Art of a Hit

Let's bring the reviews back to reality.

This is a low-budget rock and roll drama with a flimsy, forgettable plot and weak writing.

I had to watch it over three nights because it didn't hold my interest. I didn't want to give up on it.

It starts out with a grand vision of a washed up band attempting a comeback in a foreign castle somewhere. It never develops into a story with momentum. Theres lots of rock jargon and posturing, but thats it. Its definitely not a horror movie, and not much of a band story either. The band memebers have no depth. There's odd dreams indicating murder or horror, but these never result in anything.

The lead singer is so depressive and flat throughout the movie I wanted to end it for him. Actually, none of this cast is likeable.

The actors portraying the band come off as stereotypes. Its a dull, directionless film.

The high ratings are over- the-top and a perfect demonstration of insiders inflating the ratings for their movies.

A cerebral, psychologically thrilling journey that examines universal themes of relevance (and irrelevance) and success as artists. Anyone who's ever gone through the painstaking process of creation--art or business--will be able to deeply relate to the message Draper examines in this movie.

For music lovers or people who have been involved in bands / music making in any capacity, this will be an especially poignant watch. The musical artistry of the cast is second to none. No acting here, just pure performance!

Ultimately, the visual wow-factor draws you in (unique setting in France, unbelievable cinematography, glowing landscapes), the casts' performances make you stay, and the themes stay with you long after the movie's over. Beautifully made and thoughtful. Highly recommend.

Art of a Hit is a tone-deaf and off-key indie drama that, much like its band, has no direction or rhythm. Art of a hit is something Gaelan Connell should've studied prior to making this film, because pretty soon it's becoming apparent nothing seems to work: actors have zero chemistry and watching them pretend to be band mates and lifelong friends is a dull experience, the music isn't good enough to be featured in a daytime show, and the horror elements are scarce and unnecessary. Ryan Donowho's best days are long gone, James Earl is apparently supposed to be a comic relief but fails miserably thanks to the impotent script, Allie MacDonald and the rest also seem to have no idea what are they supposed to do. In lieu of wasting time on this roadkill, listen to your favorite rock songs and have a great time.

I found this indie drama to be uninspiring and boring. The actors had no chemistry and felt like they did not buy into or believe their own roles. They should have produced better music for the film provided that was a crux of the plot. The comical aspect failed to be conveyed as well amongst times of needed comic relief. I found the jump scares to be some of the only scary aspects of merit. But i found myself getting very bored and watching the ticker to see how much was left in the movie. I will comment that the sound design from a sound effects standpoint was very well done in contrast to the poor music used in the film.

The movie's eerie atmosphere had me on edge from start to finish the twist ending left me stunned and satisfied the story is a real life of every artist we have that fear and Ryan the main character executed it realistically, visually stunning, music on point, the sound design is masterful making every creak and whispers terrifying, the characters' desperation and fear felt genuine making their fate all the more unsettling well done guys. The director has it all. Overall Art of a Hit delivered a thrilling spectacular spine tingling experience that will haunt all the artists for days if not years.