Dopo la morte della moglie, un principe del XV secolo rinuncia a Dio e diventa un vampiro. Secoli dopo, nella Londra del XIX secolo, vede una donna che assomiglia alla sua defunta moglie e l... Leggi tuttoDopo la morte della moglie, un principe del XV secolo rinuncia a Dio e diventa un vampiro. Secoli dopo, nella Londra del XIX secolo, vede una donna che assomiglia alla sua defunta moglie e la insegue, segnando il proprio destino.Dopo la morte della moglie, un principe del XV secolo rinuncia a Dio e diventa un vampiro. Secoli dopo, nella Londra del XIX secolo, vede una donna che assomiglia alla sua defunta moglie e la insegue, segnando il proprio destino.
Disponibile a breve
In uscita il 30 ottobre 2025
Recensioni in evidenza
Luc Besson's *Dracula* tries to be bold and artistic but ends up as an over-stylized, slow-moving mess. While the visuals are striking, they can't hide the film's self-indulgent pacing and lack of real scares. The story drags, weighed down by pretentious themes and melodramatic performances. Dracula himself is more mopey than menacing, and the supposed emotional depth feels forced. Strangely, the film borrows heavily in tone and aesthetic from Patrick Süskind's *Perfume*-the same obsessive atmosphere, the same brooding romanticism-but without the narrative clarity or psychological sharpness. Besson's ambition to "reimagine" the legend results in a film that's more style than substance. Despite its glossy presentation, this version of *Dracula* is cold, derivative, and ultimately forgettable.
This film is one of the worst adaptations of Bram Stoker's novel to ever see the light of day (pun intended). The dialogues are a terrible combination of failed attempts at being profound about subjects like religion and love, and lots of stupid jokes and situations. The characters are just poorly written, they feel superficial and it's hard to empathize with any of them. The film is outright disrespectful of Stoker's work and of vampire folklore in general. It feels more like a caricature or a mockery of Coppola's version than an honest take on Stoker's book. There's even a dancing montage and CGI gargoyles reminiscent of Disney's The Hunchback of Notre Dame. The ambiance is just confusing, trying to be serious at times, but then cutting the tension with a stupid joke or goofy action. This confusion is clearly noticeable in Christoph Waltz's performance, who doesn't seem to be sure what to do and falls back at reenacting Dr. King Shultz. The protagonist has some decent moments, but spends half the time crying and mumbling like a mental patient, and half acting like a Parisian pimp. Nothing even remotely close to give presence and substance needed for such a heavy character. Don't waste your money on the theatre, wait until it comes out on a streaming platform, probably very soon, considering the quality.
Luc Besson's Dracula is not a traditional horror film. Instead, it's a dark romantic epic that reimagines the Dracula legend through a poetic and psychological lens. Set in a brooding, visually stunning atmosphere, the film explores eternal longing, forbidden love, and the isolation of immortality.
Rather than focusing on gore or action, Besson's take is intimate and character-driven. Dracula is portrayed as a tragic, timeless figure, torn between his monstrous nature and a deep, lingering humanity. The story unfolds with elegance, blending gothic elements, haunting visuals, and emotional depth - all wrapped in Besson's signature cinematic flair.
Rather than focusing on gore or action, Besson's take is intimate and character-driven. Dracula is portrayed as a tragic, timeless figure, torn between his monstrous nature and a deep, lingering humanity. The story unfolds with elegance, blending gothic elements, haunting visuals, and emotional depth - all wrapped in Besson's signature cinematic flair.
Really enjoyed Luc Besson's Dracula. It's dark and stylish without trying too hard. Christopher Waltz was amazing, this could be expected. And honestly, the whole cast was just beautiful to look at. The visuals, the costumes, the mood... all of it was gorgeous. Definitely worth a watch if you're into gothic stories with a fantasy touch.
Dracula A Love Tale, is Luc Besson copying Coppola's homework, then trying (and failing) to change enough of it to avoid accusations of plagiarism.
The two romantic leads have chemistry, and the visuals are okay, but this movie still falls flat. Uneven pacing, superficial motivations from the supporting characters, and artistic choices that are just thrown in because, why not.
Besson refuses to commit to any real artistic choices in this film. The script might as well be written by chatGPT.
The two romantic leads have chemistry, and the visuals are okay, but this movie still falls flat. Uneven pacing, superficial motivations from the supporting characters, and artistic choices that are just thrown in because, why not.
Besson refuses to commit to any real artistic choices in this film. The script might as well be written by chatGPT.
Lo sapevi?
- QuizHistorian Martin Mares, who served as production consultant on this film, had previously worked in the same capacity on another Dracula adaptation, Demeter - Il risveglio di Dracula (2023), making him a rare expert to contribute to multiple interpretations of the iconic vampire legend.
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 1.786.396 USD
- Tempo di esecuzione
- 2h 9min(129 min)
- Colore
- Proporzioni
- 2.39:1
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