VALUTAZIONE IMDb
6,3/10
7207
LA TUA VALUTAZIONE
Cile, 1955. Il caso di María Carolina Geel, una popolare scrittrice che uccide il suo amante, affascina Mercedes, una timida segretaria che lavora per il giudice incaricato di difendere l'im... Leggi tuttoCile, 1955. Il caso di María Carolina Geel, una popolare scrittrice che uccide il suo amante, affascina Mercedes, una timida segretaria che lavora per il giudice incaricato di difendere l'imputata.Cile, 1955. Il caso di María Carolina Geel, una popolare scrittrice che uccide il suo amante, affascina Mercedes, una timida segretaria che lavora per il giudice incaricato di difendere l'imputata.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 6 candidature totali
Nicolás Zárate
- Arnés
- (as Nicolás Zarate)
Recensioni in evidenza
A very beautiful movie about the burdens and exhaustions of women, the woman searching for herself and finding it in peace and privacy.
When a woman finds a place for herself to elevate herself and live her own time, it becomes a refuge, as she said, "I am tired of the noise. I want some peace." Stories always present some kind of female role that focuses on motherhood or maturity. You have not found a film like this about the desire for peace and tranquility and the restoration of the soul. I loved it and wanted it very much.
A very wonderful and very calm movie that touched me deeply and I believe that the story has roots or is an adaptation of a previous story.
A wonderful, wonderful, very nice movie.
When a woman finds a place for herself to elevate herself and live her own time, it becomes a refuge, as she said, "I am tired of the noise. I want some peace." Stories always present some kind of female role that focuses on motherhood or maturity. You have not found a film like this about the desire for peace and tranquility and the restoration of the soul. I loved it and wanted it very much.
A very wonderful and very calm movie that touched me deeply and I believe that the story has roots or is an adaptation of a previous story.
A wonderful, wonderful, very nice movie.
! This film is, without a doubt, one of the best movies I've seen in recent years. From the very beginning, it pulls you into its world with a captivating story and a perfectly paced narrative that never feels rushed or slow. The script is incredibly well-written, filled with emotional depth, clever dialogue, and powerful moments that stay with you long after the film ends.
The performances by the cast are absolutely phenomenal. Every actor brings their character to life in a way that feels completely genuine and believable. The lead role, in particular, is played with such intensity and vulnerability that it's impossible not to be moved. The chemistry between the characters adds another layer of richness to the story, making every scene more impactful.
Visually, the movie is stunning. The cinematography is beautiful, with breathtaking shots and artistic camera work that enhances the mood and tone of the film. The use of lighting and color is thoughtful and deliberate, contributing to the emotional atmosphere in a subtle yet powerful way.
The performances by the cast are absolutely phenomenal. Every actor brings their character to life in a way that feels completely genuine and believable. The lead role, in particular, is played with such intensity and vulnerability that it's impossible not to be moved. The chemistry between the characters adds another layer of richness to the story, making every scene more impactful.
Visually, the movie is stunning. The cinematography is beautiful, with breathtaking shots and artistic camera work that enhances the mood and tone of the film. The use of lighting and color is thoughtful and deliberate, contributing to the emotional atmosphere in a subtle yet powerful way.
Even the Chilean national poet Gabriela MISTRAL (1889 - 1957), who was awarded the Nobel Prize for Literature in 1945, stood up for her convicted fellow writer.
In 1955, a sensational scandal occurred in Santiago de Chile. In the Hotel Crillon, the writer Maria Carolina Geel (Francisca LEWIN) shot her lover out of the blue. By chance, the court clerk Mercedes Arevalo (Elisa ZULUETA), who works for the investigating judge, comes into contact with this case. It turns out that she receives the keys to the defendant's luxurious apartment. This opens up a new world for the inconspicuous Mercedes, who is not taken entirely seriously by her husband (Pablo MACAYA) and two sons. Surrounded by beautiful things and in heavenly peace, Mercedes begins to rethink her own life and consider new horizons possible.
A quiet and beautiful narrative film from Chile, which is somewhat reminiscent of the Italian blockbuster TOMORROW IS ALSO ANOTHER DAY / C E ANCORA DOMANI by and starring Paola CORTELLESI. EL LUGAR DE LA OTRA by Maite ALBERDI was selected by Chile as a candidate for the OSCAR for Best International Film.
In 1955, a sensational scandal occurred in Santiago de Chile. In the Hotel Crillon, the writer Maria Carolina Geel (Francisca LEWIN) shot her lover out of the blue. By chance, the court clerk Mercedes Arevalo (Elisa ZULUETA), who works for the investigating judge, comes into contact with this case. It turns out that she receives the keys to the defendant's luxurious apartment. This opens up a new world for the inconspicuous Mercedes, who is not taken entirely seriously by her husband (Pablo MACAYA) and two sons. Surrounded by beautiful things and in heavenly peace, Mercedes begins to rethink her own life and consider new horizons possible.
A quiet and beautiful narrative film from Chile, which is somewhat reminiscent of the Italian blockbuster TOMORROW IS ALSO ANOTHER DAY / C E ANCORA DOMANI by and starring Paola CORTELLESI. EL LUGAR DE LA OTRA by Maite ALBERDI was selected by Chile as a candidate for the OSCAR for Best International Film.
I watched this movie on Netflix, expecting a conventional crime drama. I was surprised to discover a sensitive, complex and accurate film. The characters, based on a real case, are designed in a subtle, but powerful way, by the actors and the director. The film is not satisfied with just bringing the story to the viewer, but also manages to formulate an interesting statement on the feminist issue, referring to Chile in the 1950s. The main actress, in the role of Mercedes, plays a complex and multi-layered character, and she does it very successfully, in my opinion, on the one hand, she plays a restrained and introverted role, but at the same time she manages to express the drama that takes place inside her in an impressive way and is highly recommended.
Its nice seeing a moviw from my country. This movie is a powerful exploration of identity, desire, and the roles society imposes. Through the story of two women whose lives intertwine, the narrative blurs the boundaries between self and other, between what is real and what is projected. It examines how longing, perception, and external expectations shape who we believe we are. With subtlety and emotional depth, the work invites us to reflect on the masks we wear and what it truly means to inhabit someone else's place-even if just for a moment. If you're interested in drama and crime movies you should watch this one.
Lo sapevi?
- QuizOfficial submission of Chile for the 'Best International Feature Film' category of the 97th Academy Awards in 2025.
- ConnessioniReferenced in Expertas en nada: RETORNO (2023)
- Colonne sonoreEl Merecumbe
Written by Francisco Galán Blanco
Performed by Orquesta Huambaly
Courtesy of Universal Music Chile S.A.
(P) 1957 EMI Odeón Chilena S.A.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- El lugar de la otra
- Luoghi delle riprese
- Azienda produttrice
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- Tempo di esecuzione
- 1h 36min(96 min)
- Colore
- Mix di suoni
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