Aap Jaisa Koi: Proprio come te

*The film normalizes toxic relationships (of kamala bhabhi) under the guise of passion and spontaneity, sending questionable messages to the younger generation.*

Instead of promoting communication, respect, and personal growth, the film glorifies possessiveness and impulsive decisions. Characters jump into intense commitments without self-awareness or maturity. Being transparent, resolving past ties respectfully, and giving yourself and others emotional clarity is not only fair but necessary for future peace.

It may entertain, but it fails to set a positive example for viewers who are still forming their understanding of healthy relationships.

Started off very well - characters did justice at the start - but it became a very slow moving tv serial style drama after Curt's half - it stayed with the essence of the message until the end - but the dialogues and BGM was not powerful enough to let audience stay in love with the characters.. lack of power toward the end .

Cast was good for each character - each person played with full justice individually - just when the characters get woven together as the family - the chemistry was not powerful enough.

Coming of age in terms of equal respect to both sides of the relationship in a marraige - message stayed consistent - that was good.

At one point in the movie she says that a nerdy guy like him and a cute girl like her would make a nice romcom . Unfortunately this doesn't happen and what follows is a collection of pointless scenes with confused sentiments.

The plot is about a shy, docile, unromantic Sanskrit teacher Shrirenu who plays a Sitar and a young lady Madhu teaching French language who plays a piano. He belongs to a middle class family of Jamshedpur while she belongs to a Bengali family based in Kolkata.

Despite their different approaches to life both get along fine at first, romance blooms but there are disagreements over petty issues and they break up. They love each other and later when their misunderstandings are getting cleared Madhu's earlier boyfriend makes an appearance. This complicates matters and creates the customery triangle but worse follows when there is an emotional upheaval in both families.

The movie meanders between the endearing and the insipid. While the vicissitudes of romantic relationships are well projected there are quite a few totally unconvincing scenarios in the families of couple. To me the plot twist at the end appeared grossly unconvincing and outlandish. Overall the movie looked like a missed opportunity for the makers. Both Madhavan and Fatima do what the character limitations permit them to do but these characters could have made a better impression if the plotline was realistic and stronger.

A beautiful woman, a french teacher, falls in love with the simplicity and authenticity of a simple shy nerdy guy, a sanskrit teacher nearly 10 years older to her. The story is about how their love gets tested over some hidden issues in Indian society - one of wielding power over women - not of the domestic violence ones, but the subtle and silent one - that outsiders wouldn't really be able to sense.

For instance, showing decisions taken by the women as permitted by the man. The movie touches upon touchy topics of loneliness of unmarried people, marriages that exist without love for decades, and most importantly genuine, authentic equality between a couple - both the man and the woman.

R Madhavan is as his usual best - playing the boy next door, albeit older as naturally as possible.

Ayesha Raza Mishra plays the role of the loving, but vulnerable, wife who's eyes yearn respect from her husband so well.

After Metro in Dino, and now AJK I am falling heel over head for Fatima Sana Shaikh - Amazing screen presence, nuanced acting - she has done a marvelous job. Couldn't take my eyes off her acting, her presence on the screen.

Movie start with good storyline, acting, plot.

8 star movie for about 1.5hr, after that destroy the plot, story and added the one sided story line for feminist audience.

Within time period of 10-12 min they wrap up the story and 360 turn totally out of mind and it seems they are in hurry to end the movie within the period of 2hr.

Movie start with good storyline, acting, plot.

8 star movie for about 1.5hr, after that destroy the plot, story and added the one sided story line for feminist audience.

Within time period of 10-12 min they wrap up the story and 360 turn totally out of mind and it seems they are in hurry to end the movie within the period of 2hr.