Vindicta

I thought this could maybe (please) be a story of a clever serial killer with a grudge. More like Kevin Spacey in Se7en. It's not.

Worse for the plot line is having a pretty young paramedic who coincidentally speaks Mandarin and Latin and knows jujitsu...And nobody at all thinks to look up events from only 5 years earlier with this same building?

The irritation for me was the mix of dog Latin with quotes from Virgil's Aeneid, and, worse still nobody explains the inclusion of Ancient Greek gods rather than Ancient Roman gods in this Latin fest. Ancient Greeks spoke Ancient Greek. And they came well before there even was Latin. Ancient Romans spoke Latin. And they had their own gods.

Greetings again from the darkness. Sometimes low budget horror movies work, and sometimes they don't. As a general guideline, the less complicated they are, the better the chance of successful entertainment. Director Sean McNamara (THE KING'S DAUGHTER, 2022) is one of the more prolific directors you'll find. His work includes TV series, videos, short films, and feature films. He currently has 15 projects in the hopper. Sean is a busy man.

With a script by Ian Neligh and Steven Paul, this film offers moments of hope, but mostly it's too ambitious ... a rare criticism these days. Trying to tackle too many story lines creates a mess in the exact place a decent little genre film could have been born. Elena Kampouris (MY BIG FAT GREEK WEDDING 2 & 3) stars as Lou, a rookie paramedic just out of training. Fire Chief Rick (Sean Astin, THE LORD OF THE RINGS franchise) reluctantly assigns her to a first ride in the middle of riots, protests, and fires in a rough part of Seattle.

In addition to the mass chaos in the city, there is a masked killer on the loose - one who thrives on vicious and violent attacks. Suspicions arise when the same building burns that burned five years earlier, killing a mother and son. Fortunately, Lou is not a typical newbie. She possesses fighting skills and is fluent in Latin and Mandarin. Latin comes in quite handy since the killer scrawls his messages in Latin, leaving Lou to assist Detective Russo (Travis Nelson) with clues in the case.

In addition to her skills, Lou is also the idealistic daughter of retired cop played by Jeremy Piven ("Entourage"). The two are so close she even has a bobblehead of him on her car dash. Lou still blames her 9-year-old self for not saving her mother's life, no matter how many times people remind her she was just a kid. Perhaps you are starting to sense the issues with the film, and I have yet to mention the corruption and greed at the heart of the killer's mission of vengeance. One nice touch is the mask ... it's Michelangelo's David, and it's plenty creepy, even if most of the characters here don't come across as real people. Elena Kampouris is to be commended for giving her all to the role, but the writers and the film likely would have benefited from the KISS approach, Opening in select theaters and on digital beginning October 6, 2023.

Somehow, I had some hopes for this one. The cast is good, the premise was interesting, it just needed a good direction and execution.

Which completely lacked sadly. A movie that is very fast forward, few stops, always on the run, until the flashes start..and end with the movie.

The origin story here takes forever and becomes annoying and infuriating, the development stops, the killings take a back seat and we are in a third act that does nothing but hit us in the head with why is this all happening.

It started quite good I must say, very raw movie that showed exactly what it wanted to show with no holdbacks, but it became sort of a joke while moving on. Scenes that looked ridiculous, dialogue written by kids, out of the blue nothing seemed to make sense anymore. I really think it had some nice vibes from Sin City and V for Vendetta, but wow did this turn bad.

You should give Major Grom: Plague Doctor a chance, that one actually is a good movie and has the same style.

Vindicta is not recommended at all, movies like Daredevil, the short version or Elektra are its equals.

Cheers!

Wow. Full disclosure, I couldn't make it through this. It honestly felt like a bad attempt at a parody of "Seven" but directed by someone whose background is in Nickelodeon sitcoms and has never seen the film. If you want to piss off Jeremy Piven in a bar, ask him about this project. Fairly early on (but not too long before I shut it off) there is a scene where they show a defunct theater marquee advertising Jerry Lewis' "A Slapstick of Another Kind," one of the worst wide theatrical release films ever produced. I assume it was a tip of the cap or a thumb of the nose to someone on the production related to that steaming present. In retrospect, it may be the best thing in the film because it makes me laugh that such a horrible picture would intentionally reference one of the few films it keeps company on the very lowest of celluloid rungs with. The best I can say about this picture is the camera is always in focus though the lighting is all wrong, along with its direction, script and existence.

With all the horrible reviews this received I decided to see for myself if it was really that bad and while it stinks, it isn't as bad as 1 or 2 stars. It's strangely entertaining , never boring, and It's obvious some effort went into creating it. Of course there are many problems here, poor acting, over-acting, non-existent acting, and the film doesn't even try to make sense, especially towards the end. This was at least partly a Canadian production and if you've seen enough Canadian productions you would know they have this look of unprofessionalism, as if no one involved has any real talent. Strangely if they made a sequel, I'd watch it. If you go in with no expectations at all, it isn't so bad.