Due fratelli tornano nella loro città natale per riniziare le proprie vite, ma incontrano una presenza malvagia che li stava aspettando da tempo.Due fratelli tornano nella loro città natale per riniziare le proprie vite, ma incontrano una presenza malvagia che li stava aspettando da tempo.Due fratelli tornano nella loro città natale per riniziare le proprie vite, ma incontrano una presenza malvagia che li stava aspettando da tempo.
- Regia
- Sceneggiatura
- Star
- Premi
- 12 vittorie e 14 candidature totali
Tenaj L. Jackson
- Beatrice
- (as Tenaj Jackson)
Omar Benson Miller
- Cornbread
- (as Omar Miller)
Recensioni in evidenza
I challenge you all claiming it to be a masterpiece to give me another example of a masterpiece movie you are comparing it with.
Are you all really that shallow and bored you will give any movie that title.
As a drama movie I will give it a 7.
As a horror not more than a 6.
There are maybe 2-3 jump scares. And the story is half decent. It. Could have been used to build a great movie. But there is none of that. Maybe the blues fans will enjoy a song or two but that's it. Too many characters introduced, very little development on each front. Sets are decent.
Don't listen to all bought reviews online.
Are you all really that shallow and bored you will give any movie that title.
As a drama movie I will give it a 7.
As a horror not more than a 6.
There are maybe 2-3 jump scares. And the story is half decent. It. Could have been used to build a great movie. But there is none of that. Maybe the blues fans will enjoy a song or two but that's it. Too many characters introduced, very little development on each front. Sets are decent.
Don't listen to all bought reviews online.
First half of the movie was very good. Great character set up. Second half of the movie the plot progressed very quickly with nothing particularly interesting happening. Not much of a story line involved and movie ended abruptly. The acting was great, Michael B Jordan did a wonderful job playing smock and stack and some of the supporting characters were great as well. The movie was filmed perfectly. Music was obviously great as well. Plot and storyline did not move the needle for me. Post credit scene was cool!
It feels like The Sinners was directed by two different Cooglers-one responsible for the first half, and another for the second. If I had to rate them separately: the first half is a solid 8, the second a disappointing 4.
The film starts off brilliantly. Set in the Deep South during the 1930s, it plunges us into a world of chain gangs, overt racism, and raw human struggle-all wrapped in the soul of music. The characters are distinctive and memorable, the performances are top-notch, and the world-building is rich and atmospheric. It's a western, a drama, and a musical all at once, and somehow it works. For a while.
Then comes the second half.
This is where things fall apart. The pivot to horror-specifically vampires-feels abrupt and half-hearted. There's barely a story holding it together, and the horror/action sequences barely last 10-15 minutes. They lack any real suspense or memorable set pieces. The execution feels rushed and undercooked, especially after such a powerful setup.
The final 5-7 minutes attempt a bold anti-Klan message, and it's likely this moment of violence and symbolism that won over many critics. But for me, it was too little, too late.
What's most frustrating is the wasted potential. This could've been a truly unique vampire film-rooted in history, rich in theme, driven by character and song. Instead, it leaves you wondering what could've been if the second half had lived up to the promise of the first.
The film starts off brilliantly. Set in the Deep South during the 1930s, it plunges us into a world of chain gangs, overt racism, and raw human struggle-all wrapped in the soul of music. The characters are distinctive and memorable, the performances are top-notch, and the world-building is rich and atmospheric. It's a western, a drama, and a musical all at once, and somehow it works. For a while.
Then comes the second half.
This is where things fall apart. The pivot to horror-specifically vampires-feels abrupt and half-hearted. There's barely a story holding it together, and the horror/action sequences barely last 10-15 minutes. They lack any real suspense or memorable set pieces. The execution feels rushed and undercooked, especially after such a powerful setup.
The final 5-7 minutes attempt a bold anti-Klan message, and it's likely this moment of violence and symbolism that won over many critics. But for me, it was too little, too late.
What's most frustrating is the wasted potential. This could've been a truly unique vampire film-rooted in history, rich in theme, driven by character and song. Instead, it leaves you wondering what could've been if the second half had lived up to the promise of the first.
Sinners impresses early with its stunning cinematography and solid performances. The film sets a moody, atmospheric tone and builds tension with a deliberate, slow-burn approach that hints at something truly impactful. Unfortunately, that promise is never fulfilled. When the vampires finally appear, the film takes a sharp downturn. Their behavior is nonsensical, lacking any real menace or intelligence, and they end up feeling more like a parody than a threat. It's a baffling creative choice that undermines everything the first half works so hard to build. Despite its strong technical elements, the film stumbles badly at the finish line. A stylish misfire-watchable, but disappointing. 6 out of 10.
Went to see this because I like vampire movies, and Tom Cruise endorsed it. Never saw him endorsing any movies so I got more curious.
Production, costume, make up, visuals are very good.
Story is meh. Standard vampire look and behavior. Another movie implying some faith doesn't work in fighting demons but a voodoo mojo does, nothing new there.
I dislike musicals so its musical parts added nothing for me. The past and future music evoked could have been more abstract, but they were real people in different eras costumes mingling in, kinda ruined the believability of the 1930s vibe for me. Looked like a silly company dinner and dance instead.
Can totally see certain demographic overhyping this. Again, nothing new.
An okay watch overall, fun at times.
Production, costume, make up, visuals are very good.
Story is meh. Standard vampire look and behavior. Another movie implying some faith doesn't work in fighting demons but a voodoo mojo does, nothing new there.
I dislike musicals so its musical parts added nothing for me. The past and future music evoked could have been more abstract, but they were real people in different eras costumes mingling in, kinda ruined the believability of the 1930s vibe for me. Looked like a silly company dinner and dance instead.
Can totally see certain demographic overhyping this. Again, nothing new.
An okay watch overall, fun at times.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
These big screen releases can now be watched from the comfort of your couch.
Lo sapevi?
- QuizDirector Ryan Coogler said that two of his biggest influences for the film were Dal tramonto all'alba (1996) and The Faculty (1998) both directed by Robert Rodriguez.
- BlooperWhen Smoke and Stack are waiting for Hogwood early in the movie to buy the sawmill from him, they are casting notably different shadows while standing beside their car, revealing how the scene was spliced together from two different shots of Michael B. Jordan taken at slightly different times of the day.
- Citazioni
Old Sammie: You know something? Maybe once a week, I wake up paralyzed reliving that night. But before the sun went down, I think that was the best day of my life. Was it like that for you?
Stack: No doubt about it. Last time I seen my brother. Last time I seen the sun. And just for a few hours, we was free.
- Curiosità sui creditiThere is a short post-credits scene that flashes back to the past where Sammie performs "I'm Gonna Let It Shine".
- ConnessioniFeatured in Dead Meat Podcast: Upcoming Horror Sneak Peeks (2025)
- Colonne sonoreIrish Filídh, Choctaw Chant and West African Griot Suite
Performed by Iarla O'Lionaird (as Iarla Ó Lionáird), Jaeden Ariana Wesley and DC6 Singers Collective
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Pecadores
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 90.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 278.578.513 USD
- Fine settimana di apertura Stati Uniti e Canada
- 48.007.468 USD
- 20 apr 2025
- Lordo in tutto il mondo
- 365.878.513 USD
- Tempo di esecuzione
- 2h 17min(137 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.76 : 1
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