Watchmen: Chapter II

Alright, let me just say it upfront: Watchmen Chapter 2 kicks ass.

If you thought Chapter 1 set the tone, this one punches you in the face with it and then makes you ask for more. The direction? Flawless. It's dark, intense, unapologetic, and every frame feels like it's ripped right out of the comic and soaked in blood and cigarette smoke.

Let's talk about what works:

Direction - 10/10

The directors clearly know what they're doing. The mood, the pacing, the way scenes unfold-there's a sense of control here. You can feel the tension ramp up even in the quiet moments. No scene overstays its welcome, and the big moments hit hard. They didn't just adapt a comic-they translated it, with all the grit and grime intact.

Voice Acting - 10/10

Spot-on. Every voice matches the character like it's their soul speaking. Rorschach sounds exactly like he should-paranoid, broken, and dangerous. Dan's got that lovable sad sack energy. Laurie? Strong and conflicted. And Sally... yeah, we'll get to Sally. Point is: the voice team nailed the emotional beats. No wooden delivery, no cringe-just good acting.

Animation - 9.5/10

Absolutely gorgeous. This isn't Saturday morning cartoon crap-this is high-end, stylized violence and drama. The fight scenes are brutal and clean, the facial expressions are nuanced, and the lighting is pure noir porn. Every scene feels like it belongs on a giant screen in a dark room with a glass of whiskey.

Sound - 8.5/10

Solid. The score underlines the emotional weight without overdoing it, and the effects during action scenes are crisp and punchy. Sometimes the music swells a bit much, but honestly? It's forgivable.

Editing - 8/10

Clean, sharp, gets the job done. Transitions are smooth, especially when jumping between timelines or memories. Could it be tighter in a couple of scenes? Maybe. But nothing that pulls you out of the experience.

And now, Sally Jupiter...

Jesus Christ. I don't know who decided to make Sally the goddess of seduction in this one, but they deserve a raise and a bottle of champagne. She's magnetic every time she's on screen. The animators really leaned into her presence-every glance, every strut, every camera movement around her feels intentional. You can feel the room stop when she walks in. The way they framed her, especially during the flashback scenes, is pure cinema. She's not just eye candy-she's the whole damn dessert tray.

And yeah, let's be honest: the butt shots? Yeah, they're there. Tastefully framed, but not shy either. It's provocative without being sleazy. She owns her sexuality in a way that feels both empowering and thematically relevant, especially given her role in the Minutemen and her complicated legacy. Beautifully done.

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Final Thoughts:

If you're a fan of the original Watchmen or even just good adult animation, you owe it to yourself to watch this. It's raw, visually stunning, and filled with layered performances and storytelling that actually respects your intelligence. It's not just a nostalgia trip-it's a real adaptation that understands the soul of the source.

Also... more Sally, please.

8/10. Would watch again. With whiskey.

I'm happy to report that "Watchmen: Chapter II" is just as good as the original.

I love the gritty, real-world feel of the animation: really atmospheric in a feature that contains a lot of brutal violence.

For the final DC Animated Universe movie ever - or so they say - they really went all out, getting Titus Welliver, Matthew Rhys and Katee Sackhoff amongst others to lend their talents to bring a good script and story to life.

The whole cast was great, but Welliver (of "Bosch" fame) deserves special mention for his turn as Rorscach.

If this is indeed the last DC animated feature, they definitely went out on a high.

Plot: From start we see what was left off vague in 1st film, Rorshach caught in prison & war is closely looming in horizon. Everything is connected it needs to be solve before everything turns into Ruin & chaos

Presentation: visual & color effects looks better than last one. But, retro movement remained same, 2nd part does a fantastic job and continues the story from part 1. Also, tries to invest interacted journey of its characters.

Ations: The violence, fights shown this time is little bloody & exciting but sequence were styled poorly which didnt make justice. Again dialogue doesn't help or adds much it's redundant & unneeded.

Direction: From middle to end some metarials felt weak, rushed & poorly executed. This could've more detailed with logically & necessarily. And, main villains Personal motivation, complexity or tragedy dynamics felt off or outshined

Acting: Rorschach, origin, personal struggle, emotional fallout & moral code was very interesting & worth seeing. This time nightowl & silk spectre took the lead voicing performance & brings stronger role than previous

Overall: Watchmen is very deep & consuming story about personal and social responsibility & morality. Whether you like this or 2009s its up to you. But, ending of 2nd part was nor very good. Reason of one major character death. Other than that I've no issues.

First of all part one was good but nothing groundbreaking..I went into this hopeful of something slightly better and they really impressed me.

The use of sound and score is one of the best I've heard any movie use. It is excellent. There's a real sense of dread and impending doom and it's built over the 90 mins perfectly.

The animation and sets are incredible but when it's bad it really stands out. I felt there was maybe a few scenes it looked out of place or cheap but that was less than a few mins total(one example John on balcony on mars)

Voice acting can't get much better either. Titus welliver as Rorschach. Rory Baker as Ozzy. Sally and the narrator also put in top tier performances..

Great fight scenes coupled with lots of blood.and gore

Sit down and enjoy this 90 minute adaptation of a classic that I don't think anyone else has delivered.

The animated Watchmen movies are the epitome of "let's just get it done". They're doing Alan Moore's Watchmen -- just about.

Nothing is egregiously erroneous here (no needless modifications to the plot; no misunderstandings of the characters vis-a-vis how "cool" we're supposed to think they are; none of Snyder's blunders, basically). It's just that everything is rushed through, the voice actors just sort of read the lines, and the cel-shaded animation, while it sometimes resembles Dave Gibbons' art to a T, is so stiff that it makes me miss the presentation of the Snyder film.

And that's mainly with regard to the characters; the backgrounds are often downright terrible (more noticeably so in this film than I can recall in Chapter I). There are moments where the CGI landscapes and models look more like something from Myst than Watchmen.

The MO of these movies is encapsulated in the scene where Dan "Nite Owl II" Dreiberg learns of the original Nite Owl, Hollis Mason's death at the hands of the knot-top gang; we here expect the scene where he has a moment of weakness and beats up a random knot-top in a way that would've previously seemed more befitting of Rorschach.

But when Rorschach says the line that is meant to lead into that sequence, Dreiberg replies "We don't have time". And so the scene is skipped. If only there was a way to experience this story in a way where, much like in the eyes of the mighty Dr. Manhattan, time is no issue.