VALUTAZIONE IMDb
5,0/10
5762
LA TUA VALUTAZIONE
In mezzo all'orrore sociale africano, l'amore tra due volontari svanisce e rinasce di nuovo.In mezzo all'orrore sociale africano, l'amore tra due volontari svanisce e rinasce di nuovo.In mezzo all'orrore sociale africano, l'amore tra due volontari svanisce e rinasce di nuovo.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Hopper Penn
- Billy Boggs
- (as Hopper Jack Penn)
Tinarie van Wyk Loots
- UN Staffer
- (as Tinarie van Wyk-Loots)
Recensioni in evidenza
Very deep and meaningful story about the shocking things that are still are happening today, while this film has a very cool cinematic look and great acting it becomes very slow and about 30 minutes to long, the ending is good with a little twist which could easily be missed so pay attention.
This film tells the story of a female doctor who goes to Africa for a humanitarian mission. She witnesses many horrors on both a personal and transpersonal level.
"The Last Face" starts off strong by depicting an African community that is savaged by war. The humanitarian workers do what they can with limited resources, amid dangers around them. This transpersonal altruism is to be applauded. However, the film then descends into a Tesla romantic drama. I honestly don't care for their relationships. I actually know for a fact that romance is discouraged in these humanitarian projects, so the film loses credibility once romance is touched upon. What makes it worse is that there is this health scare in the middle of the story, and it is not followed up again. It is a pity, as a film about humanitarian missions could have been tear jerking.
"The Last Face" starts off strong by depicting an African community that is savaged by war. The humanitarian workers do what they can with limited resources, amid dangers around them. This transpersonal altruism is to be applauded. However, the film then descends into a Tesla romantic drama. I honestly don't care for their relationships. I actually know for a fact that romance is discouraged in these humanitarian projects, so the film loses credibility once romance is touched upon. What makes it worse is that there is this health scare in the middle of the story, and it is not followed up again. It is a pity, as a film about humanitarian missions could have been tear jerking.
Scanning through the reviews on this film was a reminder of just how much impact expectations have on you when you are not aware that you are projecting them. People complaining about the romantic element in the film or the violence are simply upset because they had expectations of what this should have been. Playing the writer and director when they are not.
All too often I come across negative reviews because they had different expectations instead of accepting what was presented in front of them as someone else's perspective, story or art. I find that you enjoy art (of any form) much more when you allow them to express it without projecting your expectations. Imagine standing in an art gallery and staring at a painting and then shouting to the room around you that you would not have used red but instead blue in this painting! How dare they do this! Projecting your expectations on someone or something else is a character defect. While you are allowed an opinion, there's a difference between having an opinion and disregarding someone else's vision because is not in-line with your expectations. Had you maintained an open-mind with no expectations, you might have experienced something completely different. This also translates to life and how you interact with people. Keeping your side of the street clean, so to speak.
And to all the people using the phrase "white savior" and calling the film racist and the people who review it positively, racist, you are sad and pathetic. I understand what "white savior" is supposed to mean in context, but with that mentality, no film or TV show ever again, can have a Caucasian helping someone of color. This is a card that is played by the "woke" culture. Instead of viewing it as a human being helping another human being, you choose to see a white woman coming to the rescue. Who's the racist here? The people that are using these tactics need to grow up and expand their minds a bit.
As far as the movie, I'm not going to review it here. What I got from it really isn't that important. It's what you get from it that matters. I just wanted to voice my opinion regarding the people projecting their expectations in many of the comments not only on this film but across the internet. Not that it matters.
All too often I come across negative reviews because they had different expectations instead of accepting what was presented in front of them as someone else's perspective, story or art. I find that you enjoy art (of any form) much more when you allow them to express it without projecting your expectations. Imagine standing in an art gallery and staring at a painting and then shouting to the room around you that you would not have used red but instead blue in this painting! How dare they do this! Projecting your expectations on someone or something else is a character defect. While you are allowed an opinion, there's a difference between having an opinion and disregarding someone else's vision because is not in-line with your expectations. Had you maintained an open-mind with no expectations, you might have experienced something completely different. This also translates to life and how you interact with people. Keeping your side of the street clean, so to speak.
And to all the people using the phrase "white savior" and calling the film racist and the people who review it positively, racist, you are sad and pathetic. I understand what "white savior" is supposed to mean in context, but with that mentality, no film or TV show ever again, can have a Caucasian helping someone of color. This is a card that is played by the "woke" culture. Instead of viewing it as a human being helping another human being, you choose to see a white woman coming to the rescue. Who's the racist here? The people that are using these tactics need to grow up and expand their minds a bit.
As far as the movie, I'm not going to review it here. What I got from it really isn't that important. It's what you get from it that matters. I just wanted to voice my opinion regarding the people projecting their expectations in many of the comments not only on this film but across the internet. Not that it matters.
Great acting but jumps around a lot and was so hard to follow at times I got bored and gave up. Definitely deals with a tough, really unsettling topic so it's not for the faint of heart.
There have been many, many awful movies through the ages, all critiqued as such here at IMDB and by professional critics too -But none that I remember was critiqued with such vitriol and, dare I say hatred, as this one.
But it's not this movie that is bad... what's bad is for Americans and Europeans to switch to hateful anger against anything that shows them Africa for what we, westerners, have turned it into.
Sean Penn's The Last Face, with South African Charlize Theron and Spaniard Javier Bardem is no Lawrence of Arabia meets Ryan's Daughter on the Bridge on the River Kwai, hence the eight stars instead of ten. But it is an absolutely competently-made, perfectly convincing, realistic, well-staged, intuitively photographed, honest mirror upon which to gaze at mere snippets of what we have done in Africa -so that we may then break the mirror in denial, yelling bad direction and infantile script. No, sorry, this is a good movie, medium rare instead of well-done and, medium rare is always best when it comes to tasting the blood of something we've killed.
I am not surprised Theron gave such a great performance, as I hear she does care about the continent she's from and the issues there. It was great hearing her speak English, for once, with her real South African accent. Bardem brought the western Mediterranean vulnerable macho to the table. Excellent choice, both, for white-western Doctors in the African savage civil wars. What did surprise me was that an American actor like Sean Penn should have such a profound understanding of what Americans don't see and would have the directorial skill to be subtle about holding our heads to look at it whether we like it or not. Do Sean a favor and keep the volume on high so you can hear what they're whispering to each other at night, just so you can jump out of your seat at the first very loud burst of machine gun fire and explosives.
The love story did not look to me like a "movie prerequisite", unfitting to the subject matter. It felt completely natural and real, and the narration would have felt false without it: it was needed. Both doctors needed it in order to survive what they were witnessing on a daily basis for years. And it was honest. Sure, sure, the lines were not Shakespeare, but real people don't speak like poet laureates or award-winning script writers in real life.
Oh, and the atrocities were not overdone, or "refugee porn" like someone called it: The imagery and actions were still pretty tame and movie-rating accessible compared to what's really going on in Sierra Leone and South Sudan.
I recommend this as great movie to watch and I am wondering whether I should stop short of calling it an Important movie. Nope, I think it may well be an important one.
But it's not this movie that is bad... what's bad is for Americans and Europeans to switch to hateful anger against anything that shows them Africa for what we, westerners, have turned it into.
Sean Penn's The Last Face, with South African Charlize Theron and Spaniard Javier Bardem is no Lawrence of Arabia meets Ryan's Daughter on the Bridge on the River Kwai, hence the eight stars instead of ten. But it is an absolutely competently-made, perfectly convincing, realistic, well-staged, intuitively photographed, honest mirror upon which to gaze at mere snippets of what we have done in Africa -so that we may then break the mirror in denial, yelling bad direction and infantile script. No, sorry, this is a good movie, medium rare instead of well-done and, medium rare is always best when it comes to tasting the blood of something we've killed.
I am not surprised Theron gave such a great performance, as I hear she does care about the continent she's from and the issues there. It was great hearing her speak English, for once, with her real South African accent. Bardem brought the western Mediterranean vulnerable macho to the table. Excellent choice, both, for white-western Doctors in the African savage civil wars. What did surprise me was that an American actor like Sean Penn should have such a profound understanding of what Americans don't see and would have the directorial skill to be subtle about holding our heads to look at it whether we like it or not. Do Sean a favor and keep the volume on high so you can hear what they're whispering to each other at night, just so you can jump out of your seat at the first very loud burst of machine gun fire and explosives.
The love story did not look to me like a "movie prerequisite", unfitting to the subject matter. It felt completely natural and real, and the narration would have felt false without it: it was needed. Both doctors needed it in order to survive what they were witnessing on a daily basis for years. And it was honest. Sure, sure, the lines were not Shakespeare, but real people don't speak like poet laureates or award-winning script writers in real life.
Oh, and the atrocities were not overdone, or "refugee porn" like someone called it: The imagery and actions were still pretty tame and movie-rating accessible compared to what's really going on in Sierra Leone and South Sudan.
I recommend this as great movie to watch and I am wondering whether I should stop short of calling it an Important movie. Nope, I think it may well be an important one.
Lo sapevi?
- QuizThe film was a passion project for Robin Wright who tried to get it made in 2004. She was the one who brought on Javier Bardem and Sean Penn in various roles. After funding fell through, Wright abandoned the project. Penn resurrected the film after he and Wright divorced, deciding to take on directing duties, and casting his then girlfriend Charlize Theron in the role Wright had wanted to play.
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 1.161.751 USD
- Tempo di esecuzione
- 2h 10min(130 min)
- Colore
- Proporzioni
- 2.40 : 1
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