VALUTAZIONE IMDb
6,7/10
622
LA TUA VALUTAZIONE
L'instabile funzionamento interno della famiglia Clark, il percorso depravato di Hadden e le sue scioccanti confessioni a un compagno di cella spingono gli investigatori a sondare presunti c... Leggi tuttoL'instabile funzionamento interno della famiglia Clark, il percorso depravato di Hadden e le sue scioccanti confessioni a un compagno di cella spingono gli investigatori a sondare presunti collegamenti irrisolti.L'instabile funzionamento interno della famiglia Clark, il percorso depravato di Hadden e le sue scioccanti confessioni a un compagno di cella spingono gli investigatori a sondare presunti collegamenti irrisolti.
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FINALLY! Finally a different directing style for a true crime show.! I watch so many and so many are the same and same criminals with no new information. This is a serial killer who I was not familiar with and much deeper dive into the family of the criminal. Much deeper dive into the families hurt by this monster. A true description to the law enforcement behind it even if ugly truths of how they tried to find information. Obviously would not condone that behavior by law enforcement however they knew this man was a monster. Truly disgusting. Thank you again for a different and respectful and true story Michael Bay!!
Of all the goofball people to tell this story what in the world makes Bay believe he's the chosen one?
All we are missing here is some extraneous explosions and it definitely gives that 'Bay' feeling, and I mean that in the most profoundly ridiculous way. It's so disjointed, nonsensical, and incredibly obnoxious and I had hope, despite the incredibly obnoxious trailer, that this would be a meaningful story told in a thoughtful, intelligent manner, but yikes. I clung to hope through the first episode, despite the jumpy, shaken angles, despite portraying these LEOs like some sort of heroes/heroines, despite trying to eek out remote sympathies for the victims in the most insanely minuscule manner. But midway through the second episode that was the end.
I'm not sure what audience Bay thought he would appeal to, but given our very visceral reaction to this drivel, it absolutely does not feel like it was for anyone interested in the true crime genre, documentary genre or psychology genre.
What we witnessed was something like a grift, of sorts. Someone trying to capitalize on the genre(s) thinking he had a clearly better way to tell a provocative story but wound up with some weirdly macabre, morose and despicable portrayal.
The people you should feel empathy for are completely secondary, victims aren't important anyway, amirite? The family/friends seem oddly distant and more like a comic book rendition of what Bay told them to be (Hadden's brother wants so desperately to have so much attention and it's all we could do to keep from FF through his interviews) and then there are law enforcement. Good God almighty. The travesty these abominations perpetrated should be implicitly taught in academies as solid 'how-not-to-interrogate' material. That they pled him out to get the remains located tells you how well this nonsense worked and all four should have been immediately fired and barred from being in LEO ever again. But I'm sure they found employ until retirement, since God knows these idiots always fail upward. It was completely horrific to watch, and as grotesque as you think it could be, multiply that by 200.
What a waste, and the fact that this lunacy is drawn out for eight pointless episodes is the epitome of Bay's career- long past its shelf life and needs to be disposed of immediately. Stop funding these vapid vanity projects.
All we are missing here is some extraneous explosions and it definitely gives that 'Bay' feeling, and I mean that in the most profoundly ridiculous way. It's so disjointed, nonsensical, and incredibly obnoxious and I had hope, despite the incredibly obnoxious trailer, that this would be a meaningful story told in a thoughtful, intelligent manner, but yikes. I clung to hope through the first episode, despite the jumpy, shaken angles, despite portraying these LEOs like some sort of heroes/heroines, despite trying to eek out remote sympathies for the victims in the most insanely minuscule manner. But midway through the second episode that was the end.
I'm not sure what audience Bay thought he would appeal to, but given our very visceral reaction to this drivel, it absolutely does not feel like it was for anyone interested in the true crime genre, documentary genre or psychology genre.
What we witnessed was something like a grift, of sorts. Someone trying to capitalize on the genre(s) thinking he had a clearly better way to tell a provocative story but wound up with some weirdly macabre, morose and despicable portrayal.
The people you should feel empathy for are completely secondary, victims aren't important anyway, amirite? The family/friends seem oddly distant and more like a comic book rendition of what Bay told them to be (Hadden's brother wants so desperately to have so much attention and it's all we could do to keep from FF through his interviews) and then there are law enforcement. Good God almighty. The travesty these abominations perpetrated should be implicitly taught in academies as solid 'how-not-to-interrogate' material. That they pled him out to get the remains located tells you how well this nonsense worked and all four should have been immediately fired and barred from being in LEO ever again. But I'm sure they found employ until retirement, since God knows these idiots always fail upward. It was completely horrific to watch, and as grotesque as you think it could be, multiply that by 200.
What a waste, and the fact that this lunacy is drawn out for eight pointless episodes is the epitome of Bay's career- long past its shelf life and needs to be disposed of immediately. Stop funding these vapid vanity projects.
Michael Bay's new serial killer show falls short in nearly every aspect. Despite high production values and flashy visuals, it struggles with a lackluster plot and one-dimensional characters. The story's pacing is uneven, with too many cliché twists that fail to generate genuine suspense. The dialogue is often clunky and expository, undermining any attempt at depth or realism. While Bay's signature style might appeal to his typical substance-less fans of high-octane action, it feels out of place in the more nuanced world of psychological thrillers. Overall, the show is a disappointing blend of style over substance, leaving much to be desired for those expecting a gripping and thoughtful crime drama.
This should not have been a seven episode series. So many episodes showed a lot of the same clips and interviews and, frankly, was very annoying, confusing and a waste of time. The topic itself and interviews were interesting but by the time you watched the same ten minutes in several episodes it becomes boring. It wasn't just one clip or interview they repeated over and over, it was many. At first I thought I put on the same episode, but then they would finally move towards new information. Then the same thing would happen in the following episode.
If this was condensed to a two or three hour program I would give it at least nine stars. I give it one star for editing and continuity so I give the program five stars.
If this was condensed to a two or three hour program I would give it at least nine stars. I give it one star for editing and continuity so I give the program five stars.
I turned it off after the 76th hard cut and action movie trailer beat. It's absolutely unwatchable. I got a little over two minutes in. If you can watch more, you're better than me. I admit it. I'm a fan of true-crime stuff, absolutely. I don't have a tiktok attention span. But this made me feel like I was high on xtc at a german rave and talking about serial killers.
It'sjust absurdly badly made. I honestly doubt it 'll get better or you'll find a lot of substance in this documentary. The intro alone was enough to point that out. Something positive? Sure. The poster design is pretty awesome. Cool use of colors. But that's really all I've got. Maybe I'm too critical ... but maybe we should expect more? Now that I'm writing this, I wonder how the families feel about being in a transformer-style documentary.
It'sjust absurdly badly made. I honestly doubt it 'll get better or you'll find a lot of substance in this documentary. The intro alone was enough to point that out. Something positive? Sure. The poster design is pretty awesome. Cool use of colors. But that's really all I've got. Maybe I'm too critical ... but maybe we should expect more? Now that I'm writing this, I wonder how the families feel about being in a transformer-style documentary.
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