Shri Swapankumarer Badami Hyenar Kobole

This movie is so bad that swapna Kumar the writer may come and haunt the director. I was pretty much exited for this one because of the story also a bit for abir. For long I was thinking why no one is making any movie on Shri swapan Kumar's stories.

Now if I come to the movies it's pretty much pathetic. I was trying so hard to complete it but was unable to do so. Some random stuff was happing, extremely dramatic which was not needed, pretty much boring and so on.

From the outset, the film struggles to find its footing, careening wildly between subplots without ever fully committing to any one narrative thread. Characters are introduced and promptly forgotten, their backstories hastily sketched out in clumsy exposition dumps that do little to endear them to the audience. The result is a disjointed jumble of half-baked ideas that never coalesce into a cohesive whole.

This film is a mess. Neither it engages you, not it gives you a thrilling storyline. Apart from Abir, the rest of the cast is completely miscast. Abir also has done a very poor job comparing to his work in Rawktobeej. The acting of the lady cop/detective is very forced, her looks are horrible. If you are making a movie where it is mandatory to read the reference books, then you have failed as a filmmaker. The presence of Mr Swapankumar is so irritating that you would want to skip his portion instantly. I was waiting for this film to arrive in Hoichoi, but I was so deeply disappointed. This type of films make me lose my faith in Kolkata films.

I am dead watching this and my spirit is giving this warning not to watch. Total failure of a experiment. Some people can fake it that they like it to show how creative their mind is but trust me it's a total time waste and most disturbing is they know that they are not making any sense and expect the people to watch shamelessly and the wrongfully depicted scene to be accepted by audience. The only thing I liked in the movie is Shruti Das's presence. Everytime she comes in screen it's engaging. She can easily be said the epitome of hotness in Bengali movie nowadays. I want to watch more of her in coming cinemas.

The story starts off on a promising note, it initially captivates with its unique and unconventional approach. The engaging dialogue and dynamic interaction between the characters, particularly the 'creator' and his 'creation', add a touch of brilliance to the narrative. The opening act exuded a vibrant and extravagant charm that truly delighted me.

However, everything takes a sharp turn once the plot reaches the intermission. The writing all of a sudden becomes excessively self-absorbed, disregarding larger implications of the tale. Subsequently, a sense of confusion seeps in, leading to incoherence and further befuddlement.

I was waiting for this movie for a long time. But Watching it was a dejecting feeling. The presence of the writer Swapankumar, enacted by Paran Banerjee, has made it more monotonous. Banerjee's monologue is too dull. The occasional reference and deliberate comparison of Dipak Chatterjee with the immortal character, particularly Feluda, is utterly unacceptable. The theme and content do not have a head or tail. No doubt, the detective stories of Swapankumar are entertaining. But the perspective of this generation is different. The film has done more injustice to Swapankumar. The initiation of Swapankumar detective stories is a super flop. It is utterly worthless content.