Quando il loro malvagio nemico riemerge dopo 16 anni, un gruppo di ex rivoluzionari si riunisce per salvare la figlia di una delle loro.Quando il loro malvagio nemico riemerge dopo 16 anni, un gruppo di ex rivoluzionari si riunisce per salvare la figlia di una delle loro.Quando il loro malvagio nemico riemerge dopo 16 anni, un gruppo di ex rivoluzionari si riunisce per salvare la figlia di una delle loro.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 35 candidature totali
Dijon Duenas
- Talleyrand
- (as Dijon)
Brooklyn Demme
- Sober Rick
- (as Brooklyn Trueheart Demme)
8,0180.9K
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Riepilogo
Reviewers say 'One Battle After Another' is a groundbreaking cinematic experience that pushes boundaries and challenges conventions. Many praise the film for its daring and relevant themes, exceptional performances, and unique blend of political intrigue, thrilling action, and dark comedy. The standout performances by the cast, including Leonardo DiCaprio, Teyana Taylor, Sean Penn, and Benicio del Toro, have been particularly highlighted for their depth and emotional impact. Reviewers also commend the film's exceptional technical execution, including its cinematography, soundtrack, and innovative use of VistaVision. While some users noted the film's unconventional tone and pacing, most agree that it pays off in the second half, culminating in a gripping and memorable finale. Overall, reviewers celebrate ‘One Battle After Another’ for its artistic vision, technical prowess, and thought-provoking storytelling, making it a standout film of 2025.
Recensioni in evidenza
The Art of Acting, The Folly of Politics
Paul Thomas Anderson's One Battle After Another is a film that wants to be epic but ends up didactic. There's no denying its technical accomplishments: the cinematography is vivid, almost painterly at times, and Leonardo DiCaprio and Sean Penn deliver performances that are magnetic, commanding your attention even when the story falters.
And falter it does. The film's ambition - to comment on political extremism - is undercut by its simplistic moral universe. One side of the conflict is portrayed as entirely evil, with no redeeming qualities or relatability. Every action they take is chaotic, violent, or manipulative, leaving the audience with no one to sympathize with on that side. This lack of nuance turns the movie from a story into a political lecture, making it feel less like cinema and more like ideological instruction.
In a moment when America feels more divided than ever, the timing of such a film is jarring. Its portrayal of chaos and extremism is so stark that it risks being taken too seriously by audiences at either extreme, rather than prompting reflection. More troublingly, it underscores how out of touch Hollywood can be with most Americans, presenting a world of ideological extremes that few viewers would recognize in real life.
Still, the film isn't without merit. Anderson's eye for detail, his visual inventiveness, and the sheer force of DiCaprio and Penn's performances make it watchable even when it preaches. But for a director capable of deep, character-driven storytelling, this attempt at political commentary feels like a missed opportunity.
And falter it does. The film's ambition - to comment on political extremism - is undercut by its simplistic moral universe. One side of the conflict is portrayed as entirely evil, with no redeeming qualities or relatability. Every action they take is chaotic, violent, or manipulative, leaving the audience with no one to sympathize with on that side. This lack of nuance turns the movie from a story into a political lecture, making it feel less like cinema and more like ideological instruction.
In a moment when America feels more divided than ever, the timing of such a film is jarring. Its portrayal of chaos and extremism is so stark that it risks being taken too seriously by audiences at either extreme, rather than prompting reflection. More troublingly, it underscores how out of touch Hollywood can be with most Americans, presenting a world of ideological extremes that few viewers would recognize in real life.
Still, the film isn't without merit. Anderson's eye for detail, his visual inventiveness, and the sheer force of DiCaprio and Penn's performances make it watchable even when it preaches. But for a director capable of deep, character-driven storytelling, this attempt at political commentary feels like a missed opportunity.
I got confused
Yes , during the movie i did kinda get confused in wtf is going on. But the actors in this were top shelf epic. *applause* they made the movie. The script or how they showed this. I really dont know. Maybe thats what the movie did, made us think. But i do have to say, the ending was a great one.
Its worth watchin 8/10.
Its worth watchin 8/10.
Over hyped - yes. Excellent movie - also yes
Luckly, I haven't read a word about this movie before watching it. Came fresh and got what I knew I am going to get - a Paul Thomas Anderson's film, with all the elements that are tied to this director's creations. He is not my favorite director, and I'm pretty divided regarding his filmography.
One thing that I can say about Paul Thomas Anderson is that his movies stick. Makes me think and are almost always enjoyable. Well, not all of them. There are "Inherent Vice" that made me suffer and also "The Master" I didn't like. And yes, Paul Thomas Anderson's films are always long.
This one is also a long one and not necessarily needed to be that long, but it is one of those things I can live with, because this time his movie is absolutely great. It is not great like the movie critics say it is. It's not perfect and sometimes it feels too stuffed with allegories and subjects that Paul Thomas Anderson tried to get inside, but other then all of those...yeah...it's that good.
It is like America's political atmosphere started to use drugs, from both kinds. Downers and uppers. There are two main characters that are performed by Leonardo DiCaprio and Sean Penn and are representing each one of drugs types. One is pumped and violent and the other is a suspicious stoner, that is sometime very mellow and sometimes paranoic.
Other then that Paul Thomas Anderson talks about America, about treatment to foreigners and especially those who tries to blend in America. He speaks about the fact we all belong to places, culture and personal identity we get from our family and our close (and also not that close) environment.
Everything Paul Thomas Anderson does in this movie is fabulous. Camera work is sensational, the musical score is almost perfect and stressful, and the final car chase scene is one of the best thing I've seen in any movie lately. The best part, off course, will be the actors choices.
What more can we say about Leonardo DiCaprio and his performances? Nothing else. All was already been told. He is perfect. Give him another Oscar. Sean Penn is absolutely terrifying in one of his best performances of latest years. Benicio Del Toro maintained his acting vibe from 'The Phoenician Scheme' and young Chase Infiniti stole everyone's thunder.
This movie gets the jog done. It is interesting, well made and acted and especially very unique, though also very stuffed. I am so happy I managed to enjoy this one without caving into the hype machine around the web. Is stood by itself and made my experience just great and it is another one by PTA that I will remember as one of the better ones.
One thing that I can say about Paul Thomas Anderson is that his movies stick. Makes me think and are almost always enjoyable. Well, not all of them. There are "Inherent Vice" that made me suffer and also "The Master" I didn't like. And yes, Paul Thomas Anderson's films are always long.
This one is also a long one and not necessarily needed to be that long, but it is one of those things I can live with, because this time his movie is absolutely great. It is not great like the movie critics say it is. It's not perfect and sometimes it feels too stuffed with allegories and subjects that Paul Thomas Anderson tried to get inside, but other then all of those...yeah...it's that good.
It is like America's political atmosphere started to use drugs, from both kinds. Downers and uppers. There are two main characters that are performed by Leonardo DiCaprio and Sean Penn and are representing each one of drugs types. One is pumped and violent and the other is a suspicious stoner, that is sometime very mellow and sometimes paranoic.
Other then that Paul Thomas Anderson talks about America, about treatment to foreigners and especially those who tries to blend in America. He speaks about the fact we all belong to places, culture and personal identity we get from our family and our close (and also not that close) environment.
Everything Paul Thomas Anderson does in this movie is fabulous. Camera work is sensational, the musical score is almost perfect and stressful, and the final car chase scene is one of the best thing I've seen in any movie lately. The best part, off course, will be the actors choices.
What more can we say about Leonardo DiCaprio and his performances? Nothing else. All was already been told. He is perfect. Give him another Oscar. Sean Penn is absolutely terrifying in one of his best performances of latest years. Benicio Del Toro maintained his acting vibe from 'The Phoenician Scheme' and young Chase Infiniti stole everyone's thunder.
This movie gets the jog done. It is interesting, well made and acted and especially very unique, though also very stuffed. I am so happy I managed to enjoy this one without caving into the hype machine around the web. Is stood by itself and made my experience just great and it is another one by PTA that I will remember as one of the better ones.
Engaging, but not as impressive as I expected
The film kept my attention and I genuinely enjoyed watching it, but I walked away feeling like something was missing. I'm still not sure why critics are so ecstatic about it - it's a solid piece of work, just not exceptional in the way the reviews suggest. I don't regret the time spent, yet I don't feel any desire to rewatch it either.
very good
Would recommend:) entertaining, might be one of the best movies I've seen in this year.
Very good movie.
Good acting.
Amazing actors.
Funny.
Leo just don't disappoint.
So go watch this movie and you will not be disappointed I've haven't seen a good crime movie in a long time.
I have nothing more to say just go watch it.
Very good movie.
Good acting.
Amazing actors.
Funny.
Leo just don't disappoint.
So go watch this movie and you will not be disappointed I've haven't seen a good crime movie in a long time.
I have nothing more to say just go watch it.
Paul Thomas Anderson's Films, Ranked
Paul Thomas Anderson's Films, Ranked
See how the films directed by Paul Thomas Anderson stack up, according to IMDb ratings.
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Lo sapevi?
- QuizLockjaw's second-in-command and chief interrogator, Danvers, is played by a non-professional actor: James 'Jim' Raterman, a security consultant and former HSI Special Agent.
- BlooperBob keeps a 1G phone for security purposes. 1G networks were all phased out in the US in the early 2000s. The phones would not work in any era that also had iPhones.
- Citazioni
Col. Steven J. Lockjaw: I believe she was a sperm thief.
Sandy Irvine: A semen demon.
- Curiosità sui creditiAt the end of the credits there is a dedication to producer and assistant director Adam Somner with a photo and sound from a set.
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Una batalla tras otra
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 130.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 70.572.905 USD
- Fine settimana di apertura Stati Uniti e Canada
- 22.000.387 USD
- 28 set 2025
- Lordo in tutto il mondo
- 202.172.905 USD
- Tempo di esecuzione
- 2h 41min(161 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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