets out to do; capture life in the ordinary moments of ordinary, often frustrated individuals, present it in significant, often striking fragments rather serve it up as a coherent narrative whole, a kind of style that Fellini perfected in the incomparable Amarcord.
The pace is slow and many scenes come back to the same road but it is a seamless wonder portraying both genuine difficulties in life and a serenity of the seasons and lifestyle that melts together. I enjoyed the array of characters, each with a story and edge. It was somber but not depressing and the use of closeups and distant landscapes worked to keep a slow pace moving. The only negatives was the sound...maybe in the cinema it wasn't adjusted to the right volume but also the piano wasn't always appropriate. Also maybe the couple were just too perfect but that had an inspiring positive side too. It is a very good film and a quality few films reach.
Joe, (Barry Ward), and Kate, (Anna Bederke), have returned from London to rural Ireland. He writes, perhaps a novel, perhaps not, while she sketches and makes little decorative pieces from twigs and bits of wood. The rest of the time they simply try to manage the small farm holding on which they live, mostly with the help of kindly neighbors. The seasons pass and nothing out of the ordinary happens; one neighbor marries and another dies and we simply observe the small details that make up these people's lives.
Based on John McGahern's novel, Pat Collins' really quite extraordinary and quite extraordinarily moving film "That They May Face the Rising Sun" could best be described as Ireland's answer to the films of Ermanno Olmi or maybe the Taviani Brothers. Gorgeously shot on location in County Galway this is one of the greatest of films about rural life and the day-to-day existence of people who have nothing and yet who want for nothing.
Director Collins is fundamentally a documentary film-maker and he brings a documentarian's eye to bear on proceedings here drawing extraordinarily naturalistic performances from his cast. Veteran Irish actors like Sean McGinley, Lalor Roddy, Ruth McCabe and Brendan Conroy are doing perhaps their best work here and it's hard to believe that Phillip Dolan as one kindly neighbor has never acted in a film before. Leads Barry Ward and Anna Bederke are also superb in their quietude and their empathy, outsiders who nevertheless feel like the backbone of their community, magnets drawing others to them for help or just for a listening ear. A masterpiece that simply has to be seen.
Based on John McGahern's novel, Pat Collins' really quite extraordinary and quite extraordinarily moving film "That They May Face the Rising Sun" could best be described as Ireland's answer to the films of Ermanno Olmi or maybe the Taviani Brothers. Gorgeously shot on location in County Galway this is one of the greatest of films about rural life and the day-to-day existence of people who have nothing and yet who want for nothing.
Director Collins is fundamentally a documentary film-maker and he brings a documentarian's eye to bear on proceedings here drawing extraordinarily naturalistic performances from his cast. Veteran Irish actors like Sean McGinley, Lalor Roddy, Ruth McCabe and Brendan Conroy are doing perhaps their best work here and it's hard to believe that Phillip Dolan as one kindly neighbor has never acted in a film before. Leads Barry Ward and Anna Bederke are also superb in their quietude and their empathy, outsiders who nevertheless feel like the backbone of their community, magnets drawing others to them for help or just for a listening ear. A masterpiece that simply has to be seen.
This is an exceptional movie. The slow pace of life brings your heartbeat down, it takes you to places in way that other movies cannot. I really enjoyed the character development and the moments of joy and sadness. It's a true beauty, watch it.
This is an exceptional movie. The slow pace of life brings your heartbeat down, it takes you to places in way that other movies cannot. I really enjoyed the character development and the moments of joy and sadness. It's a true beauty, watch it.
This is an exceptional movie. The slow pace of life brings your heartbeat down, it takes you to places in way that other movies cannot. I really enjoyed the character development and the moments of joy and sadness. It's a true beauty, watch it.
This is an exceptional movie. The slow pace of life brings your heartbeat down, it takes you to places in way that other movies cannot. I really enjoyed the character development and the moments of joy and sadness. It's a true beauty, watch it.
This is an exceptional movie. The slow pace of life brings your heartbeat down, it takes you to places in way that other movies cannot. I really enjoyed the character development and the moments of joy and sadness. It's a true beauty, watch it.
Lo sapevi?
- QuizDeclan Nerney and his band are playing at the wedding scene.
- BlooperAfter Jamesy visits the cottage for the first time, he walks off down the lane pushing his bicycle. Joe says " Goodbye Bill" and Jamesy replies " Goodbye Joe". The line is exactly the one that was used when Bill was walking down the lane a few minutes before, it is reused here on the wrong character.
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Kako bi mogli gledati izlazeće sunce
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.000.000 € (previsto)
- Lordo in tutto il mondo
- 834.606 USD
- Tempo di esecuzione
- 1h 51min(111 min)
- Proporzioni
- 1.85 : 1
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