Una giovane fotografa corsa vive amicizie e amori tra le turbolenze politiche sull'isola dagli anni '80 ai primi anni 2000, ritraendo il cammino di una generazione.Una giovane fotografa corsa vive amicizie e amori tra le turbolenze politiche sull'isola dagli anni '80 ai primi anni 2000, ritraendo il cammino di una generazione.Una giovane fotografa corsa vive amicizie e amori tra le turbolenze politiche sull'isola dagli anni '80 ai primi anni 2000, ritraendo il cammino di una generazione.
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- QuizThis is an adaptation of Jérôme Ferrari's book by the same title, "À son image". When director Thierry de Peretti read the book, it had just finished Thierry de Peretti, about the same subject matter, and he thought it would be weird doing the same thing again with different characters, which was what convinced him to do just that. The main difference is that the characters are completely fictional this time, unlike his previous movie.
Recensione in evidenza
I'm warning you, I'm going to be very harsh. However, I do like the director of this film. I have always defended him. For instance I wrote a positive review about his previous film called "Une Vie Violente" which was also about the fate of the independentist struggle in Corsica. Maybe that is why I was so disappointed this time.
Thierry De Perretti falls into several shortcomings during that film and it does not help his goal which is I think to reveal the history of the independentist's struggle. First and foremost, the main drawback of this film is that it is disembodied. Its main character is cruelly lacking in charisma and coherence. The actress delivers a very poor performance. She appears detached from her character, as if she was waiting for the script to give her a reason to take her destiny into her own hands. The character of Antonia, a young Corsican who dreams of being a reporter keeps doing unexplained choices throughout the film. We never understand if she has a relevant political opinion nor if she approves or disapproves the independentist struggle. The same questions happen when it comes to her personal life choices: Why does she remain faithfull to her first love ? Why does she decide to go to Yougoslavia all of a sudden ? Why does she keep seeing friends that she does not seem to get along with? She is also forced to stage extremely poor, unrealistic dialogue, which does not help. She seems to have no charisma at all which does not help to like the story which is being told.
Secondly, the director delivers muddled explanations of the independentist conflict. We just don't understand the main stages of the struggle, who are those men who decide to kill, to kidnap and to struggle. We barely see their face ,we barely understand their motivations.
It seems to me that the director wanted to adapt a book which was complex and probably better pictured than his film. We clearly don't appreciate the photography of this film (not very well shot either !), nor its scenario, as we really don't understand the principle motivations of the main charachter (who she loves, what are her main goals) and it's the same for the Corsican struggle which is never clearly explained . Such a pity and such a bore for us, spectators of a disembodied fail.
Thierry De Perretti falls into several shortcomings during that film and it does not help his goal which is I think to reveal the history of the independentist's struggle. First and foremost, the main drawback of this film is that it is disembodied. Its main character is cruelly lacking in charisma and coherence. The actress delivers a very poor performance. She appears detached from her character, as if she was waiting for the script to give her a reason to take her destiny into her own hands. The character of Antonia, a young Corsican who dreams of being a reporter keeps doing unexplained choices throughout the film. We never understand if she has a relevant political opinion nor if she approves or disapproves the independentist struggle. The same questions happen when it comes to her personal life choices: Why does she remain faithfull to her first love ? Why does she decide to go to Yougoslavia all of a sudden ? Why does she keep seeing friends that she does not seem to get along with? She is also forced to stage extremely poor, unrealistic dialogue, which does not help. She seems to have no charisma at all which does not help to like the story which is being told.
Secondly, the director delivers muddled explanations of the independentist conflict. We just don't understand the main stages of the struggle, who are those men who decide to kill, to kidnap and to struggle. We barely see their face ,we barely understand their motivations.
It seems to me that the director wanted to adapt a book which was complex and probably better pictured than his film. We clearly don't appreciate the photography of this film (not very well shot either !), nor its scenario, as we really don't understand the principle motivations of the main charachter (who she loves, what are her main goals) and it's the same for the Corsican struggle which is never clearly explained . Such a pity and such a bore for us, spectators of a disembodied fail.
- matlabaraque
- 15 set 2024
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- À son image
- Luoghi delle riprese
- Novi Beograd, Belgrado, Serbia(Antonia in Belgrade, car stopped in park overlooking St George Serbian Ortodox Church)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 734.605 USD
- Tempo di esecuzione1 ora 50 minuti
- Colore
- Proporzioni
- 1.66 : 1
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