Film ambientato tra gli orrori di Auschwitz del 1944 in cui un prigioniero, costretto a bruciare i cadaveri della sua stessa gente, trova un motivo per sopravvivere cercando di salvare dalle... Leggi tuttoFilm ambientato tra gli orrori di Auschwitz del 1944 in cui un prigioniero, costretto a bruciare i cadaveri della sua stessa gente, trova un motivo per sopravvivere cercando di salvare dalle fiamme il corpo di un ragazzo che crede sia suo figlio.Film ambientato tra gli orrori di Auschwitz del 1944 in cui un prigioniero, costretto a bruciare i cadaveri della sua stessa gente, trova un motivo per sopravvivere cercando di salvare dalle fiamme il corpo di un ragazzo che crede sia suo figlio.
- Vincitore di 1 Oscar
- 65 vittorie e 61 candidature totali
Trama
Lo sapevi?
- QuizDuring the preparation, director László Nemes, cinematographer Mátyás Erdély and production designer László Rajk made a pledge to stick to certain rules, or a "dogma", which included:
- The film cannot look beautiful.
- The film cannot look appealing.
- We cannot make a horror film.
- Staying with Saul means not going beyond his own field of vision, hearing, or presence.
- The camera is his companion, it stays with him throughout this hell.
- BlooperThe short text at the beginning says, that the members of the 'Sonderkommando' were killed after 3 months, but this is a simplification of the more complicated history. While it's correct that these men were supposed to be killed and replaced after a few months, in some cases they were killed much earlier and in other rare cases they could survive for over 2 years, like Filip Müller. This depended mostly on the skills of the individual 'Sonderkommando' slave worker, who was sometimes needed by the SS to train the new 'Sonderkommando' members, but also on pure coincidence and luck.
- Citazioni
Abraham Warszawski: You failed the living for the dead.
Saul Ausländer: We are dead already.
- ConnessioniFeatured in 73rd Golden Globe Awards (2016)
- Colonne sonoreDream Faces
Written by William Marshall Hutchison
Performed by Elizabeth Spencer
And it stays this way. In the first few minutes, the camera stays within a range of 50 centimeters from Saul's face. Or I should say: Saul's head - because sometimes we see only the side or the back of his head.
The effect of this style of filming is no less than spectacular. All kinds of things are happening around Saul. Horrible things, we soon learn. But we never get to see them close by. We only see shapes, out of focus, at the extreme fringes of the screen, and we hear the sounds. And we keep seeing his face, in focus. He moves around, works, does things, and all the while all we see is his face.
Soon we understand where he is: in a Nazi concentration camp. Saul belongs to a Sonderkommando, a group of Jews who are temporarily spared from death to do the labour the Germans don't want to do. In the midst of the terrible atrocities, it becomes his mission to bury a boy he believes is his son.
This film is unique in showing the concentration camp for what is is: hell on earth. Naked dead bodies being dragged around, desperate people being shot indiscriminately, complete absence of anything humanity stands for. It is exactly this total loss of dignity that drives Saul in his hopeless quest for a way to organize a proper burial for the dead boy.
Son of Saul is the complete antithesis of that other monumental Holocaust movie: Schindler's List. While Spielberg's film is made according to all the rules of good film making, Son of Saul is a claustrophobic trip, without any possible concession to commercial appeal. The dialogue is often hardly comprehensible, spoken in three languages, sometimes not louder than a whisper. Not all the acts and events are quite clear, and only after a while you understand what exactly drives Saul.
This is a unique, hard-hitting movie experience. When you go see it, don't expect a well-rounded story with heroes and villains and a nice ending. But expect to be swept away.
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Son of Saul
- Luoghi delle riprese
- Mafilm, Budapest, Ungheria(Studio)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.500.000 € (previsto)
- Lordo Stati Uniti e Canada
- 1.777.043 USD
- Fine settimana di apertura Stati Uniti e Canada
- 37.930 USD
- 20 dic 2015
- Lordo in tutto il mondo
- 6.659.121 USD
- Tempo di esecuzione1 ora 47 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1