Due fratelli tornano nella loro città natale per riniziare le proprie vite, ma incontrano una presenza malvagia che li stava aspettando da tempo.Due fratelli tornano nella loro città natale per riniziare le proprie vite, ma incontrano una presenza malvagia che li stava aspettando da tempo.Due fratelli tornano nella loro città natale per riniziare le proprie vite, ma incontrano una presenza malvagia che li stava aspettando da tempo.
- Regia
- Sceneggiatura
- Star
- Premi
- 12 vittorie e 15 candidature totali
Tenaj L. Jackson
- Beatrice
- (as Tenaj Jackson)
Omar Benson Miller
- Cornbread
- (as Omar Miller)
Riepilogo
Reviewers say 'Sinners' is a complex, ambitious film that blends horror, blues music, and historical themes, receiving mixed but generally positive reviews. Many praise its cinematography, performances, and soundtrack, particularly Michael B. Jordan and Hailee Steinfeld. Some reviewers appreciate its deep themes and symbolism, while others find it convoluted or overhyped. The film's pacing, character development, and plot structure receive varied opinions, with some feeling it excels in atmosphere and others finding it lacking in coherence. Despite mixed reactions, 'Sinners' is often lauded for its artistic vision and emotional impact.
Recensioni in evidenza
I love it when movies mix different genres and create a fresh spin on old themes. In this case however the different elements didn't mix well in my opinion: I would describe sinners as a mix between period gangster drama, musical and trashy B-movie horror. This sounds super exciting on paper, but in reality it threw me off completely. I feel like the movie tries to do everything at the same time but doesn't deliver on many of those aspects: It wants to hit the viewer on an emotional level but left me personally completely cold - I didn't care who died or who lived; The movie kinda wants to be scary but the "enemies" in the film feel like a complete joke from the first scene they are shown and it takes away all the tension; It wants to be action-packed and explosive, but the fight scenes are kinda boring and left me wanting to move on to more serious scenes again, even though those serious scenes are kind of a slow burn; The film wants to be funny and even though it made me chuckle a bit it never really took it far enough to justify sacrificing the big threat in the film for laughs.
In conclusion: This movie is too boring and slow to be an entertaining action-comedy and doesn't take the humor and fight scenes far enough to really have an impact. At the same time this movie is far too ridiculous to be a serious scary and emotional movie that reaches you on any kind of emotional level.
I would have liked it, if they would have sacrificed the humor for building a serious threat that feels genuinely scary and terrifying. The cinematography, costumes and music are fantastic but this is just not enough for me to make it a good film, when the story is not hitting. There are single parts of the movie that I absolutely loved and I would have really appreciated those scenes as standalone music videos, but it just doesn't mix well with the rest in my personal opinion.
In addition to my previous criticisms I spotted some typical clichés in the dialogue writing that made me roll my eyes and there were some moments where I found it extremely hard to believe that certain characters survived. I could go in to detail here but I want to keep my review vague to avoid spoilers.
To me watching this movie felt a bit like eating chocolate on a burger - Both elements are nice by themselves but together they don't make for a nice meal.
In conclusion: This movie is too boring and slow to be an entertaining action-comedy and doesn't take the humor and fight scenes far enough to really have an impact. At the same time this movie is far too ridiculous to be a serious scary and emotional movie that reaches you on any kind of emotional level.
I would have liked it, if they would have sacrificed the humor for building a serious threat that feels genuinely scary and terrifying. The cinematography, costumes and music are fantastic but this is just not enough for me to make it a good film, when the story is not hitting. There are single parts of the movie that I absolutely loved and I would have really appreciated those scenes as standalone music videos, but it just doesn't mix well with the rest in my personal opinion.
In addition to my previous criticisms I spotted some typical clichés in the dialogue writing that made me roll my eyes and there were some moments where I found it extremely hard to believe that certain characters survived. I could go in to detail here but I want to keep my review vague to avoid spoilers.
To me watching this movie felt a bit like eating chocolate on a burger - Both elements are nice by themselves but together they don't make for a nice meal.
For years I've been emphasizing the importance of music in movies; how an amazing musical score can significantly elevate a movie. It shouldn't just be background dressing. It should be brought to the forefront. It should drive the story. It should be a character in itself. It should give you goosebumps in the big moments. Sinners is one of the best examples of this.
Aside from the music, I could tell I was watching high-quality filmmaking within five minutes. The directing, camerawork, editing, and sound design are pristine. The entire cast does a great job, but Michael B. Jordan shines. He is a superstar.
Sinners is also surprisingly funny, without taking away from the seriousness. And the horror elements are... satisfying. This movie goes hard.
Advice: Certain scenes have an expanded aspect ratio that will only be shown in IMAX. If you can't go to an IMAX, any premium screen will do (Dolby Cinema, UltraScreen, EMX, etc). This movie benefits more than most from the larger screen and louder speakers.
Also, I missed A LOT of the dialogue, you may want to ask for a closed caption device.
(1 viewing, opening night IMAX 4/17/2025)
Aside from the music, I could tell I was watching high-quality filmmaking within five minutes. The directing, camerawork, editing, and sound design are pristine. The entire cast does a great job, but Michael B. Jordan shines. He is a superstar.
Sinners is also surprisingly funny, without taking away from the seriousness. And the horror elements are... satisfying. This movie goes hard.
Advice: Certain scenes have an expanded aspect ratio that will only be shown in IMAX. If you can't go to an IMAX, any premium screen will do (Dolby Cinema, UltraScreen, EMX, etc). This movie benefits more than most from the larger screen and louder speakers.
Also, I missed A LOT of the dialogue, you may want to ask for a closed caption device.
(1 viewing, opening night IMAX 4/17/2025)
I saw the ratings for this film and I watched really looking forward to watching it. Even the people who work the counters in the cinema assured us of how good it was.
The first half of the film have the makings of an 8/10 film, and it seems like it's going to go that way, especially with such a good cast. But as with most films these days, it takes a turn and gets quite daft in the second half. Somewhat like Dusk til Dawn, but not half as good...But that's just my opinion.
Go watch it, but at least give it an honest review. It's not an 8/10 movie as iMDB has it scored. I scored it a 6, which I think is fair.
The first half of the film have the makings of an 8/10 film, and it seems like it's going to go that way, especially with such a good cast. But as with most films these days, it takes a turn and gets quite daft in the second half. Somewhat like Dusk til Dawn, but not half as good...But that's just my opinion.
Go watch it, but at least give it an honest review. It's not an 8/10 movie as iMDB has it scored. I scored it a 6, which I think is fair.
It feels like The Sinners was directed by two different Cooglers-one responsible for the first half, and another for the second. If I had to rate them separately: the first half is a solid 8, the second a disappointing 4.
The film starts off brilliantly. Set in the Deep South during the 1930s, it plunges us into a world of chain gangs, overt racism, and raw human struggle-all wrapped in the soul of music. The characters are distinctive and memorable, the performances are top-notch, and the world-building is rich and atmospheric. It's a western, a drama, and a musical all at once, and somehow it works. For a while.
Then comes the second half.
This is where things fall apart. The pivot to horror-specifically vampires-feels abrupt and half-hearted. There's barely a story holding it together, and the horror/action sequences barely last 10-15 minutes. They lack any real suspense or memorable set pieces. The execution feels rushed and undercooked, especially after such a powerful setup.
The final 5-7 minutes attempt a bold anti-Klan message, and it's likely this moment of violence and symbolism that won over many critics. But for me, it was too little, too late.
What's most frustrating is the wasted potential. This could've been a truly unique vampire film-rooted in history, rich in theme, driven by character and song. Instead, it leaves you wondering what could've been if the second half had lived up to the promise of the first.
The film starts off brilliantly. Set in the Deep South during the 1930s, it plunges us into a world of chain gangs, overt racism, and raw human struggle-all wrapped in the soul of music. The characters are distinctive and memorable, the performances are top-notch, and the world-building is rich and atmospheric. It's a western, a drama, and a musical all at once, and somehow it works. For a while.
Then comes the second half.
This is where things fall apart. The pivot to horror-specifically vampires-feels abrupt and half-hearted. There's barely a story holding it together, and the horror/action sequences barely last 10-15 minutes. They lack any real suspense or memorable set pieces. The execution feels rushed and undercooked, especially after such a powerful setup.
The final 5-7 minutes attempt a bold anti-Klan message, and it's likely this moment of violence and symbolism that won over many critics. But for me, it was too little, too late.
What's most frustrating is the wasted potential. This could've been a truly unique vampire film-rooted in history, rich in theme, driven by character and song. Instead, it leaves you wondering what could've been if the second half had lived up to the promise of the first.
First half of the movie was very good. Great character set up. Second half of the movie the plot progressed very quickly with nothing particularly interesting happening. Not much of a story line involved and movie ended abruptly. The acting was great, Michael B Jordan did a wonderful job playing smock and stack and some of the supporting characters were great as well. The movie was filmed perfectly. Music was obviously great as well. Plot and storyline did not move the needle for me. Post credit scene was cool!
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
These big screen releases can now be watched from the comfort of your couch.
Lo sapevi?
- QuizThe Moore/Smokestack Twins are named after "Smokestack Lightnin'" by Howlin' Wolf.
- BlooperWhen Smoke and Stack are waiting for Hogwood early in the movie to buy the sawmill from him, they are casting notably different shadows while standing beside their car, revealing how the scene was spliced together from two different shots of Michael B. Jordan taken at slightly different times of the day.
- Citazioni
Old Sammie: You know something? Maybe once a week, I wake up paralyzed reliving that night. But before the sun went down, I think that was the best day of my life. Was it like that for you?
Stack: No doubt about it. Last time I seen my brother. Last time I seen the sun. And just for a few hours, we was free.
- Curiosità sui creditiThere is a short post-credits scene that flashes back to the past where Sammie performs "I'm Gonna Let It Shine".
- ConnessioniFeatured in Dead Meat Podcast: Upcoming Horror Sneak Peeks (2025)
- Colonne sonoreIrish Filídh, Choctaw Chant and West African Griot Suite
Performed by Iarla O'Lionaird (as Iarla Ó Lionáird), Jaeden Ariana Wesley and DC6 Singers Collective
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Pecadores
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 90.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 278.578.513 USD
- Fine settimana di apertura Stati Uniti e Canada
- 48.007.468 USD
- 20 apr 2025
- Lordo in tutto il mondo
- 366.678.513 USD
- Tempo di esecuzione
- 2h 17min(137 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.76 : 1
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