Ben Tan's "Dog" is a stark, bold, monochromatic exploration of adolescent angst and the fleeting nature of freedom. Set against the pulsating backdrop of a rave scene, the film follows Summer, a 19-year-old tasked with babysitting her blind younger sister, Lex. As the night unfolds, the initial thrill of the music, and the communal energy quickly give way to a sense of foreboding.
The film's 4:3 aspect ratio and black-and-white cinematography is stunning, creating a claustrophobic atmosphere, mirroring the characters' internal turmoil. Tan's use of sound is equally powerful; the thumping bassline of the rave music serves as a counterpoint to the film's quieter, more intimate moments.
At the heart of "Dog" is a complex relationship between two sisters. Summer, torn between her desire for independence and her responsibility to Lex, is forced to confront her own immaturity. Lex, meanwhile, navigates the world with a unique blend of vulnerability and resilience. Their interactions are marked by both love and resentment, as they struggle to find common ground.
The film's narrative takes a surprising turn when Summer and Lex accidentally hit a dog with their car. This seemingly minor incident becomes a catalyst for introspection and growth. As Summer grapples with the guilt of her actions, she begins to question her own priorities and the choices she has made.
"Dog" is a thought-provoking and emotionally resonant film that lingers long after the credits roll. Tan's exploration of themes such as responsibility, guilt, and the complexities of sibling relationships is both poignant and timely, proving Tan as a talented storyteller with a keen eye for style and narrative.
