VALUTAZIONE IMDb
8,2/10
3765
LA TUA VALUTAZIONE
Racconti e rivelazioni di prima mano delle persone che hanno dato vita a questa serie rivoluzionaria.Racconti e rivelazioni di prima mano delle persone che hanno dato vita a questa serie rivoluzionaria.Racconti e rivelazioni di prima mano delle persone che hanno dato vita a questa serie rivoluzionaria.
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I've been ready for this after watching Sopranos recently on HBO signature almost daily this week and I've seen the series a few times it's one of the best shows ever surprised there hasn't been a documentary sooner. David Chase is a genius all around and great of the director to make this 2 part documentary. I love the talent put into everything it's heartwarming learning about the background, worthy of high ratings and and spectacular vibe all around as should be for one of the best series the behind stuff better be great too! Nice to learn about the darkness more and how they didn't do it just for the sake of it. Highly recommend this magnificent mini doc series.
If you are like me and can't get enough of the Sopranos this is a really great two part documentary. This conversation with David Chase and the world of the hit HBO Show in the year of the 25th Anniversary is worth watching. There is great footage from the history of the show and a ton of behind the scenes footage from the making of it. There are conversations with HBO Executives, Cast Members, Writers, and people related to the show. I loved the audition footage. The documentary takes the viewer on the journey from concept to creation and more. This is a good documentary and doesn't suffer from the disease of being too long, which many documentaries do.
Alex Gibney has been behind some good documentaries, and The Sopranos is - yes - one of the greatest shows ever made, if not the greatest show ever made. So expectations for something like Wise Guy: David Chase and The Sopranos are allowed to be high, especially given this clocks in at a beefy 160 minutes (it's technically a miniseries, but it's comprised of two "episodes" that both released at the same time, so it's easy to watch as one big movie, effectively).
There is so much to say about The Sopranos, so I feel this could've been an actual miniseries. More could've been covered, but it's a little strange that with what they chose to cover, there was still a bit of repetition. It exists in a strange and flabby middle ground between being a tight two-hour movie and being a multi-hour TV series. Honestly, they could've quite comfortably spent an hour on each season, and made the whole thing 7-ish hours long, a little like The Beatles Anthology miniseries, which spends 60 to 70 minutes per year The Beatles were around, on average.
To get one more complaint out of the way, Wise Guy makes a terrible first impression. The editing feels like it's trying to speedrun the background info on Chase's pre-Sopranos life, and the result is awkward.
Actually, another (minor) complaint. Wise Guy brings up some fairly tired things I feel have been talked about to death regarding The Sopranos, but maybe that's because I've probably spent as much time reading about The Sopranos and watching videos about it than I have spent watching the show (and I've seen it three times, front to back).
But this is generally quite good, especially once you get past that awkward opening. The behind-the-scenes footage is valuable, and the doc's at its best when it focuses on Chase and his relationship with James Gandolfini. Something 80 to 90 minutes long completely focused on that would've been remarkable, but it's still compelling as presented here.
It's a good documentary on a great show. It's hard to imagine any fans of the show not getting at least a little out of it.
There is so much to say about The Sopranos, so I feel this could've been an actual miniseries. More could've been covered, but it's a little strange that with what they chose to cover, there was still a bit of repetition. It exists in a strange and flabby middle ground between being a tight two-hour movie and being a multi-hour TV series. Honestly, they could've quite comfortably spent an hour on each season, and made the whole thing 7-ish hours long, a little like The Beatles Anthology miniseries, which spends 60 to 70 minutes per year The Beatles were around, on average.
To get one more complaint out of the way, Wise Guy makes a terrible first impression. The editing feels like it's trying to speedrun the background info on Chase's pre-Sopranos life, and the result is awkward.
Actually, another (minor) complaint. Wise Guy brings up some fairly tired things I feel have been talked about to death regarding The Sopranos, but maybe that's because I've probably spent as much time reading about The Sopranos and watching videos about it than I have spent watching the show (and I've seen it three times, front to back).
But this is generally quite good, especially once you get past that awkward opening. The behind-the-scenes footage is valuable, and the doc's at its best when it focuses on Chase and his relationship with James Gandolfini. Something 80 to 90 minutes long completely focused on that would've been remarkable, but it's still compelling as presented here.
It's a good documentary on a great show. It's hard to imagine any fans of the show not getting at least a little out of it.
I found myself tearing up, thinking about all the great scenes and characters, and most of all about the creative process. This series didn't just happen. It came together with a lot of hard work by everyone involved.
My wish is this: that Alex Gibney, or someone, will do a follow-up like Wise Guy, about The Wire. Perhaps David Simon could be the focal point, perhaps Ed Burns, perhaps a dozen other people, but like The Sopranos, The Wire created a world foreign to the viewers, that became so believable that you became part of it.
Hearing about David Chase drawing 13 lines down a page, then adding the character names, then creating a story arc for each-then bringing it into the Writers room to create 13 teleplays-it sounds simple but is fascinating. Then, the actors. James putting a sharp stone in his shoe to make himself angry, Andrianna finding out she was going to be killled at the end of the season, Pauli Walnuts and the hair. So much went into it, and the result was fantastic.
My wish is this: that Alex Gibney, or someone, will do a follow-up like Wise Guy, about The Wire. Perhaps David Simon could be the focal point, perhaps Ed Burns, perhaps a dozen other people, but like The Sopranos, The Wire created a world foreign to the viewers, that became so believable that you became part of it.
Hearing about David Chase drawing 13 lines down a page, then adding the character names, then creating a story arc for each-then bringing it into the Writers room to create 13 teleplays-it sounds simple but is fascinating. Then, the actors. James putting a sharp stone in his shoe to make himself angry, Andrianna finding out she was going to be killled at the end of the season, Pauli Walnuts and the hair. So much went into it, and the result was fantastic.
Just as 'The Sopranos' was a masterful combination of writing, directing and acting, so too is this documentary. I thought it would be good, but I didn't expect to like it as much as I did.
Setting it in Melfi's old office set was a master stroke. The audition clips were fantastic; especially watching other actors read the lines that would become so iconic and so identified with the actors who eventually played those characters.
We got some real behind-the-scenes insight into the enigmatic James Gandolfini. When the director, Alex Gibney asked David Chase, upon hearing that Gandolfini had died (at age 51), were you surprised? Chase's one-word response was chilling: No.
My biggest complaint was that there was very little of Junior, and absolutely no Dominic Chianese. I would have also liked to have seen Steve Schirripa, John Ventimiglia, Vince Curatola, Federico Castelluccio, Max Casella, Joe Pantoliano, Steve Buscemi, Ray Abbruzzo, David Proval, Aida Turturro and Sharon Angela. Also, a brief 'In Memorium' of all the actors who have passed.
And then the ending...!!
Setting it in Melfi's old office set was a master stroke. The audition clips were fantastic; especially watching other actors read the lines that would become so iconic and so identified with the actors who eventually played those characters.
We got some real behind-the-scenes insight into the enigmatic James Gandolfini. When the director, Alex Gibney asked David Chase, upon hearing that Gandolfini had died (at age 51), were you surprised? Chase's one-word response was chilling: No.
My biggest complaint was that there was very little of Junior, and absolutely no Dominic Chianese. I would have also liked to have seen Steve Schirripa, John Ventimiglia, Vince Curatola, Federico Castelluccio, Max Casella, Joe Pantoliano, Steve Buscemi, Ray Abbruzzo, David Proval, Aida Turturro and Sharon Angela. Also, a brief 'In Memorium' of all the actors who have passed.
And then the ending...!!
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- Wise Guy: Los Soprano por David Chase
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- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 2h 40min(160 min)
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