Un uomo gay fa un patto con la sua amica lesbica: un matrimonio con carta verde per lui, in cambio di trattamenti di fecondazione in vitro per lei. I piani si evolvono quando la nonna di Min... Leggi tuttoUn uomo gay fa un patto con la sua amica lesbica: un matrimonio con carta verde per lui, in cambio di trattamenti di fecondazione in vitro per lei. I piani si evolvono quando la nonna di Min li sorprende con un banchetto nuziale coreano.Un uomo gay fa un patto con la sua amica lesbica: un matrimonio con carta verde per lui, in cambio di trattamenti di fecondazione in vitro per lei. I piani si evolvono quando la nonna di Min li sorprende con un banchetto nuziale coreano.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 5 candidature totali
Jeffrey Liang
- Lady Shu Mai
- (as Jeffrey Liang 'Miss Shu Mai')
Françoise Yip
- Susan
- (as Francoise Yip)
Recensioni in evidenza
Very surprised by all the positive reviews (both critics and movie-goers) of The Wedding Banquet.
My partner and I were very much looking forward to it - but were seriously disappointed.
Various reviewers described the film as hilarious, charming, heartwarming.
We did not see that movie.
It was like spending time - too much time - with neighbors who mostly converse in therapy-speak platitudes, irony-speak chatter and in the case of one of the characters, complain incessantly about their mother.
In addition to the annoying therapy-speak dialogue, the characters were not so interesting in our opinion. Angela's character (Kelly Marie Tran) was especially churlish and unappealing - it was impossible to see why Lee (Lily Gladstone) would have been in a relationship with Angela. For different reasons, it was difficult to see why Chris and Min were together.
The few interesting and thoughtful parts of the movie, in our opinion, were the scenes of Min and his grandmother.
I recall admiring the original Wedding Banquet - will watch it again to see.
My partner and I were very much looking forward to it - but were seriously disappointed.
Various reviewers described the film as hilarious, charming, heartwarming.
We did not see that movie.
It was like spending time - too much time - with neighbors who mostly converse in therapy-speak platitudes, irony-speak chatter and in the case of one of the characters, complain incessantly about their mother.
In addition to the annoying therapy-speak dialogue, the characters were not so interesting in our opinion. Angela's character (Kelly Marie Tran) was especially churlish and unappealing - it was impossible to see why Lee (Lily Gladstone) would have been in a relationship with Angela. For different reasons, it was difficult to see why Chris and Min were together.
The few interesting and thoughtful parts of the movie, in our opinion, were the scenes of Min and his grandmother.
I recall admiring the original Wedding Banquet - will watch it again to see.
I was very much looking forward to this movie and I was not disappointed I was ready to give it seven stars after only watching the first 40 minutes and in my opinion the trailer , as is often the case, would not give one a fair idea of what the true nature of it is. Sure there's plenty of comedy, but it is really a character study of the difficulties encountered in human relationships and it does that with genuine portrayals of those relationships , couples and parent / offspring, the out in the open and the repressed. The acting and story is gripping and I think you will find yourself totally immersed in them and as unlikely as some of the events may seem, the film never struggles in getting them across, comedy , yes but it deals much more with emotions and there are so many satisfying scenes where that is the primary subject.
Seven point nine stars, script acting throughout, not one person outshines the other and equal weight is given to all of them IE well written, I loved it.
Seven point nine stars, script acting throughout, not one person outshines the other and equal weight is given to all of them IE well written, I loved it.
Watched at the 2025 Sundance Film Festival.
I wasn't sure how a remake would work with And Lee's classic queer romantic comedy but color me surprise, the remake does a pretty good job on being creative from it's source material with new energy, humor, and atmosphere. Andrew Ahn is a director I have been keeping up with as his work Spa Night, Driveways and Fire Island have been pretty great and emotional engaging to observe. Here, Ahn's direction on the atmosphere, dialogue, and the character dynamics are pretty good. Being able to capture the emotions, hilarious dynamics, and some of the oddity and funny moments in both heartwarming and somewhat chaotic ways.
With a good presentation, all of the performances are great as many of the cast members are able to provide fun energy, personality and purpose to their characters. Bowen Yang particular stands out at his best. Narrative-wise, I do appreciate some new themes they were able to explore but there are some moments that felt a little uninspired with the concepts and dynamics that Ahn explores. Including how the production feels almost too fake like something from Netflix and some of the structure feels a little strange, which does make some moments a bit distracting and dragging a bit.
But overall, I didn't expect much for this remake but it was surprisingly not too bad and it went beyond the expectations.
I wasn't sure how a remake would work with And Lee's classic queer romantic comedy but color me surprise, the remake does a pretty good job on being creative from it's source material with new energy, humor, and atmosphere. Andrew Ahn is a director I have been keeping up with as his work Spa Night, Driveways and Fire Island have been pretty great and emotional engaging to observe. Here, Ahn's direction on the atmosphere, dialogue, and the character dynamics are pretty good. Being able to capture the emotions, hilarious dynamics, and some of the oddity and funny moments in both heartwarming and somewhat chaotic ways.
With a good presentation, all of the performances are great as many of the cast members are able to provide fun energy, personality and purpose to their characters. Bowen Yang particular stands out at his best. Narrative-wise, I do appreciate some new themes they were able to explore but there are some moments that felt a little uninspired with the concepts and dynamics that Ahn explores. Including how the production feels almost too fake like something from Netflix and some of the structure feels a little strange, which does make some moments a bit distracting and dragging a bit.
But overall, I didn't expect much for this remake but it was surprisingly not too bad and it went beyond the expectations.
I had all but forgotten about the original 1993 movie until after I saw this one, and watching them back to back really makes you appreciate a brilliant filmmaker like Ang Lee that comes but once in a generation.
Without comparing it to the OG, my initial thought of this remake was that I wouldn't have lasted 20 minutes if it weren't created for audiences like me (millennial, Chinese, green card, marriage, IVF). It has the premise of a romcom but without the comedy, the design of an indie drama without the raw emotional punch except in a few places, and all the insufferable qualities of contemporary mainstream filmmaking.
After watching the original, my main complaint of this film is now...there's no banquet! The OG was brimming with culture, a true banquet made to dazzle, literally and figuratively. It appears filmmaking, like banquets, has become a lost art.
Without comparing it to the OG, my initial thought of this remake was that I wouldn't have lasted 20 minutes if it weren't created for audiences like me (millennial, Chinese, green card, marriage, IVF). It has the premise of a romcom but without the comedy, the design of an indie drama without the raw emotional punch except in a few places, and all the insufferable qualities of contemporary mainstream filmmaking.
After watching the original, my main complaint of this film is now...there's no banquet! The OG was brimming with culture, a true banquet made to dazzle, literally and figuratively. It appears filmmaking, like banquets, has become a lost art.
This movie disappoints in so many ways. The fact that this was called a remake, was a terrible idea. This should have not even been called that and should have just been a new movie altogether.
The trailer makes this movie seem like its a well paced comedy that is similar to the first movie, but it's pacing is slow and boring. Like the farewell, it's more heavy than light. Joan Chen, who isn't even a comic, was the funniest of all the other actors in the movie, but the was few and far between. Joan Chen, was excellent.
It's an OK movie, but definitely, not a true comedy and not a remake.
If they were the set the expectations of this movie the right way, it would have been easier to watch.
The trailer makes this movie seem like its a well paced comedy that is similar to the first movie, but it's pacing is slow and boring. Like the farewell, it's more heavy than light. Joan Chen, who isn't even a comic, was the funniest of all the other actors in the movie, but the was few and far between. Joan Chen, was excellent.
It's an OK movie, but definitely, not a true comedy and not a remake.
If they were the set the expectations of this movie the right way, it would have been easier to watch.
Lo sapevi?
- QuizRemake of Ang Lee's 1993 original.
- Citazioni
Angela Chen: Everything in this house is gay!
- ConnessioniReferences Il mago di Oz (1939)
- Colonne sonoreYoung Hearts Run Free (2023 Edit)
Written by Dave Crawford (as David Bernard Crawford)
Performed by Candi Staton & Benji La Vida
Courtesy of Warner Records Inc./Rhino Entertainment Company
By arrangement with Warner Music Group Film & TV Licensing
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Botteghino
- Lordo Stati Uniti e Canada
- 2.090.228 USD
- Fine settimana di apertura Stati Uniti e Canada
- 918.598 USD
- 20 apr 2025
- Lordo in tutto il mondo
- 2.407.585 USD
- Tempo di esecuzione1 ora 43 minuti
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