Sasquatch Sunset

It's possible to see "Sasquatch Sunset" at an almost anthropological level, with four humanoid creatures in a series of scenes with them eating, fornicating, walking, defecating, sleeping, etc. That could be boring.

But start with the early scene of two of them chewing on grasses in an alpine meadow-- and think of it as breakfast. This is the start of their day. After that you're watching what their daily life is like, and it is familiar. Soon an interstitial title appears, "Spring," and the time scale has opened to a year. Eventually, you stop thinking about the timeline and start thinking about the fragility of existence.

There is no backstory, but the quartet is taken to be the last of their species-- and they know it. They have a signal to call for help: banging a fallen branch against a tree trunk in a series of four distinct sounds that echo through the forest. It tells us that they were once part of a clan, and a tribe, members of whom have died in the recent past. Perhaps there were five Sasquatch a year ago, or ten. Every death brings them closer to extinction, and every time their SOS isn't answered, it's a reminder that they are alone.

The movie is brilliantly structured, with credible costuming, able performances, and a score that pretty successfully mixes folk and New Age-y forms.

But my favorite parts have to do with the glimmers of intelligence and progress. We see nascent engineering skills when a log traps one of them. One member has the urge to count things, but without numbers he has trouble keeping track past two or three. At one point he holds a fossil or rock that petrified into rows of ripples, interrupted in the middle by a dark horizontal flaw. He begins counting down from the flaw, struggling to find a way to keep track, and you realize that someday he may notice there are ripples both above and below the flaw, which will require negative numbers.

But the best scene, by far, is when they happen upon a road in their forest. Do your brain a favor; see the movie.

Almost uniquely odd, "Sasquatch Sunset" won't appeal to all. Jesse Eisenberg, Riley Keough, Christophe Zajac-Denek & Nathan Zellner (unrecognisable all under heavy & impressive prosthetics) are a family of sasquatch (aka bigfoot and/or yeti) seen roaming the Californian jungles over a year in the '80s. The screenplay (from David Zellner - who co-directed with brother Nathan) is divided into the four seasons, thru which the four forage, fish, re-produce, and curiously react to their surroundings. Having no narration it's not a mockumentary, but also with no dialogue (except grunts etc) it won't easily engage everyone, despite being interesting & relatively well made.

I had a real hard time trying to figure out a score for this film, much less an overall impression of it. Frankly, you just don't see film like this any more.

I can understand if some audiences don't get it, mainly because it feels like the Star Wars Holiday Special on a severe drug bender. But once you peel away the Sasquatch mating rituals, birthing scene and other idiosyncrasies that make up this experience, you start to piece together the meaning the Zellner brothers were most likely seeking. They posit the reason why we don't see sasquatches is because they just don't exist anymore.

Like the last days of a failing empire, this very well might be the last Sasquatch family in the Pacific Northwest. Some people won't like the reasoning behind it, but it's the usual blame falling on deforestation and human infringement. I'm sure some might derive more meaning, but this is the base understanding I took away from this film.

Sasquatch Sunset is definitely not for everyone, but if you are a curious film goer, you might find something interesting in this bizarre and completely one of a kind movie. Just be ready for weird nature stuff....because I sure wasn't.

Rating: 6.1 Overall, a decent film that mimics a nature documentary as we use to lens of the camera to look into the lives of sasquatches and how they parallel humans, but this movie was not really for me because of the excessive use of bodily fluids and grotesque comedy.

Decent to Pretty Good Direction (The direction on a macroscale is pretty good as they set the scenic shots well and show the beauty in secluded nature; the direction on a microscale is decent as they get a lot out of their actors through action-based acting (because there's no dialogue); storytelling is very slice-of-life (making it feel somewhat like a documentary), but there are some moments where they try to move the story forward)), Pretty Good Acting (Pretty Good from the cast (The whole cast acted as a unit to portray Sasquatches going about their day, and showed how they do have a good amount of humanity to them)), Decent to Pretty Good Story (The concept is interesting as it's a slice of life look into sasquatches (which helps give them humanity and show parallels to humans); the plot structure is not really present as the movie tries to be mostly slice of life, while also shoving in shock and grotesque humor; flow between sequences is pretty bad as lot of the movie feels disjointed; character writing is decent as it helps show the parallels between humans and sasquatches), Decent Screenplay (the humor is pretty overt as they try super hard to shock and show grotesque subjects (with this sometimes hitting and sometimes not); the symbolism is decent as it's about looking at humanity from the lens of Sasquatch; the foreshadowing is nonexistent), Pretty Good Score (Used well in the establishing shots), Pretty Good to Good Cinematography (Used well in the scenic/nature shots as it helped make the movie seem like a documentary), Pretty Good Editing (The way they cut the movie gave it a nature doc feel), Pretty Good Sound (Helped show the actions of the characters), Decent Visual Effects (Uses Practice effects well), Pretty Good Production Design (The nature setting is nice and helps show the wilderness), Very Good Makeup (Good use of full body makeup), Makeup (Good use of full body makeup), Very Good Costumes (Good use of costumes to make the actors look like sasquatches), Costumes (Good use of costumes to make the actors look like sasquatches), Pacing is very slow as a lot of the movie drags with its elongated/repetitive scenes, Climax is decent but just feels like a continuation of the rest of the movie, Tone is very similar to nature documentaries (with some comedic flavors), This movie was really not for me with the excessive bodily fluids and grotesque scenes; saw the Texas Premiere at SXSW.

Well, I didn't actually knew what to expect, but in the end it was a quite entertaining experience.

The Zellner brothers introduced the movie to the audience at the Berlinale and said it probably is the weirdest Sasquatch movie. It is.

While some scenes are excessively obscene, we had some good laughs over the blunt portrayal of this family living in the woods. You will probably say WTF a dozen times. I understand that some people walked out of the theater. However, in my opinion, the movie manages to balance obscenity, humor and drama quite good.

Personally, I was pleasantly surprised how much story one can tell without using a single spoken word, and with only little facial expression. I believe the actors tried their best, but one could see that the costumes limited overall movement and expressions.

I would probably not pay 15 bucks again to watch the movie in a theater, but it wasn't too bad after all. A solid 7/10.