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Faye Dunaway riflette sulla sua vita e discute candidamente dei trionfi e delle sfide della sua illustre carriera.Faye Dunaway riflette sulla sua vita e discute candidamente dei trionfi e delle sfide della sua illustre carriera.Faye Dunaway riflette sulla sua vita e discute candidamente dei trionfi e delle sfide della sua illustre carriera.
- Premi
- 2 candidature totali
Liam O'Neill
- Self - Son of Faye and Terry O'Neill
- (as Liam Dunaway O'Neill)
Dave Itzkoff
- Self - Author: 'Mad as Hell'
- (as David Itzkoff)
Recensioni in evidenza
A recent MAX documentary on the ever glamorous, ever cantankerous leading lady Faye Dunaway. Tracing her humble beginnings as a theater actress from the South, she soon found her way to film, being part of director Elia Kazan's acting troupe also helped, where not only did she have the acting chops but the drop-dead beauty as well which served her well during the late 60's w/output like The Thomas Crown Affair & Bonnie & Clyde. The 70's were arguably hers as she continued to nab high profile roles which would culminate in her Oscar win for Network in 1976. On the personal front she could not have a child of her own so her son, Liam, he being adopted, was welcomed w/open arms (his constant presence by her side at public functions illustrates their closeness) & her admitting her bi-polar status also humanized the actress who tended to be demonized as difficult. W/the usual talking heads of past co-stars (Mickey Rourke who worked on Barfly w/her) & ardent admirers like Sharon Stone make director Laurent Bouzereau's effort (Laurent has been a fixture in Hollywood's behind the scenes for years since I remember listening to his commentary on Criterion's edition of Carrie on laserdisc (!)) an easy one to document as long as Faye gets her water in a glass.
Faye Dunaway was one of the undeniable doyennes of New Hollywood, starring in some of the most important movies of the era: "Bonnie and Clyde", "Little Big Man", "Chinatown", etc. So why does she often get called things like "a pain to work with" or treated as a less-than-serious actress?
Laurent Bouzereau's "Faye" focuses on Dunaway from her childhood to the present. For the movies, it mainly focuses on a couple of movies - i.e. Her Oscar-winning role in "Network" - and how "Mommie Dearest" simply came out at the wrong point in history, leading people to scorn Dunaway as a joke.
As for Dunaway's reputation for being temperamental, it turns out that's the result of bipolar disorder. Her son mentions that he can tell whether or not she's taken her prescribed medications.
The point is that one gets to know not only this fine actress, but some of the history of cinema. In addition to Dunaway herself, it features interviews with her fans and colleagues, and some journalists. Definitely see it.
Laurent Bouzereau's "Faye" focuses on Dunaway from her childhood to the present. For the movies, it mainly focuses on a couple of movies - i.e. Her Oscar-winning role in "Network" - and how "Mommie Dearest" simply came out at the wrong point in history, leading people to scorn Dunaway as a joke.
As for Dunaway's reputation for being temperamental, it turns out that's the result of bipolar disorder. Her son mentions that he can tell whether or not she's taken her prescribed medications.
The point is that one gets to know not only this fine actress, but some of the history of cinema. In addition to Dunaway herself, it features interviews with her fans and colleagues, and some journalists. Definitely see it.
This is a slapdash, disingenuous, occasionally weird and ultimately unsatisfying portrait of Faye Dunaway. It is also, quite conspicuously, a partisan attempt to rehabilitate her reputation, which has suffered more than a few blows over the years. But if you're going to include that clip of Bette Davis telling Johnny Carson that Faye is the only actor in Hollywood she'd never work with again, then you really need to properly address the accusations of divadom at a monster level, to which this doco only fleetingly alludes. Faye's cover-all response to stories about her being difficult is that - news flash - she's bi-polar. Since this has never been mentioned before, it would seem to be a very late-life diagnosis, and Faye is curiously vague on the details. Nevertheless, she deploys being bi-polar like a get-out-of-jail-free card, as a means of not addressing or dismissing all those allegations of being difficult, unprofessional, unreasonable and infuriating. But since it's that behaviour that pretty much de-railed her career, this just leaves a giant hole in the story of her life. For this film to really change perceptions about Dunaway, it needed to delve deeper and demand a bit more of Faye. Okay, so she behaved badly because she was off-kilter; but how does she feel about that - about the consequences for her, and about the impact it had on others? It also has to be said that it's a strange and motley selection of friends and colleagues who have been curated to talk on Faye's behalf. There's Rutanya Alda, who has previously dished for anyone who asked about Faye in diva mode on Mommie Dearest. There's the always annoying Columbia film professor Annette Insdorf, who is as emphatic as she is vacuous. There are a few actors and studio execs you've never heard of. And Sharon Stone, who at least has some insight into what happens to actresses in Hollywood beyond 40. Other than Sharon, there's not much in the way of insight and illumination. At best, Faye is a reminder of what a magnetic and compelling actor Dunaway was in her prime. But the picture quickly goes blurry once we get into the What-happened-Faye? Years, post Network. In the end, we can only hope some future documentarian dares to tackle The Legend of Faye Dunaway with a clearer vision and significantly more guts.
Faye Dunaway was one of my favorite actresses she always played each role in such a classy and elegant and very sexy way. This "HBO" doc called just plain "Faye" is a treat and delight for any of her fans, as Dunaway is interviewed and she reflects on her life and Florida upbringing till her journey thru stage into the studios, as she becomes a fine actress. The footage is vintage and it brings back memories for all film buffs and fans of Faye, as during the 70's she was the queen of the big screen. Certainly her highs were "Bonnie and Clyde", "Chinatown", and "Network" and Dunaway talks very frank about the good times of stardom. Yet the bad times were mentioned like her over the top choices when she did "Mommie Dearest", it proves that an acting life is not easy. On the revealing side of life is hearing from Faye's son Liam it was touching and memorable as they go thru old family photos. Along the way though Dunaway's life was no bed of roses as she dealt with mental health issues. Still thru it all this doc proves that pain and the ups and downs was what made Faye so super good and great, a must watch for any old film fan.
"Faye" is a 2024 documentary film that delves into the life and career of legendary actress Faye Dunaway.
"Faye" is a compelling and insightful documentary that offers a unique perspective on the life of a Hollywood icon. It's a must-watch for fans of Dunaway and anyone interested in the history of cinema.
If you're a fan of:
Film documentaries Hollywood history Faye Dunaway's films Stories about overcoming adversity You're likely to enjoy "Faye."
"Faye" has garnered generally positive reviews, with critics praising Dunaway's honesty and the film's insightful exploration of her life and career.
"Faye" is a compelling and insightful documentary that offers a unique perspective on the life of a Hollywood icon. It's a must-watch for fans of Dunaway and anyone interested in the history of cinema.
If you're a fan of:
Film documentaries Hollywood history Faye Dunaway's films Stories about overcoming adversity You're likely to enjoy "Faye."
"Faye" has garnered generally positive reviews, with critics praising Dunaway's honesty and the film's insightful exploration of her life and career.
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- Citazioni
Self - Director, Network: I had said to Faye, when I first met her, "I know what the first question is gonna be from you
[about her character in]
Self - Director, Network: [link=tt0074958] ] , and that you're gonna ask me, where is her vulnerability? And I'm gonna tell you right now, she has none. And if you try to get any in
[laughs]
Self - Director, Network: , I'll cut it out of the movie."
- ConnessioniFeatures Un tram che si chiama Desiderio (1951)
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