La società americana dei Magical Negroes
Aren viene reclutato in una società segreta di neri magici che dedicano la loro vita a una causa di estrema importanza.Aren viene reclutato in una società segreta di neri magici che dedicano la loro vita a una causa di estrema importanza.Aren viene reclutato in una società segreta di neri magici che dedicano la loro vita a una causa di estrema importanza.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 2 candidature totali
- Patron
- (as James Welsh)
- Antoine
- (as Isayas J. Theodros)
- Guard
- (as Greg Cohan)
Riepilogo
Recensioni in evidenza
How unbelievably inappropriate.
Do they not realize that in order to MAKE this movie they needed access to the ACTUAL magic of FILM and cinema? Technology and methods that were invented in Europe. The actual real life magic of cinema HAS improved EVERYONE'S lives. It is something to be shared and appreciated by ALL. Movies like this serve to, once again, separate and divide. Tragic.
The absolute hypocrisy of this movie is honestly astounding. This will gain ZERO support for the cause it's trying to validate. If anything, this is counter intuitive.
We need more of Jordan Peele and less of these ridiculously self serving fabricated fantasies of toxic filmmakers.
One of the primary issues with TASOMN is its lackluster storyline. The plot is riddled with clichés and predictable twists, making it difficult for viewers to stay engaged. The film attempts to tackle 'sensitive' themes but it does so in a superficial and often clumsy manner. The lack of depth in exploring these themes leaves much to be desired and results in a film that feels more like a missed opportunity than a meaningful commentary.
The performances in the film are another area where it falls short. While the cast may have had potential and if they did their talents are not utilized effectively. The characters are one-dimensional and lack the complexity needed to make them relatable or memorable. This is particularly disappointing given the film's attempt to address significant social issues. The lackluster performances fail to evoke any response making it challenging to connect with the characters or their struggles.
Furthermore, the film's pacing is inconsistent, with some scenes dragging on unnecessarily while others feel rushed. This uneven pacing disrupts the flow of the narrative and further detracts from the viewing experience. The dialogue often feels forced and unnatural, which, combined with the subpar performances, makes the interactions between characters unconvincing.
In terms of technical aspects, TASOMN does not fare much better. The cinematography is uninspired. The film's score is forgettable, failing to enhance the mood or add any emotional depth to the scenes.
TASOMN is a film that fails to deliver anything of value. Its attempt to address 'social issues' is undermined by a weak storyline, poor performances, and lackluster execution.
Any sort of movement forward has been pushed back by decades thanks to the 'brain trust' that came up with this garbage. It's 2024 - we're better than this, aren't we?
The premise of this whole film is insulting to our people - in ALL regards. The fact that it bombed at the box office is of no shock - nor should it be to anyone who saw it. Thank goodness we have American Fiction; at least that spectacular film made its point w/o being ridiculous .
This is the kind of movie where it has an interesting premise and it could have explored interesting satirical themes and ideas but instead, the filmmaker doesn't really offer much with any creative outlooks and follows cliched and uninteresting tropes.
Kobi Libii has a concept that could have been interesting but his bland direction and the unambitious tones really create a hollow and investing story with dull cliche tropes, uninteresting characters and weak performances from the cast members. I like Justice Smith and Smith is trying his best but unfortunately his dull character and the poor dialogue really lacks his performance. Throughout, I found myself feeling bored and thinking that this movie could have been at least interesting if the filmmaker had thought about actually trying to add something that feels weird or unique. But that's not what I got. Instead, what I got was more of a dull and uninspired narrative that really wastes the talented cast and concepts.
What a shame.
I had a couple laughs. Like how they couldn't figure out a better way to design a secret entrance in the barber shop. The speech he gave about the magical society and sharks was hilariously bad. I kept comparing this to American fiction, very unfavorably. It felt like that's what they were trying to do. Felt like it could be funnier. The story and its characters took everything seriously even though the premise felt extremely silly.
Throughout the movie, I was inundated with waves of second-hand embarrassment and awkwardness. The premise relies heavily on white discomfort, well I'm black and I was like "ugh, no" a lot. The movie felt inconsistent, with some scenes seeming okay, as if they belonged in a better film, while others gave me the urge to scream "nooo!!" even louder than Charles Leclerc in France. The final speech was particularly dreadful, it was out of the blue, replete with cringe-inducing moments and also unjustified based off what we saw of the character. He was simply a socially awkward guy, period. It had nothing to do with him being black. The collective sighs of "oh no" from the audience were frequent. I shouldn't say the audience, there were only like 5 other people in the theatre. A lot of scenes were hard to watch.
However, I did like the romantic bits, which could have easily formed the basis of a separate film. I'd certainly be keen to watch a cheesy romcom starring Justice Smith and An Li Bogan.
There were a few bits that I liked, that made me laugh, but this could've been so much better, or maybe not even made at all lol. I don't think the movie had any meaning behind it that it conveyed successfully. I think if I liked the movie, I'd have maybe liked the ending. Instead I thought "oh no, there's gonna be another one."
The 'American Society' Journey From Script to Screen
The 'American Society' Journey From Script to Screen
Lo sapevi?
- QuizThe film was pulled from theaters after three weeks.
- BlooperA man in the background exits a building and begins walking toward the foreground. He sees the filming in progress and runs back into the building.
- Citazioni
Aren: You're not my friend. And you don't want to be friends, because if we were actual friends, you would have to talk to me and listen to me and make space for the reality that I live in a country that makes me feel like it wants me dead. Where if I get shot today, there is an army of people ready to explain how it was probably my fault. And I feel that every day, in every glance, in every movie that's supposed to be uplifting. And that changes everything. That changes how I walk and how I talk and how I take up space! Or don't! It changes what risks feel reasonable and which ones are insane. And it's taken me my whole life to realize that this is a weight that I walk around with all the time. And after this lifelong journey of figuring out that maybe this shit impacts everything I do, you want to turn around and act like I'm crazy for acknowledging it. No, no, no, no. No, no, no, no. You don't get to put me in danger just because you don't want to feel like an asshole. Be the asshole. Because the shame that you feel like you did something wrong just by being yourself, that is my whole life. And this place, this country has been so deeply indifferent to whether or not I exist that on some level, I don't think I have the right to. And what I am saying to you that you so steadfastly refuse to hear is fuck that! I do! I deserve to be here, not just on this stage but in this world. And that, believe it or not, is a revelation to me. So you want to know about my-my "diverse experience"? I have been on this planet for 27 years, and I just figured out this week that I deserve to be alive.
- Colonne sonoreGames People Play
Written by Joe South
Performed by Johnnie Taylor
Courtesy of Craft Recordings, a Division of Concord
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- Sito ufficiale
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- The American Society of Magical Negroes
- Luoghi delle riprese
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- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 15.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 2.480.645 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.304.270 USD
- 17 mar 2024
- Lordo in tutto il mondo
- 2.496.248 USD
- Tempo di esecuzione1 ora 44 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1