Chaalchitro: The Frame Fatale

What stands out in the film is the interpersonal development that would compel the audience to empathise with not just the lead but the smaller, yet extremely significant characters. One such would be Anirban Chakrabarti (Naseer) and his daughter Putul's (Tanika Basu) relationship. The father-daughter dynamic is remarkable. On the other hand, Shantanu Maheshwari as the newbie officer, Ritesh, strikes a firm balance between tenderness and toughness, while Inderjeet Bose as the gym-going, intake-conscious cop Bishwa has a tender soul that shines through. This is perhaps where Chaalchitro wins, where the characters come alive through simple brushstrokes. Bratya Basu's tiny role makes an incredible impact in the overall tone of the film, while Tanika Basu plays Putul with a beautiful balance where many may go overboard.

The drama intensifies significantly in the first half, but in the second half, loses its steam a little bit, only to draw out a strong climax.

Chaalchitro! It seems like the film had a solid buildup with gripping intensity but lost momentum towards the end. A rushed climax can sometimes take away from the overall impact, especially in crime thrillers where suspense and resolution are key elements.

Comparing it to Mukhosh is a great point since that film maintained its intensity throughout, keeping viewers engaged till the very end. Turning Chaalchitro into a web series makes sense-it could have given more time to develop the characters, build deeper suspense, and craft a more satisfying conclusion.

Sometimes a film can have great individual elements like strong performances and cinematography, but if the storytelling feels raw or underdeveloped, it affects the overall experience. Maybe the pacing and screenplay could have been tighter to give the narrative a more polished feel.

While the narrative may have a couple of shortcomings, the film is always one step ahead of you. The sharp editing and the crisp runtime further accentuate the depiction of police procedures and the execution of the crimes. Though it veers away from typical buddy-cop tropes, a limited series format might have allowed the story more room to breathe and develop.

The film does well in exploring the personal crises of its lead characters, weaving their emotional struggles seamlessly into the narrative. These moments of dramatic turmoil enhance, rather than detract from, the story. However, one subplot feels underdeveloped, contributing little to the overall plot. The interpersonal dynamics between the police officers are a highlight. Their differing priorities shape their approaches to the case, and the restrained use of banter ensures the focus remains on the events rather than the characters. Unlike many Bengali crime thrillers, the balance between character development and plot progression is handled adeptly here. That is where Chaalchitro scores, reaching a new height in Bengali cinema.

It saddens me to say that as a Bangali, I have never seen a classic thriller on the OTT platform that can engage or keep the viewers, forget grabbing the arm of the chair but at least have their brows frown for a minute! When crime thrillers like Pataal Lok, Delhi Crimes, etc keep piling up, the Bangla Industry could not even produce ONE!

This film industry is certainly blessed to have films like Sonar Kella, Joy Baba Felunath, and Kuheli & since then, the same industry has come to believe garbage over content & performance! Has the Bangla Film Industry started collecting scripts from the trash of those who are making masterpieces mentioned as references, above?

3 Stars from me: 1 for Tota, 1 for Anirban and the 3rd for the lady who played the character of a differently abled girl. The rest (in major roles) were as good as the movie itself, which is ZERO, especially that Marwari boy, whose character was as important as the actor playing it!

Could have been better had they dropped the plan of making this piece of paper!

This film depicts a cat-and-mouse game between a cop and a serial killer on loose. While most of Indian murder mystery thrillers encircles on whodunit or howdunit, but this movie delves on whydunit genre which is in a way quite gripping.

The direction by #PratimDGupta is impeccable. He is not 'one of the', but the most underdog or underrated directors of Kolkata or Bengali Cinema, who has been silently and most consistently making wellcrafted films seasonally. With a perfect profile of work, his narrative style is non-linear mostly, but his story and screenplay with dialogues are well-written and engaging throughout.

Cinematography is of high order.

Editing is razor-sharp and crispiest to the core. The cuts are seamless and smartly executed and juxtaposed.

Music and the background score is respectively foot tapping and haunting as per the screenplay.

As per the performances are concerned, the actors have excelled in their individual parts with distinction marks. Even the supporting actors looked tailor-made.

Their Production house has made a superb and smart film.

Elderly people may give it a pass but urban audience must watch it to see a different side of Smarter and Literate Tollywood. Kudos to the whole team. 👍🏻👍🏻👍🏻