Upstream

I did not have any expectation about this. Nor any references about the movie, the director, the casts, the plot. Nope. I happened to played it this morning on Netflix and boy, it completely kept me stuck to it! I know it is going to be a predictable plot and story but it is perfectly shot, made, acted, edited.. very good production! I really enjoyed the pictures, the editing. It shows the craziness of the bike delivery life in Shanghai (?) perfectly. There are some over dramatic scenes and situation but all to me are acceptable and in line to the story. The 5 minutes closing credit is also very worth watching, do not pass it. I become more respect to the fact that the main actor is the director. He did a very good job.

The film has a great narrative arc, is very funny but really real, and gives a look at one section of China's hard workers: the food delivery riders.

Upstream is acted very well, and doesn't ever miss a beat in story development or comic timing. It's a great feel-good tale, too.

For a few years now, this profession hasn't been part of the gig economy as defined in the sense of such Western jobs that come with a lack of rights for employees.

In 2021, China's State Administration for Market Regulation (SAMR) and other regulatory bodies mandated that local food delivery platforms provide drivers with a minimum wage, access to insurance, and improved working conditions. The order also required platforms to enroll delivery workers in social insurance programs.

China does listen to its people. China's food delivery giants Meituan and Ele.me are to impose mandatory rest breaks for delivery drivers to improve their health and safety.

The changes in policy come after a public outcry over a September incident when a 55-year-old delivery rider collapsed and died in the eastern Chinese city of Hangzhou.

China is a point of interest now of course and one way to glimpse into its society without actually visiting is to watch this movie. The layers of propaganda from the countries of the West about China are thick, but even this film, a comedy but also real, can dissolve a few.

This film helps us be less hateful and/or believing of the entire mass media with its constant negative framing of China. At the same time it's a ball watching it, a film so real we can feel it and relate, while laughing and shedding a tear too.

Kinda realistic with the way they displayed some customers' behaviours. You may say "They won't act like that, etc..." but in reality, I, myself, have encountered such people, and lots of them saw themselves as gods and demanded others to obey them.

The film also successfully emphasised the main subject of each scene, using shades and colours, giving audiences the impression of how harsh the industry is, especially in the first half of the film.

But the largest disadvantage is they didn't go deeper into other side characters, mainly riders, aside from Big Black, Stingie, and Dashan.

One debatable thing is whether riders actually walked in and helped the restaurant owner or not. I would say that 40% of the time, they do, but only if the restaurant is packed with orders. It happens in some countries where people have sympathy for each other.

The last thing is that this is a film created in a country where the delivery industry is rapidly changing and growing, so it just depends on your nationality, and for me, who lives in a country like that, I would say that this film is realistic, giving me an insight into the mechanism of such a powerful industry.

If you have spent more than 2 days even as a tourist in China, chances are good you had a near-miss traffic accident with a "knight" in yellow-clad armour.

This movie gives us a closer look at the overlooked. In China's biggest cities, the yellow "knights" as they are lovingly called buzz around like bees. Always trying to take a shortcut and running a red light to make a quick buck, the service economy runs on poor non-registered workers risking their life for little pay.

Although thoroughly enjoyable, there's two aspects that hold this movie back slightly: first, the performances are good but the wife actress sticks out like a sore thumb. Poorly acted and poorer written still, it takes you out of the story every time she's on screen. Second, there's several parts where the movie really feels like a propaganda piece paid for by Kuai Di companies. Delivering bravely in the rain, to rooftops, to hospitals, all to become the "top driver" and save a kid with leukemia, it actually looks exactly like a popular Kaui Di ad that used to run on Chinese TV.

So it's 4/5 for this delivery.

Upstream is a powerful Chinese drama by director-actor Xu Zheng that dives deep into the crisis of middle age in the gig economy era. Set in post-pandemic China, the film follows Cao Zhilv, a 45-year-old IT engineer who loses his job and is forced to become a food delivery driver to support his family. What follows is a gritty, emotional journey through economic despair, generational pressure, and quiet resilience.

The film's greatest strength lies in its social commentary. It boldly addresses age discrimination, labor exploitation, and the brutal reality of "996" work culture. Xu Zheng delivers a deeply human performance - weary, proud, and quietly desperate - supported by raw cinematography that focuses on facial expressions and daily struggle rather than melodrama.

A standout scene shows Cao bleeding and exhausted, still determined to deliver an order - a gut-wrenching metaphor for dignity amidst dehumanization. The ending, where he builds a navigation app to help fellow delivery workers, has sparked debate. Some see it as overly optimistic, brushing past deeper structural issues. Others embrace it as a symbol of hope and self-reinvention.

While the secondary characters could have been fleshed out more, and certain moments feel dramatized, Upstream remains a poignant and timely film. It doesn't offer easy answers, but it makes you pause, reflect, and empathize - and that, perhaps, is its greatest achievement.

Verdict: A moving and socially conscious film that gives a voice to the often invisible workforce. Recommended for fans of grounded dramas like The Pursuit of Happyness or Nomadland.