VALUTAZIONE IMDb
5,5/10
9495
LA TUA VALUTAZIONE
Nei luoghi più improbabili, quattro fratelli trovano un amorevole rifugio in una serie di circostanze inaspettate.Nei luoghi più improbabili, quattro fratelli trovano un amorevole rifugio in una serie di circostanze inaspettate.Nei luoghi più improbabili, quattro fratelli trovano un amorevole rifugio in una serie di circostanze inaspettate.
Ari Graynor
- Carol
- (voce)
Recensioni in evidenza
I'd watch anything with Ben Stiller in it, at least for a little while, and the little while here was pretty short. To tell the truth, I thought that this was a sure shot for our aging beloved Ben: an aloof businessman learning to love and become a father, as his sister died leaving him four preteen children.
And the kid actors are spot-on on how children behave after such a loss, becoming belligerent, full of angst, and looking for relief by being wild and unruly.
So it has all ingredients to become a tearjerker Christmas drama, but it wants to be an 'uncomfortable' comedy like Meet the Parents, or at least want to be sold as such. And that doesn't fly. Too much mourning and death for such a light-headed comedy it wanted to be. It doesn't fit.
It is set in farm, so it is also a fish out of.water situation for businessman Ben, from where half the 'jokes' come from; all the lazy tropes you already saw a thousand times: Does businessman Ben step on poop as soon as he leaves the car? Yes. Does Ben wake up with animals in his bed? Yes. Is Ben provoked by the kids to kill a chicken for supper? Yes.
And by then I turned off the movie, so take this review with a grain of salt, but whatever happens later in the movie, is already tainted by the tired writing by the numbers and the financial choice to tone down real life drama to fit into a feelgood comedy:
'I guess it is true what mom said about you,' says the older angst sad kid out of the blue in their first interaction.
'What is that?' Clueless Ben asks.
'That you can't love...'
'That is... stupid'
Indeed. Stupid writing. And also so on the nose that bleeds.
It is 2024, when we have access to all sorts of libraries of entertainment, including classics that done these same themes over and over, and you may ask yourself why you are wasting your Christmas time with this movie instead of those. Perhaps because this movie can make you happy that you don't have to deal with four sad hyperactive kids who lost their parents that you would never be able to replace.
Good photography, though.
And the kid actors are spot-on on how children behave after such a loss, becoming belligerent, full of angst, and looking for relief by being wild and unruly.
So it has all ingredients to become a tearjerker Christmas drama, but it wants to be an 'uncomfortable' comedy like Meet the Parents, or at least want to be sold as such. And that doesn't fly. Too much mourning and death for such a light-headed comedy it wanted to be. It doesn't fit.
It is set in farm, so it is also a fish out of.water situation for businessman Ben, from where half the 'jokes' come from; all the lazy tropes you already saw a thousand times: Does businessman Ben step on poop as soon as he leaves the car? Yes. Does Ben wake up with animals in his bed? Yes. Is Ben provoked by the kids to kill a chicken for supper? Yes.
And by then I turned off the movie, so take this review with a grain of salt, but whatever happens later in the movie, is already tainted by the tired writing by the numbers and the financial choice to tone down real life drama to fit into a feelgood comedy:
'I guess it is true what mom said about you,' says the older angst sad kid out of the blue in their first interaction.
'What is that?' Clueless Ben asks.
'That you can't love...'
'That is... stupid'
Indeed. Stupid writing. And also so on the nose that bleeds.
It is 2024, when we have access to all sorts of libraries of entertainment, including classics that done these same themes over and over, and you may ask yourself why you are wasting your Christmas time with this movie instead of those. Perhaps because this movie can make you happy that you don't have to deal with four sad hyperactive kids who lost their parents that you would never be able to replace.
Good photography, though.
25 minutes in and I quit. Here I am writing this instead, which is much more fun than going on with this undecided and pointless movie.
What's the cinematic fascination with weird kids? I don't get it. I just don't get it. What now, Ben Stiller will "become capable of love" and start doing nonsensical stuff with those four by the end? Why?
Brought up by weird parents, or maybe not brought up at all, this gang of siblings (played by a gang of siblings) has ZERO charm in my eyes. I'd prefer watching The Sound of Music. Now, those kids there do make sense in some way. What's this, really? Royal Tennenbaums? Much as I don't like it, that one had some sharp style to it. This one, no. A group of annoying kids exist in their own dead end realm, only to annoy who is essentially a passable uncle. There are ways to depict annoying people in a cinamatic fashion without actually annoying the viewer, but no, this film is set to annoy us. To what avail?
I was hopeful about Linda Carellini's presence, thinkig some flare between her and Stiller could make up for all the pointless bore. Doesn't look like such a thing can cut it after this point. Given I cannot get my 25 minutes back, we'll call it even by me trashing the movie a bit on here.
Is Ben Stiller trying to "go beyond comedy" or something? If so, this is not the way. This kind of dull script is not hospitable to his qualities as an actor. The premise did not look unfruitful, but the execution definitely is. This is the first time I'm deciding to pause on a Stiller movie. C'mon, man, even if you're gonna quit comedy, do it for the sake of something worth the trouble.
No one needs to see the resolution to some overhyped drama after two hours of being subjected to pointless actions of weird kids. Good Will Hunting exists already as a well-executed example to such emotional agitation. If I were that uncle, I'd be out before the first night and never look back. Let the government take care of troubled orphans.
What's the cinematic fascination with weird kids? I don't get it. I just don't get it. What now, Ben Stiller will "become capable of love" and start doing nonsensical stuff with those four by the end? Why?
Brought up by weird parents, or maybe not brought up at all, this gang of siblings (played by a gang of siblings) has ZERO charm in my eyes. I'd prefer watching The Sound of Music. Now, those kids there do make sense in some way. What's this, really? Royal Tennenbaums? Much as I don't like it, that one had some sharp style to it. This one, no. A group of annoying kids exist in their own dead end realm, only to annoy who is essentially a passable uncle. There are ways to depict annoying people in a cinamatic fashion without actually annoying the viewer, but no, this film is set to annoy us. To what avail?
I was hopeful about Linda Carellini's presence, thinkig some flare between her and Stiller could make up for all the pointless bore. Doesn't look like such a thing can cut it after this point. Given I cannot get my 25 minutes back, we'll call it even by me trashing the movie a bit on here.
Is Ben Stiller trying to "go beyond comedy" or something? If so, this is not the way. This kind of dull script is not hospitable to his qualities as an actor. The premise did not look unfruitful, but the execution definitely is. This is the first time I'm deciding to pause on a Stiller movie. C'mon, man, even if you're gonna quit comedy, do it for the sake of something worth the trouble.
No one needs to see the resolution to some overhyped drama after two hours of being subjected to pointless actions of weird kids. Good Will Hunting exists already as a well-executed example to such emotional agitation. If I were that uncle, I'd be out before the first night and never look back. Let the government take care of troubled orphans.
I went into watching this movie thinking that it was another Ben Stiller slapstick comedy. However, I ended up being pleasantly surprised that Nutcrackers isn't that. It's hard to capture in words, what makes it good. Yes, it's heartwarming, funny and somewhat light, but it's the kids, their animals, and their rural environment that end up capturing your heart. I wasn't surprised when I later read that the boys are actually brothers in real life and that it was filmed on their family's actual farm. Ben Stiller was good but seemed a little out of place in the flow of things - but I guess that was the point wasn't it? :-)
With the name "Nutcrackers," I was expecting this comedy to be more like the Problem Child series with a Christmas twist. Ben Stiller's character mimics the acting he did in the "Meet the Parents" series where he plays an average Joe who finds himself in some comedic situations while caring for four young boys. I gave extra stars for the writers creating realistic scenes in which any parent of unsupervised rambunctious boys could find themselves in. The story line loses stars because of the pivot the story took when the ballet performance idea was introduced. Too much was jammed into such a short amount of time. I don't believe this movie will become a Christmas classic nor do I feel I will be watching it again. However, it does have a nice heartwarming ending.
But, I just liked it. Ben's acting seemed as if he didn't even want to be there and I could barely understand what the kids were saying half the time. I felt like I was watching the "Wolfpack" brothers if they looked like the "Hanson" brothers. The kids lack of discipline was annoying at times and yet they were smart and capable. I almost wondered if the parents faked their demise and ran away. Would i recommend this movie? Probably if you want to watch a confusing family movie with a Christmas theme. There was something about the brothers that is intriguing and I hope to see more of them in the future after they hone in on their acting skills.
Lo sapevi?
- QuizBen Stiller's first starring role in seven years.
- BlooperMichael Ben Stiller looks up the Corvette online and says it's a 1958, when he goes in the grocery store, the owner acknowledges that it's a 1958, however, it only has single headlight so it's a 1957, or maybe a 1956, 1958 Corvette's have dual headlights.
- Citazioni
Mike Maxwell: Act like normal children, I'm trying to find you a good home.
- ConnessioniReferenced in Film Junk Podcast: Episode 971: Nutcrackers (2024)
- Colonne sonoreWilmington Feed for All You Need
Written and Performed by Mike Mitschele & Rick Randall
Courtesy of Hot Goat Music
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Dettagli
- Tempo di esecuzione1 ora 44 minuti
- Colore
- Proporzioni
- 2.35 : 1
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