Un'investigatrice privata di provincia si ritrova coinvolta in un'indagine su morti sospette, collegando gli eventi a una chiesa locale. Una commedia nera che mescola mistero e umorismo in u... Leggi tuttoUn'investigatrice privata di provincia si ritrova coinvolta in un'indagine su morti sospette, collegando gli eventi a una chiesa locale. Una commedia nera che mescola mistero e umorismo in un'atmosfera inquietante.Un'investigatrice privata di provincia si ritrova coinvolta in un'indagine su morti sospette, collegando gli eventi a una chiesa locale. Una commedia nera che mescola mistero e umorismo in un'atmosfera inquietante.
Recensioni in evidenza
Well the trailer made it look pretty intriguing, but upon watching this latest effort from half of the Coen Brothers (Ethan), I'm afraid it's another disappointing bust!
I actually found it rather apt that gorgeous rising star lead Margaret Qualley has a bemused, confused look on her face throughout the entire flick... because I felt exactly the same!
While the piece retains some well known Coen hallmarks (good cinematography, sharp editing, decent music and many typically oddball characters), it seriously lacks more important elements. The usual dark humour is sorely lacking, the dialogue isn't as sharp, the script is a mess and the final pay-off is a major letdown.
Indeed, only Qualley and Aubrey Plaza come out of the overly woke sexually charged Coen-carnage with any performance credibility, while a miscast Chris Evans and the rest of the supporting cast are as hollow and throwaway as the lacklustre screenplay.
In truth, it's been far too long since either of the brothers have hit a 'HoF' homerun (No Country for Old Men in 2007!), and this is yet another strikeout for the undenable Hollywood legends who hardly put a foot wrong between 1984-2001! We live in hope (barely) of another 'Barton Fink', 'O Brother Where Art Thou' or 'Fargo' but I think it's been way too long now, they're done... Sad times.
I actually found it rather apt that gorgeous rising star lead Margaret Qualley has a bemused, confused look on her face throughout the entire flick... because I felt exactly the same!
While the piece retains some well known Coen hallmarks (good cinematography, sharp editing, decent music and many typically oddball characters), it seriously lacks more important elements. The usual dark humour is sorely lacking, the dialogue isn't as sharp, the script is a mess and the final pay-off is a major letdown.
Indeed, only Qualley and Aubrey Plaza come out of the overly woke sexually charged Coen-carnage with any performance credibility, while a miscast Chris Evans and the rest of the supporting cast are as hollow and throwaway as the lacklustre screenplay.
In truth, it's been far too long since either of the brothers have hit a 'HoF' homerun (No Country for Old Men in 2007!), and this is yet another strikeout for the undenable Hollywood legends who hardly put a foot wrong between 1984-2001! We live in hope (barely) of another 'Barton Fink', 'O Brother Where Art Thou' or 'Fargo' but I think it's been way too long now, they're done... Sad times.
Honey Don't (2025) is a neo-noir dark comedy detective movie written and directed by Ethan Coen of the Coen Brothers, it is the second entry in the lesbian B-movie trilogy and it tells the story of a private investigator searching for the killer of several murders that could be tied to a religious church. This was a movie I was excited for since I'm a massive fan of the Coen Brothers, but it is sad for me to say this movie was just okay.
Positives for Honey Don't (2025): The movie does have an interesting premise of this young private investigator searching for the killer while also having to deal with a detective who refuses to believe that she is a lesbian. Margaret Qualley does a great job as Honey O'Donahue and she is one of the reason to watch this movie. I did enjoy the the supporting cast with Aubrey Plaza, Chris Evans, Charlie Day, Kristen Connolly, Billy Eichner, Gabby Beans and Talia Ryder. The main murder mystery is interesting at first with its ties to this church headed by Chris Evans. You still get that Coen western vibe that Ethan and his brother Joel have done very well together. And finally, there are some good action sequences that are decently bloody and I liked it.
Negatives for Honey Don't (2025): This movie barely has a story to tell to its audience. The movie feels like a series of events happening in order, but none of it lands right. The movie is too short to tell a story and it felt like Ethan Coen just wanted to make a lesbian movie without the story. And finally, Charlie Day got on my nerves as he refuses to accept that Margaret Qualley is a lesbian and I wanted to knock him out.
Overall, Honey Don't is a serviceable enough detective movie with a great cast, but it falls short of what Ethan Coen is known for doing when he is at his best.
Positives for Honey Don't (2025): The movie does have an interesting premise of this young private investigator searching for the killer while also having to deal with a detective who refuses to believe that she is a lesbian. Margaret Qualley does a great job as Honey O'Donahue and she is one of the reason to watch this movie. I did enjoy the the supporting cast with Aubrey Plaza, Chris Evans, Charlie Day, Kristen Connolly, Billy Eichner, Gabby Beans and Talia Ryder. The main murder mystery is interesting at first with its ties to this church headed by Chris Evans. You still get that Coen western vibe that Ethan and his brother Joel have done very well together. And finally, there are some good action sequences that are decently bloody and I liked it.
Negatives for Honey Don't (2025): This movie barely has a story to tell to its audience. The movie feels like a series of events happening in order, but none of it lands right. The movie is too short to tell a story and it felt like Ethan Coen just wanted to make a lesbian movie without the story. And finally, Charlie Day got on my nerves as he refuses to accept that Margaret Qualley is a lesbian and I wanted to knock him out.
Overall, Honey Don't is a serviceable enough detective movie with a great cast, but it falls short of what Ethan Coen is known for doing when he is at his best.
After over thirty years directing movies together, Joel and Ethan Coen started making movies separately. Ethan has now released the second entry in a lesbian trilogy (full disclosure: I haven't yet seen the first entry). "Honey Don't!" casts Margaret Qualley as a detective investigating a strange death in Bakersfield, and trying to find out who in town is involved.
As per his style, Coen creates a number of quirky characters, and people end up dead in some unusual ways. Where the movie falters is in effectively tying everything together; much of it seems as if Coen and co-writer Tricia Cooke came up with several different ideas for movies and combined them into a neo-noir with erotic transitions.
Overall, I did like it. Despite the obvious shortcomings - and there are a few - it's not the Coens' worst by any measure; that dishonor belongs to "Inside Llewyn Davis" (which lacked character development and any attempt to look at the historical context). Qualley, along with Aubrey Plaza, Charlie Day and Chris Evans give us some fine performances.
As per his style, Coen creates a number of quirky characters, and people end up dead in some unusual ways. Where the movie falters is in effectively tying everything together; much of it seems as if Coen and co-writer Tricia Cooke came up with several different ideas for movies and combined them into a neo-noir with erotic transitions.
Overall, I did like it. Despite the obvious shortcomings - and there are a few - it's not the Coens' worst by any measure; that dishonor belongs to "Inside Llewyn Davis" (which lacked character development and any attempt to look at the historical context). Qualley, along with Aubrey Plaza, Charlie Day and Chris Evans give us some fine performances.
Margaret Qualley, who was great in Substance, acts like a private detective from a 50's movie, which was out of place with almost everyone else.
Aubrey Plaza was great in her role, seemed very realistic amongst the other actors.
Chris Evans's character was over acted, which might have been the intent of the director, given other weird choices.
Ethan Coen, is a great director, but really couldn't pull this movie together as it seemed lost as to style or intent. I think he must have decided to throw in the several meaningless sex scenes that didn't advance the plot, to appeal to teenage boys.
All the rest of the actors were way over the top and unrealistic to the point of being a parody almost to Naked Gun level. Thus, there were a few laughs to be had.
Didn't hate it, but will never watch it again and regret paying to see it.
Aubrey Plaza was great in her role, seemed very realistic amongst the other actors.
Chris Evans's character was over acted, which might have been the intent of the director, given other weird choices.
Ethan Coen, is a great director, but really couldn't pull this movie together as it seemed lost as to style or intent. I think he must have decided to throw in the several meaningless sex scenes that didn't advance the plot, to appeal to teenage boys.
All the rest of the actors were way over the top and unrealistic to the point of being a parody almost to Naked Gun level. Thus, there were a few laughs to be had.
Didn't hate it, but will never watch it again and regret paying to see it.
I thought this movie was absolutely fantastic, that I was watching something truly great and original: a modern-day noir with a great star performance at its center, a top-notch supporting cast, crackling dialogue, and perfect art direction. But it also contains lots over-the-top violence and unapologetic lesbian sex scenes. It certainly had my attention! Then it just abruptly ended with nothing resolved! What happened? What was the point? This was when we needed the old studio system where the producer would step in and demand rewrites and shooting additional footage that clarified things. This was a heartbreakingly wasted opportunity to do something great. Up until the "ending," I was ready to rate this one at least an 8, but I'm being kind to give it a 5. Sad. HONEY DON'T could have been great.
Lo sapevi?
- QuizEthan Coen's second solo fiction feature film, after Drive-Away Dolls (2024). His third solo feature film as a director overall, having directed the documentary Jerry Lee Lewis: Trouble in Mind (2022).
- Citazioni
Marty Metakawitch: I bust into a house of god for no reason, it ain't a feather in my cap, it's my ass in a sling.
- Colonne sonoreWe Gotta Get Out of this Place
written by Barry Mann and Cynthia Weil
performed by Brittany Howard
published by: Dyad Music Ltd (BMI) / Screen Gems-EMI Music Inc (BMI)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 5.649.965 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.025.525 USD
- 24 ago 2025
- Lordo in tutto il mondo
- 5.729.750 USD
- Tempo di esecuzione
- 1h 29min(89 min)
- Colore
- Proporzioni
- 2.39 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti