Nimma Vasthugalige Neeve Javaabdaararu

Debutant director has done a nice job in this slick thriller movie.plot has good twist and turns keeping viewer engaged. The second half does get a bit tedious at times. Of course there are some places where director takes audience for granted. The cast has done a nice job especially Gautam Vasudev Menon as a cop. The climax with Gautam is a nice work! Enjoyable fun film to watch w First of all it's not only romance but also crime,drama,thriller. I've never expected this film to this muchith family.

Everyone thinking that every movie must have to end like giving some moral for peoples? It's the way it is. That what we have to get from this!. Watch it for twist and turns which you never expect.

Watching Nimma Vasthugalige Neeve Javaabdaararu on Sun NXT is like uncovering a softly glowing ember in Kannada cinema-a film that doesn't dazzle with spectacle but warms through subtlety, empathy, and psychological insight. The title-borrowed from announcements in bus depots and stations meaning "you are responsible for your belongings"-resonates across three loosely connected crime drama segments set in contemporary Bengaluru. Each story explores how attachment, whether to objects or to relationships, can spiral into insecurity, obsession, or betrayal. As the film unfolds, it becomes clear that these tales are less about theft and more about the emotional voids that prompt it.

There's a strange kind of silence in Nimma Vasthugalige Neeve Javaabdaararu-not just in its sound design, but in its soul. It is a film about theft, yes, but not in any conventional sense. What is stolen here is dignity, time, identity, and trust. Keshav Moorthy's directorial voice doesn't scream these themes. Instead, he carves them into silence, into glances, into long takes that feel like slow exhalations. The result is a film that doesn't entertain so much as it gently confronts-asking not, "What would you do?" but rather, "What have you already lost without noticing?" On its surface, NVNJ appears to present a loosely structured crime drama.

Visually, Nimma Vasthugalige Neeve Javaabdaararu is a quiet marvel. Harsha Kumar Gowda's cinematography doesn't shout-it whispers. Yet each frame is deliberate, composed, and emotionally loaded.

Rohith and Rathna's segment shifts to warmer tones, with handheld shots and open framing. The visual texture feels alive, impulsive, just like their love story turned thrill ride. Natural light dominates, making the scenes feel voyeuristic, as if we're eavesdropping on private chaos.

The final chapter is stark and modern. There's contrast-shadow and sharp angles-enhancing the cold manipulation at play. Screens dominate the frame, suggesting surveillance and detachment. It's a digital noir for a new generation.

Provoking "I didn't expect to be thinking about this film hours after watching it. Each story made me reflect on how materialism and emotions are intertwined. The performances are subtle, no overacting. It's not everyone's cup of tea - the pacing is slow and the endings are open. But for me, it worked. One of the better Kannada OTT films in recent times Dileep Raj totally carried the third story with class. I appreciated that the film didn't preach, but instead just showed people as they are. Very watchable." Need support 💪 for this kind of experiments

Must watch 💯 definately a Narrative mosque.