Faye

Faye Dunaway is a true movie star. I thought that when she exploded onscreen in "Bonnie and Clyde" in 1967, and still think that now 57 years later at age 83. Director Laurent Bouzereau covers both ends of her career spectrum and makes a valid attempt to uncover Dunaway's austere persona and explore the person underneath in this 2024 documentary. The problem though is that he doesn't do enough to counterbalance the personal revelations with her impressive career accomplishments, at least in ways that help us understand how she achieved such legendary work beyond a generalized level of commitment. For instance, it would've been good to hear Dunaway's side of Bette Davis' vitriolic comment about her on The Tonight Show rather than showing it as evidence of her difficult reputation. Instead we get clips that illustrate anecdotes about the filming process behind a classic like "Chinatown" (my favorite of her performances): a stray hair plucked by director Roman Polanski, the classic revelation scene with costar Jack Nicholson. The contrasting remembrances of her castmates on "Mommie Dearest" best illustrate the extreme opinions on Dunaway's uncompromising approach to character. The personal revelations are plentiful though sometimes cursory: her bipolar disorder and alcoholism (which explains several infamous episodes), the secrecy of her son Liam's adoption, various high-profile relationships with the likes of Marcello Mastroianni. Her cosmetic surgeries are unsurprisingly not mentioned, but the changes in her appearance are hard to ignore. Bouzereau illustrates that Dunaway was overdue for a bio documentary. I think an extra half-hour focused on her work beyond the film's ninety-minute running time would've improved it substantially.

As someone who was born a few years shy of the 80's, my first encounter with Faye was, of course when she played Joan Crawford. My older sister and I would and still all these years later recite lines from that movie. I wasn't sure what to expect going into this documentary given what I had heard of Faye. I am truly enamored with her. What a wonderfully strong and courageous woman, friend and mother. She is legendary & I'm so thrilled that she is telling her story & speaking of her life then & now. Talent doesn't even begin to scratch the surface! Faye deserves all the respect and recognition! Brava!

A recent MAX documentary on the ever glamorous, ever cantankerous leading lady Faye Dunaway. Tracing her humble beginnings as a theater actress from the South, she soon found her way to film, being part of director Elia Kazan's acting troupe also helped, where not only did she have the acting chops but the drop-dead beauty as well which served her well during the late 60's w/output like The Thomas Crown Affair & Bonnie & Clyde. The 70's were arguably hers as she continued to nab high profile roles which would culminate in her Oscar win for Network in 1976. On the personal front she could not have a child of her own so her son, Liam, he being adopted, was welcomed w/open arms (his constant presence by her side at public functions illustrates their closeness) & her admitting her bi-polar status also humanized the actress who tended to be demonized as difficult. W/the usual talking heads of past co-stars (Mickey Rourke who worked on Barfly w/her) & ardent admirers like Sharon Stone make director Laurent Bouzereau's effort (Laurent has been a fixture in Hollywood's behind the scenes for years since I remember listening to his commentary on Criterion's edition of Carrie on laserdisc (!)) an easy one to document as long as Faye gets her water in a glass.

Faye Dunaway was one of the undeniable doyennes of New Hollywood, starring in some of the most important movies of the era: "Bonnie and Clyde", "Little Big Man", "Chinatown", etc. So why does she often get called things like "a pain to work with" or treated as a less-than-serious actress?

Laurent Bouzereau's "Faye" focuses on Dunaway from her childhood to the present. For the movies, it mainly focuses on a couple of movies - i.e. Her Oscar-winning role in "Network" - and how "Mommie Dearest" simply came out at the wrong point in history, leading people to scorn Dunaway as a joke.

As for Dunaway's reputation for being temperamental, it turns out that's the result of bipolar disorder. Her son mentions that he can tell whether or not she's taken her prescribed medications.

The point is that one gets to know not only this fine actress, but some of the history of cinema. In addition to Dunaway herself, it features interviews with her fans and colleagues, and some journalists. Definitely see it.

This is a slapdash, disingenuous, occasionally weird and ultimately unsatisfying portrait of Faye Dunaway. It is also, quite conspicuously, a partisan attempt to rehabilitate her reputation, which has suffered more than a few blows over the years. But if you're going to include that clip of Bette Davis telling Johnny Carson that Faye is the only actor in Hollywood she'd never work with again, then you really need to properly address the accusations of divadom at a monster level, to which this doco only fleetingly alludes. Faye's cover-all response to stories about her being difficult is that - news flash - she's bi-polar. Since this has never been mentioned before, it would seem to be a very late-life diagnosis, and Faye is curiously vague on the details. Nevertheless, she deploys being bi-polar like a get-out-of-jail-free card, as a means of not addressing or dismissing all those allegations of being difficult, unprofessional, unreasonable and infuriating. But since it's that behaviour that pretty much de-railed her career, this just leaves a giant hole in the story of her life. For this film to really change perceptions about Dunaway, it needed to delve deeper and demand a bit more of Faye. Okay, so she behaved badly because she was off-kilter; but how does she feel about that - about the consequences for her, and about the impact it had on others? It also has to be said that it's a strange and motley selection of friends and colleagues who have been curated to talk on Faye's behalf. There's Rutanya Alda, who has previously dished for anyone who asked about Faye in diva mode on Mommie Dearest. There's the always annoying Columbia film professor Annette Insdorf, who is as emphatic as she is vacuous. There are a few actors and studio execs you've never heard of. And Sharon Stone, who at least has some insight into what happens to actresses in Hollywood beyond 40. Other than Sharon, there's not much in the way of insight and illumination. At best, Faye is a reminder of what a magnetic and compelling actor Dunaway was in her prime. But the picture quickly goes blurry once we get into the What-happened-Faye? Years, post Network. In the end, we can only hope some future documentarian dares to tackle The Legend of Faye Dunaway with a clearer vision and significantly more guts.