Nel mondo libero

This has to be one of the most intelligent moving all encompassing films I have seen in many years. It was a movie about survival in a world that is morally bankrupt. There are so many aspects of it to dissect but I'll focus only on a few. Having an underlying storyline of end of life for dogs was a perfect metaphor. At the point that they come to the shelter, everything has irrevocably changed for these pups and it happens most times due to no error or fault of the dog. It's just that inevitable stage of their lives when no matter how happy or unhappy their prior life, this is now. There's no going back (a line used later in the movie - how clever) The scene where the protagonist comforts a newly arrived dog is very powerful.

As forecasted by the dog storyline, the movie is also about broken systems and their impacts on human life. How they bring you to the brink. But there is, if not healing, then redemption. I appreciated the distinction made about 2 of our primary religions. I don't have to delve further because I'm not searching for a religion, but I appreciated the insight into what Islam at its best and most personal can mean. There's brokenness everywhere, and sadly often at the hands of white men, who seem to act with impunity and arrogance. But here's the surprise -the protagonist is white and he is the antithesis to that stereotype. Elizabeth Moss was amazing - so much depth over and beyond her Mad Men days. I get the love story although at times it felt implausible or rushed. But otherwise, truly excellent movie. I hope there is a book behind it somewhere.

I thought at first that this was another of my Netflix mistakes. I sometimes queue a DVD for fleeting reasons, and then, when the disk arrives, I wonder "why did I want to watch this one?" I thought the lead actor was insanely good. Even the parts where he sullenly has nothing to say, his body language spoke volumes. I thought he was perfectly credible as a wounded man-child, having been falsely convicted in his early teens of something that I don't think was ever specified.

The female lead was also the victim of undeserved violence, a battered wife. I liked the way the screenplay took a while to make that clear.

My only complaint is that there were one or two spots in the film where the pacing got really slow. Since these 2 characters weren't free to move around a lot because of the threats against them, there were many cloistered moments during which they could only speak - but then again, neither wanted much to talk due to their situation/condition.

Having read mixed reviews I wasn't sure what to expect but watched it mainly for Elizabeth Moss. Pretty simple and predictable story but the performances of the two leads lifts this movie, I thought it was a brilliant piece of movie making.

No spoilers. This is a well-acted, well-written, real-world drama with a merciful lack of super hero clichés. The ending isn't what you expect. Which I like. This is more art film than action hero folks. So don't waste your time if you need that fix. It's a rare example of good American indie.

I love to watch films that don't require much location, much vulgarity, a lot of CGI, gun violence and sex scenes to tell a story. With a excellent script and excellent acting, a film can be well done with the just the basics. I loved this movie, two people finding true love under real dire conflict but in the end having to face the harsh reality of their decisions. I will add this, any man who beats on women is a punk, coward lowlife and true scumbag. This movie is straight forward and honest and right to the point and you can't ask any more of film. Kudos to the whole cast. I will admit I was looking for a more brighter ending for the couple, but that's what was made it so good, it didn't have that cliché type of a happy ending. I highly recommend this to film lovers, not movie goers, there is a big difference. You will not be disappointed.