Aggiungi una trama nella tua linguaThree friends who are behind bars after a failed robbery, in their attempt to escape from prison, end up in a film financed by a wealthy Saudi magnate about the story of his family, which is... Leggi tuttoThree friends who are behind bars after a failed robbery, in their attempt to escape from prison, end up in a film financed by a wealthy Saudi magnate about the story of his family, which is set in the same places where they tried to rob.Three friends who are behind bars after a failed robbery, in their attempt to escape from prison, end up in a film financed by a wealthy Saudi magnate about the story of his family, which is set in the same places where they tried to rob.
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Without a doubt, Telfaz is one of the greatest film producers.
What I noticed about Al-Zarfa, despite my keenness to understand that it's a comedy, is its lack of originality. For example, the music (they used the theme song from the TV series Prison Break, although creating something unique for the film would have made it a smash hit, even after a while) The use of common sounds, such as the recording of a child police officer! This is the scene I saw the most, and I said, "What's wrong with that?!" I have no comment on it.
The appearance of famous characters was a great idea, but the scenario for featuring them wasn't successful. It could have been better.
In my opinion, the work was subjected to obstacles that forced the producers to try to smooth out the scene.
The appearance of new actors is a successful step in its place, but the actor remains a prisoner of the director's artistic vision.
We look forward to more amazing works in the future. All the best 🙏
What I noticed about Al-Zarfa, despite my keenness to understand that it's a comedy, is its lack of originality. For example, the music (they used the theme song from the TV series Prison Break, although creating something unique for the film would have made it a smash hit, even after a while) The use of common sounds, such as the recording of a child police officer! This is the scene I saw the most, and I said, "What's wrong with that?!" I have no comment on it.
The appearance of famous characters was a great idea, but the scenario for featuring them wasn't successful. It could have been better.
In my opinion, the work was subjected to obstacles that forced the producers to try to smooth out the scene.
The appearance of new actors is a successful step in its place, but the actor remains a prisoner of the director's artistic vision.
We look forward to more amazing works in the future. All the best 🙏
The movie is bad in terms of the idea and dialogue. It has no goal and I didn't understand what he meant exactly!! It was just famous characters that were gathered and filmed without a clear scenario. I really regretted the price of the ticket and the time I spent waiting for this movie and watching it. I wished I had seen another movie and not seen this shameful work that does not live up to the taste of the Arab viewer.
To be fair, the scenes with the actor Arouj were the best I found in this film. The man has a popular and simple charisma that any viewer can accept.
I hope the production company learns from their mistakes in the future and produces films worth watching and works harder in writing them.
To be fair, the scenes with the actor Arouj were the best I found in this film. The man has a popular and simple charisma that any viewer can accept.
I hope the production company learns from their mistakes in the future and produces films worth watching and works harder in writing them.
This is how Telfaz11 think now: "what does the market want to see? Hmmm let's do a checklist:
1- Famous ppl: ok we get cheap tiktok influencers to cutdown marketing budget
2- Familiar genre: Ok Saudis love Prison Break let's have a story there.
3- White Guest star: hmm.. any Prison Break star we can afford? Tbag? Ok let's do that.
Oh wait! Telfazz11 producer/actor Ibrahim wants to be in this, and have a showdown with Robert Knepper at the end even if it is irrelevant and ruins the story? GREAT! Let's do it!"
Only when they stop pathetically care about what the audience want, and focus on good stories will they succeed. Otherwise, their films will be easily forgotten.
3- White Guest star: hmm.. any Prison Break star we can afford? Tbag? Ok let's do that.
Oh wait! Telfazz11 producer/actor Ibrahim wants to be in this, and have a showdown with Robert Knepper at the end even if it is irrelevant and ruins the story? GREAT! Let's do it!"
Only when they stop pathetically care about what the audience want, and focus on good stories will they succeed. Otherwise, their films will be easily forgotten.
I watched it cause i was bored and my brothers chose it. Its so boring i wish i stayed home and slept it felt like watching a youtube video no plot whatsoever yet a lot is happening its an hour and 50 minutes but felt like four hours. What a waste of time the actors were so awkward the jokes were repetitive.
I genuinely don't know what I did to deserve the experience that is Al Zarfa. Maybe I wronged someone in a past life? Maybe the universe simply hates me? Because there is NO other explanation for how this movie - if we can even call it that - managed to crawl its way onto a screen in front of me.
The plot? Nonexistent. The acting? I've seen more emotion from a bag of cement. The "zarfa" itself? What even IS that? A discount giraffe? A CGI monstrosity? A poorly made plush toy possessed by the spirit of bad filmmaking? I still have nightmares.
Every scene feels like it was shot in one take, with a director who was either asleep or actively trying to sabotage the project. The dialogue? I've heard more realistic conversations in automated phone menus. And don't get me started on the editing - jump cuts, awkward pauses, random zoom-ins - it's as if the editor spilled coffee on the keyboard and just rolled with the chaos.
Watching Al Zarfa felt like an endurance test. By the 30-minute mark, I was rooting for the zarfa to go full monster mode and just end it all - for the characters, for me, for everyone involved.
In short, this movie shouldn't just be avoided - it should be locked in a vault, buried deep underground, and never spoken of again. If you're considering watching Al Zarfa, do yourself a favor: stare at a wall for two hours instead. It'll be a more fulfilling, coherent, and entertaining experience.
The plot? Nonexistent. The acting? I've seen more emotion from a bag of cement. The "zarfa" itself? What even IS that? A discount giraffe? A CGI monstrosity? A poorly made plush toy possessed by the spirit of bad filmmaking? I still have nightmares.
Every scene feels like it was shot in one take, with a director who was either asleep or actively trying to sabotage the project. The dialogue? I've heard more realistic conversations in automated phone menus. And don't get me started on the editing - jump cuts, awkward pauses, random zoom-ins - it's as if the editor spilled coffee on the keyboard and just rolled with the chaos.
Watching Al Zarfa felt like an endurance test. By the 30-minute mark, I was rooting for the zarfa to go full monster mode and just end it all - for the characters, for me, for everyone involved.
In short, this movie shouldn't just be avoided - it should be locked in a vault, buried deep underground, and never spoken of again. If you're considering watching Al Zarfa, do yourself a favor: stare at a wall for two hours instead. It'll be a more fulfilling, coherent, and entertaining experience.
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 183.614 USD
- Tempo di esecuzione
- 1h 30min(90 min)
- Colore
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