Aggiungi una trama nella tua linguaIn 1972, the patients and doctors at Stephens Sanitarium were brutally murdered. Over forty years later, the only known survivor returns only to find the ghosts of the past have not been res... Leggi tuttoIn 1972, the patients and doctors at Stephens Sanitarium were brutally murdered. Over forty years later, the only known survivor returns only to find the ghosts of the past have not been resting in peace.In 1972, the patients and doctors at Stephens Sanitarium were brutally murdered. Over forty years later, the only known survivor returns only to find the ghosts of the past have not been resting in peace.
- Regia
- Sceneggiatura
- Star
Arianne Martin
- Dr. Lucy Mills
- (as Arianne Margot)
Recensioni in evidenza
This was an incredible movie. I hated the first one, but this is so much better. I like how it all comes together and explains a lot. Give it a try, it's good
Belated 2015 sequel to 1973's Don't Look in the Basement. This one is directed by Tony Brownrigg (son of the late S. F. Brownrigg who directed the first). Nice to see that Brownrigg Jr managed to use the same building as the one featured in the first movie. The premise is that the one surviving patient from the first film, who has remained institutionalised elsewhere ever since, is returned to what was Stephen's Sanitarium (the reason for this is never made quite clear). However, his presence awakens the spirits of all those we saw killed at the climax of the first film, and who then start to possess the present-day staff and patients
This is obviously a labour of love for the director (it's touchingly dedicated 'for dad' at the end). The switch from the 'psycho biddy' horror of the first film to haunted house/possession is interesting. It's a shame that for the first half of the 1hr 28min runtime pretty much nothing happens. As with the first film the cast are all virtual unknowns, but they do okay (although there are two characters inserted as 'comic relief', whose presence and tone really jar with the rest of what's going on). When things finally get underway there are some nice ideas, and some cute callbacks to the original film, but it never really grabs you and the ending is a little flat. Only really worth checking out if you're a fan of the first. 5/10.
This is obviously a labour of love for the director (it's touchingly dedicated 'for dad' at the end). The switch from the 'psycho biddy' horror of the first film to haunted house/possession is interesting. It's a shame that for the first half of the 1hr 28min runtime pretty much nothing happens. As with the first film the cast are all virtual unknowns, but they do okay (although there are two characters inserted as 'comic relief', whose presence and tone really jar with the rest of what's going on). When things finally get underway there are some nice ideas, and some cute callbacks to the original film, but it never really grabs you and the ending is a little flat. Only really worth checking out if you're a fan of the first. 5/10.
The original 1973 movie found itself banned in Britain as a Video Nasty, I haven't watched it for some time but I recall it being fairly good. Pity the same thing can't be said for its 2015 sequel. The movie starts off slowly but reasonably interesting, sadly the second half descends into a confusing mess. Several characters ask "What's going on?", I only wish I knew! I could watch it again to try and make sense of it but frankly I have better things to do with my time. The acting is generally passable and there are a few gory moments, but it's not enough to save this dross. Beware some dubious reviews!
If you're a fan of the horror genre, you have to slog through a lot of crap and once in a while, you come across a truly pleasant surprise. "Don't Look in the Basement 2" is one of those happy surprises.
For those who are unaware, "Don't Look in the Basement" was a 1973 horror film by S.F. Brownrigg that involved a young nurse going to an asylum where murder and mayhem ensues. It garnered some serious notoriety because it was acquired by Hallmark Pictures and was given the same marketing campaign as the original "Last House on the Left" ("It's only a movie... only a movie...").
And now, over 40 years later, comes a direct sequel directed by Anthony Brownrigg, son of the original director. In this one, a doctor goes to work at a small, country asylum after a tragedy involving his wife. The director of the asylum informs the staff that a very special patient is coming. And it is a man named Sam, who was one of the lone survivors of the events in the original film.
Once Sam gets there, strange things start to happen. Patients and staff start acting strange, and seem to be taking on the persona of the characters of the original movie. And as you might expect, murder and mayhem seem to be on the menu again...
The movie is way, way better than you'd expect. The acting is professional, there is creepiness, scares, intentional comic relief, and some truly disturbing scenes. It's well photographed and solidly directed. And it's got an actual, honest-to-goodness ENDING.
It helps to have seen the original (otherwise the characters seem to be just acting weird instead of channeling other characters) but it's not a necessity.
I was really surprised by how good this was. Definitely recommend it.
For those who are unaware, "Don't Look in the Basement" was a 1973 horror film by S.F. Brownrigg that involved a young nurse going to an asylum where murder and mayhem ensues. It garnered some serious notoriety because it was acquired by Hallmark Pictures and was given the same marketing campaign as the original "Last House on the Left" ("It's only a movie... only a movie...").
And now, over 40 years later, comes a direct sequel directed by Anthony Brownrigg, son of the original director. In this one, a doctor goes to work at a small, country asylum after a tragedy involving his wife. The director of the asylum informs the staff that a very special patient is coming. And it is a man named Sam, who was one of the lone survivors of the events in the original film.
Once Sam gets there, strange things start to happen. Patients and staff start acting strange, and seem to be taking on the persona of the characters of the original movie. And as you might expect, murder and mayhem seem to be on the menu again...
The movie is way, way better than you'd expect. The acting is professional, there is creepiness, scares, intentional comic relief, and some truly disturbing scenes. It's well photographed and solidly directed. And it's got an actual, honest-to-goodness ENDING.
It helps to have seen the original (otherwise the characters seem to be just acting weird instead of channeling other characters) but it's not a necessity.
I was really surprised by how good this was. Definitely recommend it.
Man. Was I harsh on the first one. Now, after seeing the follow-up, the original was an all-but masterpiece.
When I was a kid, like nine or so years old, I saw the original horror low-budget shockfest and I was scared to death. The low-budget of it all plus the "I'm not supposed to see this, but my parents are asleep and as long as I keep the volume low" aspect was what put me over the edge.
So, when I just now (about two years, too late) realized there was a sequel, I decided to spend my Friday night with a double feature of the two Don't Look in the Basements. Because it had such an impact on me, the original still sent shivers down my spine as I recalled how I felt when I was under 10 and seeing such carnage.
And then, I started the follow-up, close to 40 years after the original. And boy, this was bad.
It appears the new creators had no clue what the original was about. Either they only saw clips of the 1973 film, or they only read a synopsis, they made a completely different movie using some of the main characters from back then and morphed it into a literal comedy.
To give the synopsis, originally there was an isolated and experimental mental hospital that saw the attempted murder of the only doctor and a new nurse tricked by a patient into believing she was the new head doctor. Mayhem ensures and patient Sam murders everyone in order to save said new-nurse who escapes.
That was part one. Part two takes place in real time (approx. 40 years later) and Sam returns to a "new" mental hospital run by an enormously incompetent staff and the tone/genre completely shifts. Oh, and some murders happen with generic results.
While the actors involved give their all and the film was well shot, the movie couldn't have been more different than the original. It's like them making (another) sequel to Psycho 40 years later and making it a comedic spoof of Norman Bates tripping over the stairs leading from his mother's house to the motel.
Normally, I would recommend even in the slightest for fans to see a follow-up to a movie they may have loved or deemed a "guilty pleasure," but in this case, stay away, stay far away. This "movie" was a waste. And especially for those who LOVED the original, which I'm starting to. You will see conclusions to the characters you initially rooted for end up being completely destroyed here.
Don't look in the basement and certainly, don't look this one up.
***
Final thoughts: Okay, here's where I give my own guilty pleasure. Fine, there was one aspect I loved. One of the orderlies, the bigger one, "Bishop" - played by Scott Tepperman, was a pleasure to look at. Sure, him and the other psycho orderly were obviously inserted as comic relief, I still couldn't keep my eyes off such a hunk. At least, in such a terrible misfire, I could find pleasure in such the bear.
When I was a kid, like nine or so years old, I saw the original horror low-budget shockfest and I was scared to death. The low-budget of it all plus the "I'm not supposed to see this, but my parents are asleep and as long as I keep the volume low" aspect was what put me over the edge.
So, when I just now (about two years, too late) realized there was a sequel, I decided to spend my Friday night with a double feature of the two Don't Look in the Basements. Because it had such an impact on me, the original still sent shivers down my spine as I recalled how I felt when I was under 10 and seeing such carnage.
And then, I started the follow-up, close to 40 years after the original. And boy, this was bad.
It appears the new creators had no clue what the original was about. Either they only saw clips of the 1973 film, or they only read a synopsis, they made a completely different movie using some of the main characters from back then and morphed it into a literal comedy.
To give the synopsis, originally there was an isolated and experimental mental hospital that saw the attempted murder of the only doctor and a new nurse tricked by a patient into believing she was the new head doctor. Mayhem ensures and patient Sam murders everyone in order to save said new-nurse who escapes.
That was part one. Part two takes place in real time (approx. 40 years later) and Sam returns to a "new" mental hospital run by an enormously incompetent staff and the tone/genre completely shifts. Oh, and some murders happen with generic results.
While the actors involved give their all and the film was well shot, the movie couldn't have been more different than the original. It's like them making (another) sequel to Psycho 40 years later and making it a comedic spoof of Norman Bates tripping over the stairs leading from his mother's house to the motel.
Normally, I would recommend even in the slightest for fans to see a follow-up to a movie they may have loved or deemed a "guilty pleasure," but in this case, stay away, stay far away. This "movie" was a waste. And especially for those who LOVED the original, which I'm starting to. You will see conclusions to the characters you initially rooted for end up being completely destroyed here.
Don't look in the basement and certainly, don't look this one up.
***
Final thoughts: Okay, here's where I give my own guilty pleasure. Fine, there was one aspect I loved. One of the orderlies, the bigger one, "Bishop" - played by Scott Tepperman, was a pleasure to look at. Sure, him and the other psycho orderly were obviously inserted as comic relief, I still couldn't keep my eyes off such a hunk. At least, in such a terrible misfire, I could find pleasure in such the bear.
Lo sapevi?
- QuizA direct sequel to director S.F. Brownrigg's Non guardare in cantina (1973), better known as "Don't Look in the Basement", directed by Brownrigg's son Tony Brownrigg.
- Curiosità sui creditiAfter the end credits, it reads "for dad".
- ConnessioniEdited from Non guardare in cantina (1973)
- Colonne sonoreMozart Piano Concerto 23 Adagio
Written by Wolfgang Amadeus Mozart (uncredited)
Performed by Samuel Smythe
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- Не заглядывайте в подвал 2
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- Tehuacana, Texas, Stati Uniti(Trinity Institute)
- Vedi altri crediti dell’azienda su IMDbPro
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