Si concentra su un rispettato presentatore di notizie la cui carriera è minacciata dopo aver fatto una battuta sconsiderata.Si concentra su un rispettato presentatore di notizie la cui carriera è minacciata dopo aver fatto una battuta sconsiderata.Si concentra su un rispettato presentatore di notizie la cui carriera è minacciata dopo aver fatto una battuta sconsiderata.
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One of the best mini series I've watched in a long while. The acting by everyone is absolutely top notch probably because the writing and direction is of an extremely high standard. Not to mention the editing which often goes without the praise it deserves. The emotional delivery of quick fire line after line demonstrates the quality of this show throughout. I'd usually call out the lead actors for their brilliance, but in this case everyone played an important and valuable role, however small, in making this an enjoyable watch to the very end, and watching to the end is so worth it, trust me. Highly recommended.
It starts off slowly and you wonder where it is all going. But I am so glad I stuck with it as it builds to a phenomenal climax.
The cast are fantastic with Hugh Bonneville, Ben Miles and Alex Kingston And really shows off Hugh Bonnevilles's slightly befuddled expressions and Miles being a predatory nightmare.
Karen Gillan is outstanding in a challenging role. You never know how to take her until the very end. A hugely difficult role and perfectly executed.
I absolutely hated her at the beginning and my sympathies were all in the wrong places. And then everything starts to shift and I wound up actually crying. An absolutely stellar performance from all the cast. The writing and direction were excellent.. Douglas and Madeline are brilliant and well worth any awards for their performances.
8/10 Britbox.
The cast are fantastic with Hugh Bonneville, Ben Miles and Alex Kingston And really shows off Hugh Bonnevilles's slightly befuddled expressions and Miles being a predatory nightmare.
Karen Gillan is outstanding in a challenging role. You never know how to take her until the very end. A hugely difficult role and perfectly executed.
I absolutely hated her at the beginning and my sympathies were all in the wrong places. And then everything starts to shift and I wound up actually crying. An absolutely stellar performance from all the cast. The writing and direction were excellent.. Douglas and Madeline are brilliant and well worth any awards for their performances.
8/10 Britbox.
Watched this series in one sitting and it's one of the best. The storyline is stylishly crafted and all brought together in the last 10 minutes to a totally satisfying ending which resonates with the strange times we live in.
Because of Hugh Bonneville's presence comparison with 2012 and W1A are inevitable but this is a straight and serious drama with relatively few injections of humour and those that are tend to be caustic.
The casting is superb as is the script and production and Karen Gillan and Ben Miles shine through in particular but in very different ways. We need more productions like this so well done ITV.
I'll definitely watch it again.
Because of Hugh Bonneville's presence comparison with 2012 and W1A are inevitable but this is a straight and serious drama with relatively few injections of humour and those that are tend to be caustic.
The casting is superb as is the script and production and Karen Gillan and Ben Miles shine through in particular but in very different ways. We need more productions like this so well done ITV.
I'll definitely watch it again.
I apologise for my title, I couldn't think of anything world shattering, so moving on ...
The performances were superb, lines delivered sharply, dialog flowed naturally, the chemistry between the relevant characters came across as natural.
I don't want to write any spoilers so: E1, sharp and funny, I thought it was setting the tone for all that would follow.
E2, pace and humour fizzled out a little and I started to wonder if all the best bits were in E1.
E3, everything went dark, to say a number of scenes left me feeling very uncomfortable would be the understatement of the year, at one point I wasn't sure if I wanted to keep watching but was hooked by the amazing acting and script.
E4, twists, turns and alternate perspectives and a 10* rated ending.
I can only say that if you feel it's not worth sticking with in E2, keep going, your heading for a roller coaster of emotion.
I don't want to write any spoilers so: E1, sharp and funny, I thought it was setting the tone for all that would follow.
E2, pace and humour fizzled out a little and I started to wonder if all the best bits were in E1.
E3, everything went dark, to say a number of scenes left me feeling very uncomfortable would be the understatement of the year, at one point I wasn't sure if I wanted to keep watching but was hooked by the amazing acting and script.
E4, twists, turns and alternate perspectives and a 10* rated ending.
I can only say that if you feel it's not worth sticking with in E2, keep going, your heading for a roller coaster of emotion.
This show is a strange animal, but also somewhat entertaining, thanks in no small part to its brevity. The plot moves quickly and mercilessly, similar to the way the public internet court can pass judgement on someone like Douglas. As with everything written by Steven Moffat, the dialogues take center stage: they are snappy and spirited, often relying on quick repartees to drive the narrative.
The lead cast is excellent across the board, and I could listen to Karen Gillan's soft Scottish accent all day long. Where the show slumps however, is when the secondary players get any screen time. It's hard to believe that Moffat is the creator of such pointless characters as Douglas' unbearable daughter, or his clueless manager, or Nick the comedy writer, whose lifeless sense of humor is certainly meant to be ironic in and of itself, but really only ends up being discordant.
All in all, it's an interesting project and it's topical enough to generate discussions worth having in this day and age. I just wish Moffat had been more judicious when choosing his characters and a little braver when detailing the actual cancelling.
The lead cast is excellent across the board, and I could listen to Karen Gillan's soft Scottish accent all day long. Where the show slumps however, is when the secondary players get any screen time. It's hard to believe that Moffat is the creator of such pointless characters as Douglas' unbearable daughter, or his clueless manager, or Nick the comedy writer, whose lifeless sense of humor is certainly meant to be ironic in and of itself, but really only ends up being discordant.
All in all, it's an interesting project and it's topical enough to generate discussions worth having in this day and age. I just wish Moffat had been more judicious when choosing his characters and a little braver when detailing the actual cancelling.
Lo sapevi?
- QuizThis show is a reunion for Karen Gillan, Alex Kingston and writer, Steven Moffat. The trio previously worked together on Doctor Who when Moffat was the showrunner.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Douglas Is Cancelled
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 42min
- Colore
- Proporzioni
- 2.00 : 1
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