VALUTAZIONE IMDb
3,3/10
521
LA TUA VALUTAZIONE
Uno squalo implacabile trasforma la vacanza da sogno di una coppia in un incubo quando rimangono bloccati in mare e costretti a combattere per la propria vita.Uno squalo implacabile trasforma la vacanza da sogno di una coppia in un incubo quando rimangono bloccati in mare e costretti a combattere per la propria vita.Uno squalo implacabile trasforma la vacanza da sogno di una coppia in un incubo quando rimangono bloccati in mare e costretti a combattere per la propria vita.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Daniel Macedo
- Hotel Staff
- (as Daniel Galaviz Macedo)
Paola Rojas
- Hotel Staff
- (as Paola Lopez Rojas)
Recensioni in evidenza
I think the director and actors don't know anything about ships, sharks, sea and human as well.
The acting is woeful. The performances that feel more like primary school drama class than a feature film. The characters are one-dimensional, delivering lines with a lack of enthusiasm that makes it hard to care about the survivals. You find yourself wishing for the sharks to finish them off just to end the agony of their interactions.
Visually, the film is a disaster. The special effects are laughable, with the CGI sharks resembling something out of an outdated video game. The underwater scenes are poorly lit and lack any sense of realism, making it difficult to feel any tension or fear.
The acting is woeful. The performances that feel more like primary school drama class than a feature film. The characters are one-dimensional, delivering lines with a lack of enthusiasm that makes it hard to care about the survivals. You find yourself wishing for the sharks to finish them off just to end the agony of their interactions.
Visually, the film is a disaster. The special effects are laughable, with the CGI sharks resembling something out of an outdated video game. The underwater scenes are poorly lit and lack any sense of realism, making it difficult to feel any tension or fear.
The movie is really bad. Don't lose your time. Even but the usually shark movie standards this is really a bad one. I'm. Willing to pin the other way about the special effect and CGI but the plot is absurd. The acting is mediocre at best and the characters don't make any sense. And don't get me started about the shark. Is mightiest than Thor. I now this kid of movies are made to just pass the time but in this case it falls short my a milestone. Watch 47 meters down. It way better, the budget of the too is very similar but the movie is far superior. This one is just bad. Even taking into account the director is the same one from sharkanado don't expect anything enjoyable.
When I stumbled upon this 2023 shark movie titled "Blind Waters", of course I had to watch it, as I have something for sharks. But needless to say that I wasn't really harboring much of any grand expectations, as the majority of shark movies tends to be dubious and questionable movies.
And then when the movie started, those to dreadful words appeared on the screen: The Asylum. Yep, this was another movie from The Asylum, though it wasn't their archetypical mockbuster type of movie. Regardless, I still opted to watch "Blind Waters", as some movies from The Asylum actually are entertaining.
Writer and director Anthony C. Ferrante put together a fair enough script and storyline for the movie. Sure, one can argue for whether or not it was generic, but then again, isn't it sort of limited just how much you can differentiate a shark-themed movie? With that being said, then I found the storyline to be entertaining.
The acting performances in "Blind Water" were fair. It wasn't a particularly big cast ensemble, nor was it any recognizable actors or actresses on the cast list. But I will say that the cast ensemble actually put on good enough performances to carry the movie.
Visually then "Blind Waters" was somewhat of a mixed bag of nuts. Some of the special effects, whether it was CGI or practical, were quite good, but on the other hand, then some of the effects were rather questionable. But all in all, it was actually not too shabby.
I found that "Blind Waters" proved to be a fair enough shark-themed movie. Sure, it wasn't a particularly outstanding or memorable shark movie, but it was good enough for a single viewing. The movie's cover/poster, however, set up the movie to be a bit more exciting than what writer and director Anthony C. Ferrante actually delivered.
My rating of "Blind Waters" lands on a five out of ten stars.
And then when the movie started, those to dreadful words appeared on the screen: The Asylum. Yep, this was another movie from The Asylum, though it wasn't their archetypical mockbuster type of movie. Regardless, I still opted to watch "Blind Waters", as some movies from The Asylum actually are entertaining.
Writer and director Anthony C. Ferrante put together a fair enough script and storyline for the movie. Sure, one can argue for whether or not it was generic, but then again, isn't it sort of limited just how much you can differentiate a shark-themed movie? With that being said, then I found the storyline to be entertaining.
The acting performances in "Blind Water" were fair. It wasn't a particularly big cast ensemble, nor was it any recognizable actors or actresses on the cast list. But I will say that the cast ensemble actually put on good enough performances to carry the movie.
Visually then "Blind Waters" was somewhat of a mixed bag of nuts. Some of the special effects, whether it was CGI or practical, were quite good, but on the other hand, then some of the effects were rather questionable. But all in all, it was actually not too shabby.
I found that "Blind Waters" proved to be a fair enough shark-themed movie. Sure, it wasn't a particularly outstanding or memorable shark movie, but it was good enough for a single viewing. The movie's cover/poster, however, set up the movie to be a bit more exciting than what writer and director Anthony C. Ferrante actually delivered.
My rating of "Blind Waters" lands on a five out of ten stars.
Anthony Ferrante is now left to direct small scale shark movies in the aftermath of his Sharknado films becoming both the summit and pit of such things. That was all awhile ago now. Those films had larger and larger budgets and probably helped crasht the Science Fiction channelas they finally stopping making their lousy CGI ANIMAL attack movies. The fact that is over is something to be thankful for, but sadly Ferrante was unable to escape from the cheap but still clutching at him movie produced by The Asylum, a company that pays so little the State of California Labor board was actually after them for awhile.
In this one a too skinny girl and her too handsome boyfriend encounter a too much like BIlly Zane in Dead calm guy, rather well acted by Francisco Angelini. It'd be nice to see him have a real career, his take on the "Indianapolis" speech--if you dont' know what that is then you've never watched a shark movie before--is well done, though somewhat ruined by a sudden need, by the director, to shake the camera around, perhaps thinking this is the Blair Witch confessional/goodbye cruel work, mom I loved you, moment from that film. Hard to keep the iconic rip off moments straight I guess.
A couple of the cgi shark shots look okay, none of the shark attacks are convincing or scary or exciting. Some nice drone shots, which could be stock footage but probably aren't. A choppy ineffective music score credited to three people--probably just reused music from other Asylum produced movies.
It takes them 53 minutes to figure out they can use a cell phone to call for help and that's the least of the logic problems in the movie.
The movie is bits of other shark movies and basically runs out of ideas about an hour in so the lead gal then becomes more of less blind and we get back to a kind of Dead Calm plot for a bit. There are a numbe of soft focus shots supposed to be the point of view of our hapless lead gal, but none of them match what would be her natural perspective, the point of view shots aren't her actual point of view, though they often try to be. Someone kicks her and is aiming way off camera, this type of thing happens over and over.
It's just after so many years and so many shark movies you'd think Ferrante would have it down to an art or at least a craft, then again these are now made for so little money is so little time maybe there just isn't any art or craft that can escape. Ferrante is left to try to do what he can in the remains of Asyulm the production company. Too bad for him, but as viewers we can look elsewhere in this case.
This film is better than SWIM which Ferrante just wrote, to be even more terribly directed by Jared Cohnhead. Swim I believe was the first movie to bear the shame of the TUBI ORIGINAL brand, one we can only hope leaves behind what was done to death and badly a few years ago to do some films that can be more like Tubi's wide ranging titles. To be clear I like Tubi as a streaming network and I hope for better from this ORIGINAL BRAND, but I've not gotten it yet.
I suppose this film could be a drinking game with every time a character yells, "Faster." or "Swim," of or course "Shark."
In this one a too skinny girl and her too handsome boyfriend encounter a too much like BIlly Zane in Dead calm guy, rather well acted by Francisco Angelini. It'd be nice to see him have a real career, his take on the "Indianapolis" speech--if you dont' know what that is then you've never watched a shark movie before--is well done, though somewhat ruined by a sudden need, by the director, to shake the camera around, perhaps thinking this is the Blair Witch confessional/goodbye cruel work, mom I loved you, moment from that film. Hard to keep the iconic rip off moments straight I guess.
A couple of the cgi shark shots look okay, none of the shark attacks are convincing or scary or exciting. Some nice drone shots, which could be stock footage but probably aren't. A choppy ineffective music score credited to three people--probably just reused music from other Asylum produced movies.
It takes them 53 minutes to figure out they can use a cell phone to call for help and that's the least of the logic problems in the movie.
The movie is bits of other shark movies and basically runs out of ideas about an hour in so the lead gal then becomes more of less blind and we get back to a kind of Dead Calm plot for a bit. There are a numbe of soft focus shots supposed to be the point of view of our hapless lead gal, but none of them match what would be her natural perspective, the point of view shots aren't her actual point of view, though they often try to be. Someone kicks her and is aiming way off camera, this type of thing happens over and over.
It's just after so many years and so many shark movies you'd think Ferrante would have it down to an art or at least a craft, then again these are now made for so little money is so little time maybe there just isn't any art or craft that can escape. Ferrante is left to try to do what he can in the remains of Asyulm the production company. Too bad for him, but as viewers we can look elsewhere in this case.
This film is better than SWIM which Ferrante just wrote, to be even more terribly directed by Jared Cohnhead. Swim I believe was the first movie to bear the shame of the TUBI ORIGINAL brand, one we can only hope leaves behind what was done to death and badly a few years ago to do some films that can be more like Tubi's wide ranging titles. To be clear I like Tubi as a streaming network and I hope for better from this ORIGINAL BRAND, but I've not gotten it yet.
I suppose this film could be a drinking game with every time a character yells, "Faster." or "Swim," of or course "Shark."
Yet another gravitus garbage movie made on a shoestring budget with unknown actors with cheesy special effects and dialogue but the acting was not bad or anything but the lead actress was terribly cast. Not likable nothing particularly compelling about her the guy was okay he was fine I just didn't like the female lead but it has a typical crochets of ludicrous situations and you've seen this movie a thousand times with different titles. I don't know why they make these how did they make their money back? Who finances these things? I don't know they continue to make them and they're always lousy..
Lo sapevi?
- Blooper(at around 1h and 05 mins) There is an additional line of dialogue that appears in the closed-caption subtitles that isn't spoken in the film. Just after the character say's "The engine's perfectly fine." the CC subtitle adds: 'The propeller fell off' before he continues to speak again.
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 36.053 USD
- Tempo di esecuzione
- 1h 40min(100 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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