Louis Bloom, un approfittatore senza scrupoli, trova lavoro nel mondo del giornalismo di cronaca nera a Los Angeles, arrivando ad oltrepassare il confine tra osservatore e partecipante nel t... Leggi tuttoLouis Bloom, un approfittatore senza scrupoli, trova lavoro nel mondo del giornalismo di cronaca nera a Los Angeles, arrivando ad oltrepassare il confine tra osservatore e partecipante nel tentativo di diventare la star della sua storia.Louis Bloom, un approfittatore senza scrupoli, trova lavoro nel mondo del giornalismo di cronaca nera a Los Angeles, arrivando ad oltrepassare il confine tra osservatore e partecipante nel tentativo di diventare la star della sua storia.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 46 vittorie e 126 candidature totali
Marco Rodríguez
- Scrapyard Owner
- (as Marco Rodriguez)
Recensioni in evidenza
I'd like to emphasize one thing that gets me with every movie this guy is in. The acting. Jake Gyllenhaal's acting never fails to impress me. He had the crazy eyes in this movie, and to be honest, it made me look away a few times. Very eerie addition to the character, love this guy. His demeanor reminded me of his role in The Guilty. The movie itself was pretty good. I hate an open ending, but I think it fits well with the theme and meaning of the actual film. It leaves u to interpret the ending and its connection to the real world. Overall, I recommend, especially if u love a mentally unstable and uncanny Gyllenhaal role.
Lou Bloom (Jake Gyllenhaal) is an unemployed petty thieve in L.A. He encounters Joe Loder (Bill Paxton) who is filming a car crash. He decides to get into the business of freelance videography for the local news. He is unrestrained in his filming which is exactly what news director Nina Romina (Rene Russo) needs to raise her low ratings. Desperate Rick answers his ad to be his assistant. This is great acting from Gyllenhaal. His crazy eyes pull in the audience right away. In fact, it's shocking to see his gaunt figure. His mannerisms are really creepy. The story is driven by this great performance and the tension never lets up.
Nightcrawler seems like a satire to modern television news about how they choose their leads or often seek for more ratings by entertaining their viewers rather than aim straightly to the facts. But there is a much interesting story beneath here and that is the main character, Louis Bloom. The guy that easily manipulates people with his sinister tricks of persuasion. Everything else may just be the natural world of crime and accidents, but in the eyes of this character, the experience is made far stranger and oddly fascinating. This provides a compellingly menacing and provoking piece of commentary which results to such engrossing film.
What the plot mostly does is to fully absorb the viewers into the character of Bloom by studying his sociopathic behavior and the words coming out from his mouth. He is a charming young man with a dark intention hidden behind his grins. He pushes the limits of the law and his own safety, only to accomplish on what he must do in the job, even if it risks many people's lives. The actions of this antihero is ought to feel terrifying on how it affects to both the business he's working on and the society he is watching. The media's side however is more of a picture of cynicism on how they broadcast the scariest stories of the city, giving the people fear so they could earn more viewers out of the concern. It just breaks down on how the evil of their success is disguised as their own ethics.
The filmmaking perfectly captures their night's work. You couldn't clearly see the scenario they shoot unless you watch them on a video footage. The violence and peril they witness are shown without any hint of sympathy, since they only use them for the news show. The horror of these gritty scenes once again belongs to the nightcrawler. Jake Gyllenhaal is one of the biggest highlights here. His character obviously has the personality of a psychotic villain; he is mostly bluffing, and by the dashing enthusiasm he shows to the people around him, you probably may not know when his inner total madness will burst out from his frightening eyeballs, and that provides more tension than you expect. This is one of the Gyllenhaal performances that will be remembered for his career.
Out of common sense, this story may lead its main character to a moral about how much he is taking this job too far, probably destroying his humanity. But no, this guy is relentless, almost inhumane, and his style in fact helps his career grow bigger, which turns out we are actually rooting for a villain. And that probably pictures to some oppressive ambitious beings out there behind some system. This is where things go in the end, bringing an outcome to a social satire. You can spot a lot of relevance even when some of the situations get a little out of hand. Nightcrawler is something else than a sentiment, what we must focus here is Lou Bloom: a new, possibly iconic, movie vigilante, except the only skin he is purposely saving is himself and his career.
What the plot mostly does is to fully absorb the viewers into the character of Bloom by studying his sociopathic behavior and the words coming out from his mouth. He is a charming young man with a dark intention hidden behind his grins. He pushes the limits of the law and his own safety, only to accomplish on what he must do in the job, even if it risks many people's lives. The actions of this antihero is ought to feel terrifying on how it affects to both the business he's working on and the society he is watching. The media's side however is more of a picture of cynicism on how they broadcast the scariest stories of the city, giving the people fear so they could earn more viewers out of the concern. It just breaks down on how the evil of their success is disguised as their own ethics.
The filmmaking perfectly captures their night's work. You couldn't clearly see the scenario they shoot unless you watch them on a video footage. The violence and peril they witness are shown without any hint of sympathy, since they only use them for the news show. The horror of these gritty scenes once again belongs to the nightcrawler. Jake Gyllenhaal is one of the biggest highlights here. His character obviously has the personality of a psychotic villain; he is mostly bluffing, and by the dashing enthusiasm he shows to the people around him, you probably may not know when his inner total madness will burst out from his frightening eyeballs, and that provides more tension than you expect. This is one of the Gyllenhaal performances that will be remembered for his career.
Out of common sense, this story may lead its main character to a moral about how much he is taking this job too far, probably destroying his humanity. But no, this guy is relentless, almost inhumane, and his style in fact helps his career grow bigger, which turns out we are actually rooting for a villain. And that probably pictures to some oppressive ambitious beings out there behind some system. This is where things go in the end, bringing an outcome to a social satire. You can spot a lot of relevance even when some of the situations get a little out of hand. Nightcrawler is something else than a sentiment, what we must focus here is Lou Bloom: a new, possibly iconic, movie vigilante, except the only skin he is purposely saving is himself and his career.
This movie was both fun and terrifying. Jake Gyllenhaal's performance as Lou Bloom will certainly frighten you. He is brilliant when paired with the amazing monologue style rants written for him.
Lou Bloom is a driven man reminiscent of a sociopath who finds he has a talent as "nightcrawling" in that he takes videos of true crimes as they are happening to be broadcast on the news. His motivation and seeming lack of empathy allow him to break through and take the controversial images, and sell them with a strong aptitude for negotiation.
As a character, he grows more and more "motivated" and seems to learn his business in such a way to bring him amazing success, but to the determinant, perhaps, of his assistant and the victims of these crimes.
The writer/ director of this movie (making his directorial debut) certainly understands fear and comedy. The simplest scene was made into a laugh by the angles and cuts.
It's funny, and enjoyable, but still terrifying enough to feel like a real horror thriller.
Lou Bloom is a driven man reminiscent of a sociopath who finds he has a talent as "nightcrawling" in that he takes videos of true crimes as they are happening to be broadcast on the news. His motivation and seeming lack of empathy allow him to break through and take the controversial images, and sell them with a strong aptitude for negotiation.
As a character, he grows more and more "motivated" and seems to learn his business in such a way to bring him amazing success, but to the determinant, perhaps, of his assistant and the victims of these crimes.
The writer/ director of this movie (making his directorial debut) certainly understands fear and comedy. The simplest scene was made into a laugh by the angles and cuts.
It's funny, and enjoyable, but still terrifying enough to feel like a real horror thriller.
Lo sapevi?
- QuizJake Gyllenhaal lost 20 pounds for his role. This was Gyllenhaal's own idea, as he visualized Lou as a hungry coyote.
- BlooperWhen Lou first approaches the "Horror House" in a closeup shot, a crew member is seen in the background ducking out of frame behind the back of the house.
- Curiosità sui creditiThough hardly perceivable, the moon continues to rise as credits roll.
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Primicia mortal
- Luoghi delle riprese
- Chinatown Express - 252 S Western Ave, Los Angeles, California, Stati Uniti(Murder Suspects in Restaurant)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 8.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 32.381.217 USD
- Fine settimana di apertura Stati Uniti e Canada
- 10.441.000 USD
- 2 nov 2014
- Lordo in tutto il mondo
- 47.425.835 USD
- Tempo di esecuzione
- 1h 57min(117 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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